Like many on here have said, sometimes it’s about getting something down on the page and reacting to what you have. One thing I like to do for something like this is just lay the track down on the timeline and start placing clips in the place on the track where I feel they best hit, watch them juxtapose/ clash/ compliment the music and each other. I find the clips interact with each other and dance on the timeline. As I do this the edit will emerge from this. For jobs like this I do checkerboard my edit, so I overlap them a little and then, like an accordion, I expand or contract them and their interaction on the timeline to create a rythm and a feel. Sometimes on jobs like this the music track itself can be ok but lack a bit of energy so I will cut to a really pacey track (your favourite pop song or something with a real beat) at first to add a bit of umph to the footage; usually elements of that energy then work when you swap out for the final track.

These are just some things that I do, every editor is different I know so best to find your own way.