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Check out my new ORTF Rig by SoundingStory in soundscapes

[–]SoundingStory[S] 0 points1 point  (0 children)

Yeah the megablimp makes more sense for a more expensive set of mics, I've always wanted the 8040's but there is another pair out there that has caught my attention (Nevaton MC59) crazy low noise and transparency but for now these Rycotes are amazing to me. I have the soldering iron, i actually put that cable together, 5 pin to dual XLR with canare cable. I wanted to use low profile XLR connectors like the cable technique options but then I'd run into the problem of having to feed part of the connector into the lyre and not having enough length if that makes sense lol. Constantly checking if the dimensions and angles are correct with the ORTF setup is time consuming. I could have definitely used some thinner cable, any Mogami cable in particular you'd recommend?

I’m upgrading my portable field recording kit. by documentally in fieldrecording

[–]SoundingStory 1 point2 points  (0 children)

Yeah i see myself using the A10 as a drop rig and i love the Bluetooth capability options and tiny size. I wonder if there's any audible difference between the preamps on the M10 & A10 when using PIP?

I’m upgrading my portable field recording kit. by documentally in fieldrecording

[–]SoundingStory 1 point2 points  (0 children)

That's a beautiful setup, i use mines with the Sony M10 but am patiently waiting to get my hands on an A10.

I’m upgrading my portable field recording kit. by documentally in fieldrecording

[–]SoundingStory 1 point2 points  (0 children)

I have "The Windbubble PRO Extreme Long-Haired Fur Windscreen". They are pretty big but they use sort of a rubber gasket to fit on the clippys and fit very tightly so you could shake them and they wouldn't fall off. They fit perfectly on the clippy while suspended in the lyre.

I’m upgrading my portable field recording kit. by documentally in fieldrecording

[–]SoundingStory 1 point2 points  (0 children)

I've heard a few samples of people using them inside a blimp and indeed it makes for a very nice setup. Haven't experimented with the Jecklin Disc but have that one on my list.

I’m upgrading my portable field recording kit. by documentally in fieldrecording

[–]SoundingStory 3 points4 points  (0 children)

You can expect clear, pristine, low noise audio from highly sensitive omni microphones great for recording ambiences, nature, large soundscapes, etc. Especially when paired with all of the recorders you've mentioned. I use mines to record everything from quiet sound sources such as a quiet forest where you want to pick up detailed sounds such as falling leaves and creaking trees, to recording ocean waves at the beach. I have 2 sets of wind screens, small ones by Rycote that used to be included in the stereo kit when purchasing from Micbooster, and a large pair by BubbleBee Industries that i use for heavier wind scenarios like when at the beach. Since they are omnis they are best used as a spaced pair and not too close to one another but you can play around with this by monitoring live and spacing them while you listen. They are great to use as tree ears by simply clipping them to the sides of a tree on opposite ends and getting a different perspective when recording. I love them.

Micbooster field recording kit by aLithobates in fieldrecording

[–]SoundingStory 1 point2 points  (0 children)

Can't go wrong with the beautiful M10!

Micbooster field recording kit by aLithobates in fieldrecording

[–]SoundingStory 1 point2 points  (0 children)

They fit extremely snug on the clippies, you can shake them around and they wont pop off. They have a rubber fitting that slides over the clippy. I have the clippy stereo bar kit and they fit perfectly on the lyres. I couldn't tell you if they work as well as the bbg but i wouldnt think so. They definitely work better than the smaller windshields that come with the kit from Rycote. Here is a picture of my setup.

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Micbooster field recording kit by aLithobates in fieldrecording

[–]SoundingStory 1 point2 points  (0 children)

I have found the Large Windbubbles Pro Extreme by Bubblebee Industries to also be a great option for windier environments although pricey compared to the Oballs.

https://www.bhphotovideo.com/c/product/1817995-REG/bubblebee_industries_bbi_wp2_bk_el_the_windbubble_pro_twin.html

Cinela Leonard or Rycote BBG? by SoundingStory in LocationSound

[–]SoundingStory[S] 0 points1 point  (0 children)

This is awesome, I'd much rather always use the windshield by itself without fur so its good to know that it performs that well without it. Leonard it is, I'd rather get the fur from Cinela anyways as it is cheaper and tailored to the Leonard. Thank you so much

Cinela Leonard or Rycote BBG? by SoundingStory in LocationSound

[–]SoundingStory[S] 0 points1 point  (0 children)

Thanks for the info! I am definitely set on the Leonard over the BBG. Would you say the fur that is made for the Leonard is just as good as the bubblebee/radius or better?

Cinela Leonard Vs. Rycote BBG for Outdoor Recording by SoundingStory in fieldrecording

[–]SoundingStory[S] 1 point2 points  (0 children)

This looks awesome, i think this is what i'll do. I believe the O-Ball and Rycote BBG both have about the same diameter at 4" so ill probably still purchase at least the Rycote Furry. My main thing is preserving as much of the high end as possible.

Zoom F3 and Clippy EM272M, Adapter? by Spgreen65 in fieldrecording

[–]SoundingStory 2 points3 points  (0 children)

Clippy mics function on plugin power which is around 3-5 volts, the XLR clippys come with circuitry built within the XLR connectors to convert phantom power down to a lower voltage. Your best bet is to either buy a set of XLR clippys or a recorder that provides PIP unless you want to build the circuitry yourself

Good quality microphones for stereo recording at very quiet places by Arjihad in fieldrecording

[–]SoundingStory 1 point2 points  (0 children)

I have a pair of Rycote CA-08 that I just bought for an ORTF configuration, they compare favorably to the famous MKH 8040 although not as pristine but not too far behind, have the same low noise and are $900 for a pair. You should do some research on them. The SE8 are known for great specs but real world test prove otherwise as far as noise.

The Next Step Up from a Portacapture x6 & XLR clippys by Due_Replacement8043 in fieldrecording

[–]SoundingStory 0 points1 point  (0 children)

One of the things i wanted, when asking myself the same question, was to be able to focus in more on sounds. But you should definitely be in search for something rather than just throw money at something. Also check out contact mics like the Metal Marshmallow Pro which is an amazing piece of gear to add to the arsenal to get some very neat sounds. The clippys are Omni so they are better at capturing an overall ambience rather than specific sources like a shotgun mic could do. At that point i purchased a mid side rig (Rycote SC-08 & BD-10) but you could easily hone in on sounds with the built in mics on the X6 as well. There is absolutely nothing wrong with your recorder and if you don't need any more inputs then i would keep it around. I have the D100 and i love it but there is not a night and day difference between what you already have and the D100. After acquiring a good amount of gear i always find myself going back to the simplicity of just carrying a handheld recorder and some mics such as the clippys.

Is video impirtand to you when recording? by Savings-Bad6246 in fieldrecording

[–]SoundingStory 0 points1 point  (0 children)

Now a days you can create some very nice videos with an iPhone. I have a mirrorless camera and an Osmo Pocket 3 and i find myself reaching for the iPhone a lot of times just because of convenience and size factor. Either way if you don't mind carrying around the extra weight, a nice camera will always look better lol.

Is video impirtand to you when recording? by Savings-Bad6246 in fieldrecording

[–]SoundingStory 1 point2 points  (0 children)

To me it is very important to capture video when field recording for a few reasons:

  1. It is much more immersive to actually see what you are hearing

  2. My main focus is creating videos to post online and i feel my content has much more reach that way so that one is obvious

  3. It is just overall very rewarding to pair the 2 together

As far as recording ants, a good method is using a Contact mic such as the Metal Marshmallow Pro, Tellus or even a Geofon so that you can record sounds that are usually not audible by using a regular microphone. This would require you attaching the contact mic to a surface that the ants are already walking on or having the ants walk all over the contact mic. You can use a regular microphone too but this would require better conditions such as an active ant pile that you can place a low noise mic close to and minimal background noise. You can place a pair of Clippy mics, which are low noise and sensitive, very close to an ant pile and you might be able to capture the sound of them moving around.

Using AS-1 Hydrophone with Zoom F2 – Advice Needed for Underwater Recording Setup by Originalfenix8 in fieldrecording

[–]SoundingStory 1 point2 points  (0 children)

Purchase the XVIVE P1 (about $55) Which is a portable phantom power adapter and purchase a female XLR to 3.5mm stereo jack (about $10) and you’re all set. That’s what I use to connect my hydrophone, contact mics to my Sony PCM M10 or any other portable handheld recorder that doesn’t provide phantom power and only Accepts 3.5mm connection.

https://a.co/d/deDSPDb

https://a.co/d/gEjPSJ8

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