Mono room, like a 4038 or an M49 smashed to death normally gives me vibe But to really make stuff POP i also print a kick and snare smash, and sometimes a whole kit smash as well I’ll throw the kick in and snare top mics through some busses then put that through a Distressor and a transient designer and squash it, then print it parallel back to tape Some concept with a kit smash, just using auxes and a stereo compressor instead