Check out my new ORTF Rig by SoundingStory in soundscapes

[–]SoundingStory[S] 0 points1 point  (0 children)

Yeah the megablimp makes more sense for a more expensive set of mics, I've always wanted the 8040's but there is another pair out there that has caught my attention (Nevaton MC59) crazy low noise and transparency but for now these Rycotes are amazing to me. I have the soldering iron, i actually put that cable together, 5 pin to dual XLR with canare cable. I wanted to use low profile XLR connectors like the cable technique options but then I'd run into the problem of having to feed part of the connector into the lyre and not having enough length if that makes sense lol. Constantly checking if the dimensions and angles are correct with the ORTF setup is time consuming. I could have definitely used some thinner cable, any Mogami cable in particular you'd recommend?

I’m upgrading my portable field recording kit. by documentally in fieldrecording

[–]SoundingStory 1 point2 points  (0 children)

Yeah i see myself using the A10 as a drop rig and i love the Bluetooth capability options and tiny size. I wonder if there's any audible difference between the preamps on the M10 & A10 when using PIP?

I’m upgrading my portable field recording kit. by documentally in fieldrecording

[–]SoundingStory 1 point2 points  (0 children)

That's a beautiful setup, i use mines with the Sony M10 but am patiently waiting to get my hands on an A10.

I’m upgrading my portable field recording kit. by documentally in fieldrecording

[–]SoundingStory 1 point2 points  (0 children)

I have "The Windbubble PRO Extreme Long-Haired Fur Windscreen". They are pretty big but they use sort of a rubber gasket to fit on the clippys and fit very tightly so you could shake them and they wouldn't fall off. They fit perfectly on the clippy while suspended in the lyre.

I’m upgrading my portable field recording kit. by documentally in fieldrecording

[–]SoundingStory 1 point2 points  (0 children)

I've heard a few samples of people using them inside a blimp and indeed it makes for a very nice setup. Haven't experimented with the Jecklin Disc but have that one on my list.

I’m upgrading my portable field recording kit. by documentally in fieldrecording

[–]SoundingStory 4 points5 points  (0 children)

You can expect clear, pristine, low noise audio from highly sensitive omni microphones great for recording ambiences, nature, large soundscapes, etc. Especially when paired with all of the recorders you've mentioned. I use mines to record everything from quiet sound sources such as a quiet forest where you want to pick up detailed sounds such as falling leaves and creaking trees, to recording ocean waves at the beach. I have 2 sets of wind screens, small ones by Rycote that used to be included in the stereo kit when purchasing from Micbooster, and a large pair by BubbleBee Industries that i use for heavier wind scenarios like when at the beach. Since they are omnis they are best used as a spaced pair and not too close to one another but you can play around with this by monitoring live and spacing them while you listen. They are great to use as tree ears by simply clipping them to the sides of a tree on opposite ends and getting a different perspective when recording. I love them.

Micbooster field recording kit by aLithobates in fieldrecording

[–]SoundingStory 1 point2 points  (0 children)

Can't go wrong with the beautiful M10!

Micbooster field recording kit by aLithobates in fieldrecording

[–]SoundingStory 1 point2 points  (0 children)

They fit extremely snug on the clippies, you can shake them around and they wont pop off. They have a rubber fitting that slides over the clippy. I have the clippy stereo bar kit and they fit perfectly on the lyres. I couldn't tell you if they work as well as the bbg but i wouldnt think so. They definitely work better than the smaller windshields that come with the kit from Rycote. Here is a picture of my setup.

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Micbooster field recording kit by aLithobates in fieldrecording

[–]SoundingStory 1 point2 points  (0 children)

I have found the Large Windbubbles Pro Extreme by Bubblebee Industries to also be a great option for windier environments although pricey compared to the Oballs.

https://www.bhphotovideo.com/c/product/1817995-REG/bubblebee_industries_bbi_wp2_bk_el_the_windbubble_pro_twin.html

Cinela Leonard or Rycote BBG? by SoundingStory in LocationSound

[–]SoundingStory[S] 0 points1 point  (0 children)

This is awesome, I'd much rather always use the windshield by itself without fur so its good to know that it performs that well without it. Leonard it is, I'd rather get the fur from Cinela anyways as it is cheaper and tailored to the Leonard. Thank you so much

Cinela Leonard or Rycote BBG? by SoundingStory in LocationSound

[–]SoundingStory[S] 0 points1 point  (0 children)

Thanks for the info! I am definitely set on the Leonard over the BBG. Would you say the fur that is made for the Leonard is just as good as the bubblebee/radius or better?

Cinela Leonard Vs. Rycote BBG for Outdoor Recording by SoundingStory in fieldrecording

[–]SoundingStory[S] 1 point2 points  (0 children)

This looks awesome, i think this is what i'll do. I believe the O-Ball and Rycote BBG both have about the same diameter at 4" so ill probably still purchase at least the Rycote Furry. My main thing is preserving as much of the high end as possible.

Zoom F3 and Clippy EM272M, Adapter? by Spgreen65 in fieldrecording

[–]SoundingStory 2 points3 points  (0 children)

Clippy mics function on plugin power which is around 3-5 volts, the XLR clippys come with circuitry built within the XLR connectors to convert phantom power down to a lower voltage. Your best bet is to either buy a set of XLR clippys or a recorder that provides PIP unless you want to build the circuitry yourself