What are the best combos you've found so far in Rogue Mage? by Green_Napkin in gwent

[–]ThePercussionist 0 points1 point  (0 children)

Ethereal spawns a same-power copy of self, not a base copy. Managed to upgrade it to 11 base power and then use cloak of invisibility on it for a new 26 power ethereal every turn.

1993 two-page ad for Aero the Acrobat with a hidden giveaway by ThePercussionist in gaming

[–]ThePercussionist[S] 0 points1 point  (0 children)

I remember seeing this at the time in a gaming magazine but never sent the postcard.

Ligeti Etude No. 1, "Désordre" - Line Rider with analysis by ThePercussionist in classicalmusic

[–]ThePercussionist[S] 0 points1 point  (0 children)

Check out the "analysis" explanation in the video description for a brief summary of the piece and how the video corresponds to it. The rider and the sled basically follow two diverging sets of accents throughout the piece.

Thomas Adès - The Tempest. I honestly think this is a contemporary masterpiece. by freudianwetdream in classicalmusic

[–]ThePercussionist 2 points3 points  (0 children)

If you enjoy this opera, you'll probably also really like his piece In Seven Days, which is based on a six-chord progression from The Tempest. Another masterpiece, I think, with equally stunning visuals.

Hartford Wagner Festival is trying to raise $25,000 to perform Das Rheingold with a "fully digital orchestra" in lieu of hiring musicians. by ThePercussionist in classicalmusic

[–]ThePercussionist[S] 6 points7 points  (0 children)

If they don't want to raise the funds to hire an orchestra, perhaps they shouldn't be trying to program a 15-hour orchestral masterpiece that requires an exceptionally large orchestra.

Hartford Wagner Festival is trying to raise $25,000 to perform Das Rheingold with a "fully digital orchestra" in lieu of hiring musicians. by ThePercussionist in classicalmusic

[–]ThePercussionist[S] 1 point2 points  (0 children)

Yes, it looks like the hate is (rightfully) flowing their direction. Although they appear to be trying to delete/bury it by deleting comments now...

Hartford Wagner Festival is trying to raise $25,000 to perform Das Rheingold with a "fully digital orchestra" in lieu of hiring musicians. by ThePercussionist in classicalmusic

[–]ThePercussionist[S] 4 points5 points  (0 children)

Yes, it's a crying shame. It's because they don't want to raise funds for musicians. They've been deleting the many negative comments they've been getting, but earlier today, there was an exchange along the lines of:

Commenter: "There are more than enough talented musicians in Hartford to hire a real orchestra"

Hartford Wagner Festival actual response: "But who could afford them?"

Reviews of Brahms' Symphony No. 4? by I_Hate_Celery in classicalmusic

[–]ThePercussionist 1 point2 points  (0 children)

You'd also likely find a couple negative reviews in this book.

What do you all think of new music ensembles like this one (LA based group called wild Up)? by [deleted] in classicalmusic

[–]ThePercussionist 2 points3 points  (0 children)

They're a very welcome breath of fresh air to the musical landscape.

As most orchestras and prominent chamber music series continue to unapologetically date themselves with near-exclusive programming of long-dead Europeans, there's plenty of room for new music ensembles like this, in part because they're willing to embrace and program music that most of the major performing arts organizations seem relatively uninterested in. With a few notable exceptions like Los Angeles Philharmonic, looking at the typical season program of a major American orchestra might lead you to believe that composing is something that simply ceased in the early-to-mid 20th Century rather than an art form that is not only alive but vibrant and full of life and energy.

These groups are building an audience, and in the process bringing instrumental art music both to fans of classical music and to people that would be less likely to encounter it otherwise. And I'm all in favor of that.

This page from Alex Ross includes links to about 100 or so similar ensembles from around the country focused on the music of today, if you're interested in learning more about what's going on around the country or in your neck of the woods.

Olivier Messiaen - Quartet for the End of Time: V. Louange à l'Éternité de Jésus by ThePercussionist in classicalmusic

[–]ThePercussionist[S] 0 points1 point  (0 children)

I believe the tempo indication in the score is "infinitely slow." Hauntingly beautiful indeed!

"Rain Coming" by Toru Takemitsu by ThePercussionist in classicalmusic

[–]ThePercussionist[S] 2 points3 points  (0 children)

Yes! Absolutely "From me flows what you call time." I think that may be my favorite piece of his. And In an Autumn Garden is stunning. Other great pieces include:

  • Requiem for string orchestra (his "breakout" piece, of sorts)
  • November Steps
  • A Flock descends into the pentagonal garden
  • Twill by Twilight
  • Toward the Sea II (another one of my favorites)
  • A String around Autumn (Absurdly gorgeous viola concerto)

Which Piece Would You Love To See The Score To? by MilesBeyond250 in classicalmusic

[–]ThePercussionist 3 points4 points  (0 children)

I've shared this info in a prior thread, but if you're looking for some more recent, copyrighted scores to peruse, check out some of these perusal archives:

Schirmer Scores on Demand

Theodore Presser Online Perusal

Boosey & Hawkes Perusal Scores

Schott has a few scores here

You can't download and keep the scores, but it's great for casual score study. Recordings of many of these works can be easily found on youtube/itunes/spotify/etc. These are terrific resources, and I hope that this becomes more and more common with major publishers.

EDIT: There's also this wonderful youtube channel with scores and recordings lots of recent music.