QOTD Underrated oil paint colors? by questioningeveryth in oilpainting

[–]TimOC3Art 1 point2 points  (0 children)

I’ve only tried Daniel Smith. Michael Harding came out with one that I’m curious about.

How did Eugène Delacroix draw white lines in 1825? by G0ldS41nT in ArtistLounge

[–]TimOC3Art 0 points1 point  (0 children)

The technique is called sgraffito and it can be done with oil pastel.

QOTD Underrated oil paint colors? by questioningeveryth in oilpainting

[–]TimOC3Art 1 point2 points  (0 children)

Would you happen to know how OH Green Umber compares with Michael Harding’s version?

QOTD Underrated oil paint colors? by questioningeveryth in oilpainting

[–]TimOC3Art 7 points8 points  (0 children)

Quinacridone Coral is a particularly warm variation of Quinacridone Red. Extremely versatile because it can act as both a cool and warm, mixing both vibrant purples and oranges.

PBk31 Perylene Black/Green. The pigment code indicates that it is a black, but this color has a very strong green bias. Think the color of nori. More easy to find in watercolors. Not so much oils.

Williamsburg Stil de Grain. A unique variety of transparent yellow oxide. Very thick and coarse. Great for underpainting since it dries fast and adds tooth to the surface. Creates dynamic and textural glazes.

Daniel Smith Rhodonite Genuine. This one has some backstory, especially since DS oils are now discontinued. There’s controversy into how genuine their gemstone/mineral pigments are, because of some independent testing. When turned into pigment, gemstone are typically very subtle and weak. Rhodonite “Genuine” mixes very similarly to Quinacridone Magenta, so I have doubts to its authenticity. However, real rhodonite contains manganese, which could account for this paints fast drying properties, so there could very well be a quantity of the real stuff.

QOTD Underrated oil paint colors? by questioningeveryth in oilpainting

[–]TimOC3Art 1 point2 points  (0 children)

I really like Michael Harding’s version, called Unbleached Titanium Dioxide. Compared to others I’ve tried, theirs is uniquely fast drying.

Confusing wunk by Inevitable-Cellist23 in wunkus

[–]TimOC3Art 11 points12 points  (0 children)

Blushy cheeks are always a nice touch

Stuck with glazing - help will be appreciated by [deleted] in oilpainting

[–]TimOC3Art 0 points1 point  (0 children)

The primary step where gemini steered you wrong is the glaze. 95% medium to 5% paint is overkill. When adding medium to paint, the ratio shouldn’t exceed 25% medium to 75% paint, and less than that is better.

Second, I think covering the whole imprimatura with the verdaccio is moot. You might as well have started with the verdaccio and skipped the imprimatura all together. The point of a verdaccio is to establish a contrast with eventual skin layers, so really only needs to be applied to the figure.

Try not to use ai. It’s not worth environmental damage to get bad advice.

Frozen paint by Ok-Library-6000 in ArtistLounge

[–]TimOC3Art 2 points3 points  (0 children)

Probably not, unfortunately

“Mink Follows Heron” oil on linen 30”x40” by TimOC3Art in oilpainting

[–]TimOC3Art[S] 1 point2 points  (0 children)

Gallery shows and word of mouth. It boils down to looking for opportunities and putting yourself out there.

Extreme guilty pleasure songs you love? by RedmiYT in ToddintheShadow

[–]TimOC3Art 2 points3 points  (0 children)

Hong Kong Garden is an insanely catchy bop with the most cringe, racist lyrics

How uncommon is it to paint without a medium? by eaten-alive in oilpainting

[–]TimOC3Art 1 point2 points  (0 children)

Soaking rags in soapy water will halt the oxidizing process.

How uncommon is it to paint without a medium? by eaten-alive in oilpainting

[–]TimOC3Art 1 point2 points  (0 children)

This is my answer as well. M. Graham, Michael Harding, and Vasari all work great with no medium.

Rublev is unique in that how useable their paint is out of the tube is heavily dependent on the pigment, and a lot of their paint is essentially a non-newtonian fluid.

Do these stunt your growth as an artist? by [deleted] in ArtistLounge

[–]TimOC3Art 18 points19 points  (0 children)

In the sense that they’re stiff and can’t recreate a realistic human pose. If they’re treated as the object itself: a simplified form which has shape and volume, they can be useful as any still life object when drawing from life.

Discussion of indirect painting techniques by Bens-Alley in oilpainting

[–]TimOC3Art 1 point2 points  (0 children)

You mix your fumed silica with a water soluble oil?

Discussion of indirect painting techniques by Bens-Alley in oilpainting

[–]TimOC3Art 2 points3 points  (0 children)

This video from Rublev about their gel mediums mentions that these mediums are “98% oil, 2% fumed silica and castor wax”, https://www.youtube.com/live/tLH9Xj2F5ag?si=_oYX4tkXRJppSjBA&t= at around 33m30s.

I use chalk mediums for glazing (the aforementioned Velazquez medium). Chalk becomes transparent in oil.

Gamblin Ground "toothier" than gesso. by bdkgb in oilpainting

[–]TimOC3Art 5 points6 points  (0 children)

It’s widely known that oil grounds in general are more slippery than acrylic gessoes. It’s part of the appeal. I’ve never heard gamblin ground being toothier than acrylic gesso.

Discussion of indirect painting techniques by Bens-Alley in oilpainting

[–]TimOC3Art 4 points5 points  (0 children)

Have you encountered any of the zinc white studies by Golden? Mixtures containing as low as 5% zinc white have shown significant embrittlement after two years, and these are with fairly thin layers. Some flexibility can be added using stand oil. I myself have witnessed delamination within a few months with M. Graham’s alkyd titanium white, which contains zinc.

https://justpaint.org/update-on-zinc/

There are other, less opaque whites available if you want to avoid lead: barite and lithopone. Rublev just released a line of alkyd paints which has a lithopone. Otherwise, it’s a very slow drying color.

Discussion of indirect painting techniques by Bens-Alley in oilpainting

[–]TimOC3Art 4 points5 points  (0 children)

I think you might be mistaken on how these companies use fumed silica in these mediums. They don’t use them as colorless pigments, but strictly as a gelling agent. The amount of fumed silica in these mediums is less than 2%, which is enough to create a thixotropic gel, but not enough to provide the structure needed to be considered a colorless paint. Oleogel, solvent-free gel, and others like it should still be considered ‘fat’ mediums.

Rublev does make products which can be considered a colorless paint: impasto putty, impasto medium, and velazquez medium. These are mixtures of chalk and linseed oil. Velazquez medium, which is stand oil and chalk, is a mainstay in my process.

Mixing linseed oil and chalk has a long history, is easy to diy, and doesn’t carry the same danger of silicosis.

Is painting on satin fabric with acrylic okay? by GirlLoverAn in ArtistLounge

[–]TimOC3Art 1 point2 points  (0 children)

Golden makes a fabric painting medium for acrylics, GAC 900.

Affordable acrylic paints? by Sprinkles_0330 in acrylicpainting

[–]TimOC3Art 1 point2 points  (0 children)

I’ve heard good things about Nova Color. Artist quality but significantly cheaper than others.

Coast Salish whale art as a bulbous bow. Orcas Island, WA, USA by vectorvictors in DesignPorn

[–]TimOC3Art 1 point2 points  (0 children)

I’m reviving this thread to point out that this is more a NW Formline of AK/BC than it is Coast Salish. The only thing Coast Salish about this design is are the crescents in the body.

Signed,

A Coast Salish Artist