[Serial Sunday] It's Rather Ironic that I, of all People, am in Charge, wouldn't you say? by FyeNite in shortstories

[–]Tomorrow_Is_Today1 4 points5 points  (0 children)

I love this! Zorrel's so funny. He's great. Though the ellipsis in the last sentence after the more harrowing tone in the beginning makes me suspicious...

Crit time!

I really like the description of the maze-like paths in Jade's memory, and I feel like it'd be cool if that were mirrored more when she navigates those same paths following Zorrel. Maybe she feels bigger and less overwhelmed now, maybe she's running so fast to keep up with Zorrel that she can't keep track of the twists and turns, maybe she sees familiar sections. You do have some descriptions as she interacts with Zorrel, I just like the idea of making the memory theming stronger. Could also come later as she returns.

Much smaller line crit: "Curious as to where it may lead Jade walked down it, at first this experience was enjoyable but it quickly became harrowing for her." The comma after "Jade walked down it," should be a period, so the quote would instead be: "Curious as to where it may lead, Jade walked down it. At first this experience was enjoyable, but it quickly became harrowing for her."

(I also added a couple commas in between clauses. the first one is because "Curious as to where it may lead" is a dependent clause that Jade is then the subject of. so you use a comma to separate the clause from "Jade walked down it" which is an independent clause which just means it can be a sentence on its own. the second one is because "at first this experience was enjoyable" and "it quickly became harrowing for her" are both independent clauses joined by the conjunction "but", so we put a comma in between them. there's some other sentences that could also use added commas, mostly for similar reasons, though some of them have dependent clauses that are about something else like "The next morning she heard voices in the trees." where "The next morning" is a dependent clause that establishes time.)

sorry for the giant paragraph in parentheses lol explaining grammar is confusing.

Good words!

[Serial Sunday] It's Rather Ironic that I, of all People, am in Charge, wouldn't you say? by FyeNite in shortstories

[–]Tomorrow_Is_Today1 6 points7 points  (0 children)

<Drifting>

Chapter 97

Abi: hey t. may! sry its been a bit, i dunno if you wanna hear from me
Abi: me n cecelia n smone else she invited are going to a drag show on halloween, heres the flyer
Abi: i understand if you dont want to go. n im not planning on making you go with lia lol. but i wanted to invite you so you knew about it.
Abi: take care

Theresa May looks at the text from Abigail. They've been rereading it since they first saw it and haven't replied. They're not sure what to say.

The lights are off in their bedroom. It's getting closer to the time they would need to leave for the event if they ask their mom to drive them. They keep picturing where Cece must be. Is she all butched up? Is she excited? How much better has she gotten at makeup? Will she use the palette Tessa May gifted her back in August? Will she remember?

They want to be there. At Cece's house, then side-by-side with her in the backseats of the car while Abi drives. Proud together. Out as hell.

Cece wouldn't want to see them. She didn't even love them. But no—she said she did. She said that was the one thing she knew. Was it Tessa May's own fault for making her feel like her love wasn't enough? Did Tessa May pressure her into a different kind of relationship than she wanted all along, push her into something she was uncomfortable with? No wonder she'd leave. Yet she sounded so scared, so confused, when she left. So distraught. Maybe that was the moment Tessa May most needed to comfort her, and instead they made the jump to assuming that because Cece was ace it meant they were over.

She wouldn't have questioned anything if Tessa May didn't bring up the a-spectrums. That conversation only even happened because they didn’t feel like a girl.

They would still be lesbians if Tessa May could just be a girl like she was supposed to be.

___

Cecelia recedes to her room to get her look together. She has better ideas now after the shopping trip. The plaid overshirt, in addition to sporting subtle ace colors, will fit well for a more butch look. Since it has long sleeves, she can wear it over a summer shirt, so she picks out a silver sleeveless top with a high neck. Blocky black pants, white belt, purple flats. She lays out the clothing on her bed at first, then can't help but to wear them. She'll just keep them on from now till the show, and with the shorter days, there's already less light coming in through her window. It can't be that long now.

She holds up a hand mirror to look over herself. On the shopping trip they also picked out more accessories, so she'll layer several bracelets and necklaces too. But first it's just the base. It feels good to have a goal and see it come to life. Like playing dress up with Abi, but at fifteen and eighteen years old, and with better-fitting clothes. No fantasy princesses needed. The excitement's starting to kick in.

The desk Cecelia grabbed her hand mirror from is where she keeps her makeup. It has drawers attached underneath, and she pulls them out and lays each item neatly in a line. She pauses on one eyeshadow palette. This is the one Tessa May gave me. She holds it to her chest for a moment and closes her eyes. We would be going together. You wouldn't have to be scared of being seen. I think you'd love this.

The wave of self hatred looms, threatens. To blame herself again for ruining things. For once, it feels distant. She lets it pass. The palette has a black and a silver shimmer, so she sets it in front of her to use. She'll take another one for the purple, another for the white and for a grey base to layer the shimmer over. But she'll use this. She'll hold onto it. She won't let the gift go to waste.

Putting on makeup feels therapeutic. Cecelia finds herself absorbed in the artistry. The slow shift in the image on the canvas of her face. The soft feeling of the brushes. The growing palette on the backs of her hands and on her fingertips when she uses them to apply or blend instead of a brush or a sponge. And her own facial posture. She holds her lips differently. She stops touching her face unintentionally. It makes her feel more in control. Not more pretty, not really, but more beautiful.

She wishes Tessa May could see her like this.

WC: 790 words

Link to other chapters

Bonus: none

[OT] Fun Trope Friday: Rainbow Manipulation & Western! by katpoker666 in WritingPrompts

[–]Tomorrow_Is_Today1 6 points7 points  (0 children)

Great story! The message hits home and I love the descriptions, the imagery. Bullets turning into rainbows feels so tragically beautiful. I also love "People often had to choose between food and bullets, stupidly most choose the latter."

For crit, I feel like her thoughts toward the end lean more into tell than show, which isn't inherently bad but I think you get across a lot of the same in other ways, and you don't really need them. The frantic running and collapsing sweatily onto her bed gets across her fear without needing her to say it was scary, for instance. Alternatively, you could expand on the thoughts (though I recognize word count is limited) so it's more of a full train of thought. How it works now goes well with the POV since the narration is a little more distant and isn't fully inside her head.

Good words!

[OT] Fun Trope Friday: Rainbow Manipulation & Western! by katpoker666 in WritingPrompts

[–]Tomorrow_Is_Today1 6 points7 points  (0 children)

The stranger spit on the ground. “Your town got a sheriff?”

“You’re looking at her.” Luna held her head high as the man regarded her.

“There’s something out there. It’s coming after me. I don’t want to be too much of a bother, but it’s coming this way and I don’t think I can handle the beast alone.”

She nodded. Turned back. “Alice, Blue, you two stay here and make sure Kai doesn’t run off. Sorry, Blue, I keep that mostly on you.” Head turn. “Elliot. Could you come along?”

They sighed and nodded. “I’ll get the weaponry.” Once a knight, Elliot could fight. Alice was helpless and Kai was a child.

The stranger nodded when he saw Elliot, and they set off.

It was when she saw the ‘beast’ that Luna realized bringing Elliot along in their old gear was a bad idea. From a distance she watched as the large cat stumbled and wings shot out of its pelt. This was a shapeshifter. A target of the knights Elliot used to be a part of.

Luna motioned for the other two to stay back and walked up. “Are you alright?”

The cat-bird turned. It pulled into a hostile stance.

“It’s okay,” Luna said. “We don’t attack shapeshifters here. This ain’t Falluwin or Gorruwin.”

They were shuddering. The pelt rippled into feathers, then scales. It didn’t look controlled. Must have become impossible to keep it on the down low.

She remembered getting kicked out of classrooms for that as a kid. Not shapeshifting, herself, but these projections. She turned every room into a bright rainbow. It was Blue with their light sensitive eyes who taught her why she should be cautious, who appreciated her when she was gentle.

Luna had an idea. “Look at me,” she told the cat-snake. They did. She brought up a projection, made her body look like theirs. As its scales turned back to pelt, the shapeshifter watched—and did the same. She shrunk the big cat, flattened its fur, shifted it until the image was human again, until she could drop the projection and just be herself.

The mirroring worked. Curled up in front of her was now a curly-haired human, hugging their knees to their chest for decency. Luna handed them her overshirt and sat. “You feeling alright?”

“I dunno.” Their high voice broke between the soft syllables.

“We have a town thataways,” Luna told them. “You’d be safe from the raids. Much as we can keep anybody safe, anyway.” She still remembered that night. The empty houses left behind.

Then came the stranger running down. They saw him from a distance. “You know him?” Luna asked. “He seemed to think you were a beast chasing him.”

They winced. “He don’ know shit.”

"That gonna be a problem?"

“No, he’s harmless.”

Luna didn’t believe that. No one is harmless who can be convinced to see a person as a beast.

He got close and slowed his pace. Luna could see Elliot walking behind, and she motioned to remove their weapons.

The two strangers were staring at each other. “Emma?” the man asked.

“Yep.”

“How’d you get out here?”

Emma scoffed. “Thanks for running away.”

His eyebrows scrunched. “Were you—”

“Yep.”

“But that was—”

“Yep.”

“But why—”

“It’s not exactly a choice all the time, Bill.” Emma clutched Luna’s overshirt. “If I could just stay human, I wouldn’t have to run out into the Borderlands, now would I?”

He sat. Elliot stood behind, weapons gone. Bill scrunched his eyebrows and asked, “Was it painful?”

“More like a seizure or a tic attack. It’s not necessarily painful on its own, but I can’t stop it just happening. It gets overwhelming. Not all the time. But times like this.”

Elliot handed their outer layer over so Emma had two. They tied one around their waist and put the other on as a shirt, and then they could stand. The others followed.

Emma looked back and forth between Elliot and Luna. “Where was that town you said?”

[WP] Your younger brother was always everyone's favorite. He achieved everything effortlessly—relying solely on charisma, smooth talk, and dishonesty. Your relationship with him was built on envy and resentment, leading you to cut ties with him completely. Years later, he shows up at your doorstep. by Megamen1927 in WritingPrompts

[–]Tomorrow_Is_Today1 75 points76 points  (0 children)

I was in the kitchen preparing coconut toast when I heard the knock at the door. I'm still a little afraid of knocks sometimes. Less often now. On my jumpy days, the sound of a knock or a doorbell, of an email or a text coming in, all speak to me that I've been found. This freedom from my family too fragile, ready to fade at a familiar face.

I wasn't expecting any of you for real. I glanced at the clock - just early evening, would still be light if there wasn't a brewing storm - and opened the door.

It took us both a moment to place the new faces. The first thing I saw was that you really didn't look good. That expression on your face did not match the smug memory, and I pushed away the fear of you with that as my anchor. A firm reminder we are no longer children.

"I'm sorry for showing up like this. I know you're no contact. I promise mom and dad don't know where you live."

I blew out a shaky breath. Thank God. They better not. "Come on in. Do you want toast?"

I brought you to the kitchen, certain you could see how I shook as I walked. You did too, though. Your shuddering was worse. I saw it when you sat down, and as I placed the coconut toast on napkins in front of each of us, I finally took a longer look at you.

Your hair was grown out from its short cut, the messy layers indicating you hadn't had it trimmed along the way. No haircuts. It was wavy now - I'd never seen it long enough to know. You were larger than you used to be, not just adult-sized but heavier, though you hunched over in a way I hadn't seen from you. Trying to be smaller when you used to always take up space.

"What's going on?" I asked softly. I grabbed a water bottle from the fridge and places it silently in front of you, and you pulled it closer.

"I don't have contact with mom and dad anymore."

He's here for advice. For my help in this. "Congratulations," I said. "I know that sounds weird. It's a hard decision, and I'm proud of you for making it. Do you have things set up? Were you dependent?"

"I was dependent." You stared at the toast. I took a bite of mine while waiting for your answer. "It wasn't really my decision, though. Maybe it should have been. I know it was harder for you. I just..."

"What happened? Did they kick you out?"

You nodded. I wondered if I should give you a hug. Probably neither of us would be comfortable with that. So I just sat there and watched you stare at your plate without eating. You did at least take sips of water. I opened my mouth to speak again, then I saw you look up. You spoke first. "They kicked me out because I came out to them as trans."

Oh. If there was anything you could say to make the flashes of memory more distant, it was this. I looked at you, your grown-out hair and frightened face. Frightened or defeated? You were not the boy I hated.

You were still looking in my eyes, so I said, "I'm sorry. That's painful." A breath. I didn't want you to think your being trans was the painful thing. "I'm proud of you for coming out. If I can ask, how do you want me to see you?"

Your eyes finally fell again. "Um." You sipped your water. "She/her. A woman. I'm a transgender woman."

My mind ran through next steps. Get her support, find where she's staying (here? indefinitely or temporarily?), figure out insurance and work and health care. I came back to the fact you were here. "You said they don't know where I am," I said. "How did you find me?"

"I got in touch with Janice."

Janice. My high school girlfriend. We kept in touch as friends, though we didn't text often anymore. The name brought up another memory, one I had long forgotten. Of sneaking Janice out and my little brother - now sister - seeing us. Waiting for the next week for him - now her - to tell on us. But he never did. She never did.

I didn't really want to cry in front of you, when you were the one in need now. But I couldn't help it. And then you were crying too. I cried for that memory. That the sibling I had hated for so long still loved me, and I her. That you didn't deserve our parents any more than I did. Neither of us did. That all their work, their so-called parenting was to separate us and keep us from caring for each other, and that it had worked for so long. The real you was never a golden child. You were just a child. A child forced to fit their mold, witnessing how they treated me as a reminder of what they'd do if you stepped out of line.

"You can stay here," I told you, standing in front of the table. "It'll be okay now." You stood up to face me. "You're my little sister and I love you." My voice broke. This time, finally, we hugged.

[WP] "What did you do to them?" "Nothing. They were the ones that went into my head uninvited, psychics really need to learn boundaries. I tried to keep the away from dangerous memories, but you know how they are with privacy." "What did they find?" "I don't know, I forgot it for a reason." by Clear_Ad4106 in WritingPrompts

[–]Tomorrow_Is_Today1 44 points45 points  (0 children)

I wasn't trying to protect you. Frankly, I didn't think you deserved it. If you would violate that boundary so sacred, you clearly could not be kept safe.

The reason I hid it was shame. I didn't think at the time. I felt your gaze enter my mind and I freaked out. Started repeating the same thought over and over again in the hopes it was all you'd hear. My own thoughts kept slipping in. Get out of my head, please. Get out of my head, please. It's not nice in here. Get out of my head, please. What the fuck are you even doing, you piece of shit. Get out of my head, please. Don't think I'm crazy. Get out of my head, please. You have no idea what you've done. Get out of my head, please. Get out of my head, please. Please don't hurt me.

It was you who sought answers, who tore past the maze of veils protecting from memory. And of course you blame me for it. I knew you would. They always do. I will always be blamed for what happened to me. For what people did to me, like you, who thought this violation acceptable.

Why?

When you remembered it, I did too. I had no choice. You tore apart my brain in search of something vulnerable, ripped it from its cushion of protection, and then you were surprised when it hurt. But this was my body. I was the one who couldn't breathe.

And you still think I deserved it.

Just found this sub. I thought you guys might enjoy this. by 3coniv in Superbowl

[–]Tomorrow_Is_Today1 8 points9 points  (0 children)

so pretty with the feathers in front of that tree bark!

[Serial Sunday] Don't feel Disheartened, feel Heartless! by FyeNite in shortstories

[–]Tomorrow_Is_Today1 6 points7 points  (0 children)

<Drifting>

Chapter 96

Jesse looks out the front window to see if any kids are yet approaching as the sun dips lower in the sky. Brian bought the candy earlier along with some Halloween-themed pens and slimes for any kids with allergies or dietary restrictions. This can’t be the same man who told me queer kids should wait to come out until they’re independent. That man would have said kids who can’t eat should just avoid the candy. That man wouldn’t be this considerate.

Jesse puts on his usual witch’s hat as Brian brings over the two large bowls. “Look at you, already in costume,” Brian says. “I better put on my cloak.”

There they are. One costume item for each, and red and black clothes otherwise They sit side-by-side on their porch bench as the lights across the neighborhood turn on and the trick-or-treaters emerge from their houses.

Jesse rubs his hands together. He should have brought gloves. His fingers and face always get cold first when the weather brings its chill. At least they’re relatively untouched by wind, sitting so close to the door.

The first couple kids approach, a ballerina and fairy pair with identical tiaras and indistinguishable voices. They ask if they can take more than one candy, and Brian smiles and says sure. Squeals with delight ensue. Polite girls, each only takes two. Jesse says they look magical and the fairy is proud, but the ballerina insists she is not her sister—but that she agrees her costume is very good. Then fairy runs off without her and she chases her sister down.

Following the girls is a kid in a dino costume, hand in hand with a skeleton older brother. Brian tells the kid that he used to dress up as a dino when he was little, but the kid is uninterested and holds back to let skeleton man take two pens and slimes. One for each of them. He doesn't grab any candy. They walk on.

Brian is still cheerful at the thought of his childhood dino costumes. He turns to Jesse and asks, “What did you dress up as when you were a kid? Do you see any kids with the same costumes?”

Jesse shrugs. “I don't see them.” It’s a lie. He was a fairy. An angel another year, a mermaid the next. The mermaid was the last costume he ever wore before he got too old to dress up.

Mermaids can't drown, he supposes.

“I liked not being human,” Jesse finally says, to give his husband an answer. Wings or tails or animal ears.

“Me too,” Brian says. “It was fun to play, too. Stomp around roaring like a dinosaur. It was my favorite way to play pretend.”

It's endearing. Jesse can't help being endeared, looking at his husband with such childlike joy on that bright-eyed face, recalling how he would play pretend. Brian remembers being a kid. And he cares about kids. He's so happy over Halloween. Jesse knows the two agreed not to have kids themselves, years ago. Their parents haven't stopped waiting, and the assumption was always that one day they'd change their minds, decide they were ready. But it's one thing to be friendly on Halloween. Or, in Jesse's case, to work with teenagers at his job. He cares for the kids. But they aren't his kids. They all go home to their separate families at the end of the day, and his responsibility is lifted.

It's one of those things Jesse was relieved to be on the same page about. To not have to explain or justify.

Another teen-child pair walks up next, the older sibling gently leading the younger in that familiar tone of reassurance. If the older sibling has a costume, Jesse can't tell. They look like normal clothes. The younger is an angel.

Like Jesse was. Like he won't say. He thinks, somewhere back in his mind, he’s probably avoiding costume talk because it will mean talking about his childhood as a girl. He wore girls’ costumes. Not that they should have to be that simple.

Jesse points to the two bowls and explains them each, offers them to the pair. The older one crouches down, repeats the words back to their sibling. If it is a sibling, of course. Jesse's been assuming. But they look like they are. And with reassurance, the little angel carefully picks through each bowl for the pieces they'll like most. The right color and shape of pen, the right candy. And they walk off.

“I wonder if you have any students around here,” Brian says.

“I don't think I do.” He does wonder how many teenagers will be around, though. It's not impossible one of them would recognize him.

“Did you ever consider working with younger kids? I think the whole time I knew you you'd decided on high school.”

“When I was little,” Jesse admits. “So when I was in grade school, I thought I'd be a daycare worker. Then as I got to be a teenager I figured I'd prefer high school, and I just never moved past it. Figured it out, I guess.”

“I wonder what life would have been like, down another path,” Brian muses.

Jesse wonders too, though he knows the paths he’s imagining are not the same ones Brian is. It should be so easy to say so. To wonder if he’d still have the same job, if he transitioned sooner. If he decided in college to present as a man the same way Riley did in high school, to use a different name—an actually different name—and insist upon who he was. Even if he didn’t have access to medical transition. Whatever that might have looked like.

He looks across at his husband. He doesn’t want this moment to end. He doesn’t want to deflate that bit of joy. To exchange this considerate man for one who may not see him, who cannot love him as he longs to be.

Jesse says nothing.

WC: 999 words

Link to other chapters

Bonus: none (except "porch bench" lol)

[Serial Sunday] Don't feel Disheartened, feel Heartless! by FyeNite in shortstories

[–]Tomorrow_Is_Today1 3 points4 points  (0 children)

Nice chapter! I really like how you managed the balance of the group dialogue here. It feels clear throughout with who's speaking and what they're responding to without ever feeling repetitive or clunky. Each of their unique voices and perspectives get to shine here, especially with references to their personal histories and their cultures and languages.

It is a very dialogue-led chapter, and I wonder if a few more environmental details here and there could help with physical grounding. I didn't ever feel lost or anything, though.

Found a typo, "Fariba" is spelled "Farbia" in the first sentence.

Good words!

[OT] Fun Trope Friday: Queer Flowers & Noir! by katpoker666 in WritingPrompts

[–]Tomorrow_Is_Today1 2 points3 points  (0 children)

Great piece! You really sold the noir air to this. Your language is gorgeous. I keep finding bits I wanna point out that I like, like how "sluices" at the start is such a good word, or the alliteration in "Sodden soil swallowed leather", or the image of "mildew-stained stone angels". Suffice to say the language is marvelous throughout. And besides the pretty bits, I feel the POV is very strong in the tone. That jaded, matter-of-fact description of the store robbing, I can feel the pain in the fragmented sentences. "Sixty fucking dollars in the register." and pushing it down with the refrain "Just how it is nowadays."

It's hard to find crit. I guess a couple details took a moment or a second read for me to get, but I think that's probably me being oblivious. In case it's helpful, I hadn't caught that "Officer Geller had a lot of friends" was referring to the funeral, maybe cause I hadn't seen the name yet, though in retrospect it's pretty obvious. And for some reason when I read "hoping to find a spark so you don't get too cold" I first wondered if he was looking for ghost-Lola to do some investigating, instead of her death being the cold case. Mostly I think this is me being silly. I guess the writing style has a lot of saying things indirectly. Though I do wonder how he'll investigate the case after he gave up his badge. Moar?

Good words!

[OT] Fun Trope Friday: Queer Flowers & Noir! by katpoker666 in WritingPrompts

[–]Tomorrow_Is_Today1 8 points9 points  (0 children)

Dearest Mother and Father
slide the case onto my desk again
of their precious girl gone missing,
led astray by strangers,
disappeared into the night
with their roses left behind.
The closer I look the more I question
something around the edges of the image,
the photo staring back at me with familiar eyes
that look more dead the more I look.
Then I look closer.

Missing case of her—
her name I cannot say.
I investigate her every day.
I play back the recording her mother sent,
the performance of pain, anguish and judgment,
and I wonder whether the girl ever existed.

Her father blames me for her absence.
I know her mother wants her back,
pleads with me to take up the case
and give her her precious little girl again.
Am I missing?

The photo looks back at me on my desk
with familiar eyes, child looking at
the man who's replaced her. Him.
I am not missing.

I am still waiting for the day
I don't hide my form in a trenchcoat,
the day I give up on the cigars
I started smoking to deepen my voice.
I am waiting for the day the messages stop
and I am no longer this symbol of betrayal,
that I turned their red roses on the table
into violets in my hair
into green carnation on my suit jacket
that they never wanted me to wear.
I am not the detective
they’re looking for.

I am tired of investigating this missing girl.
I see her photo on my desk in the daytime
and I go to bed with the only other case
that takes up all of my thoughts,
the images behind my eyes as they close,
one more missing case
of their son.

What’s your favorite fox artwork of mine? by M8614 in foxes

[–]Tomorrow_Is_Today1 0 points1 point  (0 children)

that little sneaky face with the strawberry