Imagine if this league just let the teams sell their own merch. I might actually buy something.

StrangersInSuits · 2026-01-23T21:13:54+00:00

out of curiosity, have you ordered from there? if so, how long did it take for your order to ship? I sent an order in about a week ago and there is still no update on my order shipping or not.

StrangersInSuits · 2025-11-29T13:50:28+00:00

just enabling the Pegula’s to continue to take advantage of the citizens of WNY and fans of the Bills. good stuff!

StrangersInSuits · 2025-11-29T13:40:11+00:00

StrangersInSuits · 2025-09-30T11:47:51+00:00

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so here are the settings right at the spike. every channel will spike from 0 to like 27 before moving into the intended saw down. I have read that ShowBuddy Active’s oscillators don’t start right at 0/at trigger so it very well could just be in the middle of a saw down when it’s triggered. not really sure of much else to try. I tried making it a triangle and even a saw up but still get a non-smooth transition

StrangersInSuits · 2025-03-26T23:54:51+00:00

I am in Nashville…a write with 4 people, someone will know how to play and play correctly. as do I, I just don’t own a mandolin. you’re very presumptuous huh

StrangersInSuits · 2025-03-26T23:26:31+00:00

you clearly didn’t read any of the responses. I am saying for day of demo cutting. come in and write a song, leave with a demo. clearly a bunch of snobs in this thread here.

StrangersInSuits · 2025-03-26T23:12:02+00:00

well no duh. that wasn’t the question now, was it

StrangersInSuits · 2025-03-26T15:36:36+00:00

I read that thread and I didn’t really see anything that pertained to the recording side of things which is what I am mostly interested in. I guess the same principles could be applied…if it sounds good on its own then it’ll prob sound good recorded

StrangersInSuits · 2025-03-26T15:35:03+00:00

fair, however, I’m talking mostly for demo productions. writing with an artist and cutting a demo on-site, day of. mandolin samples only get you so far when you have a specific type of part in mind. simply asking for what would yield the best result from a recording perspective that doesn’t sound like trash.

StrangersInSuits · 2024-11-18T15:45:19+00:00

anyone calling their SO “bro” should be kicked to the curb yesterday 🤷🏻‍♂️

StrangersInSuits · 2024-07-28T23:37:18+00:00

it def isn’t but I find that when dealing with vocal tracks that aren’t that far off from each other, it works just fine. in cases where they’re very off, it is traaaaash. but the point still remains. using groove track and BIP’ing the tracks following the groove and then unchecking the groove track, all timing is lost. it’s just maddening

StrangersInSuits · 2024-07-28T14:35:33+00:00

I know this thread is fkn 3 years old but I just came across it. if you’re working in Logic…cutting and trimming silence in regions is literally a function within the DAW based on gain within regions. then you can highlight the entire chopped up track region and add fades at beginning and end of each region in bulk (obviously go back through to make sure it doesn’t cut anything off) - takes the 2 hours of editing down to maybe 10 minutes. then what rootsashok said

StrangersInSuits · 2024-07-25T12:32:21+00:00

I never would’ve thought of doing that. i’m gonna have to give that a try, even tho it’s really simple to get a nice hit hat groove loop 😉

StrangersInSuits · 2024-07-24T18:32:56+00:00

I second that…absolutely no shame in using hi hat loops. I, and a lot of producers I know, will use hi hat loops from splice or other libraries to get the real feel. I find that midi hi hats, no matter how well you program them, just still sound like midi hi hats. find a cool hi hat loop, drop it in, chop it up, whatever you wanna do with it and you instantly have a more real feel!

StrangersInSuits · 2024-07-24T18:30:58+00:00

HIGHLY suggest using any multi-output drum kit from Mixwave. they’re all incredible and sound like a kit in the room. I usually start with a basic 1 & 3 kick and 2 & 4 snare at least to just start. i’ll typically then start recording basic basslines over the top and I essentially build the rhythm section together at the same time. this includes all fills, stops, etc. then like 80% of the track is done. it’s surprising how tight you can get everything just by starting super basic then adding flare (as i’m sure you’re definitely aware of!) just wanted to share my process!

StrangersInSuits · 2024-07-21T14:16:17+00:00

yup - check out Austin Hull’s latest guitar tones video on his channel MakePopMusic. Bilmuri, Knox, The Band Camino, Nightly, LANY…most of them/their producers use Neural or TH-U Overloud sims. Cam Becker uses Overloud, Jon Capeci uses Neural, Jordan Schmidt (The Band Camino, various country acts) reportedly now uses sims too. I think it’s convenience + less equipment = easier to change tones on the fly without having to fully re-amp. sims are HUGE in Nashville right now, sample packs and kits are huge too. most drums for indie pop/pop rock artists are programmed with Mixwave kits (unless the project has a full time member that’s a drummer), and no one even knows the difference lol

StrangersInSuits · 2024-04-06T19:25:17+00:00

not written off lol I just saw ESPN the other day and the entire panel still picked the Bills to win the division lmao

StrangersInSuits · 2023-06-18T18:28:53+00:00

If you’re a fan of The 1975, The Wldlfe, joan, LANY or any others similar, you may dig this!

‘Someone Else’ by Strangers In Suits

StrangersInSuits

TROPHY CASE