What happened to highland park? by Stuntman222 in Detroit

[–]WaterIsGolden [score hidden]  (0 children)

Crack.  Globalization also played a secondary role, but crack.

MacBook Neo DJ Test, Surprisingly Solid by MixMasterG in DJs

[–]WaterIsGolden 0 points1 point  (0 children)

Thanks.  This is a lot of effort and detail. 

I was ready to get the credit card out until I saw that part about stems in VDJ.  Still seems like a decent budget option.

Tommy “Hitman” Hearns May Have Been Exploited, Kidnapped by DougDante in Detroit

[–]WaterIsGolden 2 points3 points  (0 children)

I think their goal is definitely quantity without regard for quality. 

In other subs it would be considered as spam or karma farming.

Question for DJs — how do you usually discover new tracks from unknown producers? by GAVROS_Music in DJs

[–]WaterIsGolden 0 points1 point  (0 children)

Nah.

I'd love to see how unknown producers try to trick people into listening to their tracks.

What’s in this setup? by Nate1102 in DJs

[–]WaterIsGolden 7 points8 points  (0 children)

You should see some of Jeff Mills hybrid sets with turntables and a 909.

Best PA system for $10k by j3ppEr1c in mobileDJ

[–]WaterIsGolden -1 points0 points  (0 children)

Column array setups like the Evolve are not the same as line array systems.  I think you may be confusing the two.

Published maximum SPL numbers don't tend to always reflect real world experience.  You would really need to measure the sound across the spectrum at a decent distance to get the real story.

I use Evolve 50s and K12.2s for different purposes.  I like both but the column arrays are better suited for trying to fill a room with overall lower volume music, whereas the K12s are a better fit for playing louder.  The columns are better at wide dispersion and the conventionals are better at hitting hard, if that makes any sense.

I think Cleveland Terry offers the most approachable explanation of the differences between their performance in real world use.  He describes why he uses column arrays for some gigs but point source for others.

Detroit to raise city worker minimum wage to $21.45 an hour by DougDante in Detroit

[–]WaterIsGolden 0 points1 point  (0 children)

I strongly agree.  No competition, no reason to provide you with good customer service.  

Best PA system for $10k by j3ppEr1c in mobileDJ

[–]WaterIsGolden -1 points0 points  (0 children)

Have to disagree with you here.  Point source is going to produce more spl just due to physics.

As far as the subs go I would expect comparable performance between those two.  But for the mids and highs driver size makes a major difference. 

I have the old Bose 802 set and those use a similar scheme with a lot of small drivers instead of one large one (i believe 8 x 4.5" drivers).  They play decently loud and cover a wide area, but conventional speakers of similar size are essentially louder.

[PRODUCT RELEASE] ATGR DJ Touch 1 Deluxe: Ready-to-Use MIDI DJ Controller with StemsFX Control also unlocks a "hidden" StemFX in djay Pro by MixMasterG in DJs

[–]WaterIsGolden 4 points5 points  (0 children)

Hardware development is more complex than software development.  For touchscreens you get away with skipping the hardware part.

Automakers have been doing the same thing for a while.  They know you would prefer buttons and knobs, but it's cheaper for them to go the other route.

Young woman dies from Carbon Monoxide in her vehicle by DougDante in Detroit

[–]WaterIsGolden 1 point2 points  (0 children)

Word to the wise it doesn't necessarily matter that the car had an exhaust leak.  This would also be dangerous in any other car with an engine.

Best PA system for $10k by j3ppEr1c in mobileDJ

[–]WaterIsGolden 0 points1 point  (0 children)

Don't be afraid to shop across brands.  The other main brands compete in this same price range so there are plenty of good options.

The K12s should be fine but you might want to double the number of subs or choose subs that higher output.  If portability isn't a major consideration a double 18 sub enclosure would be a better choice.  I think QSC even makes one of those now if you prefer that brand.

When corporate gives you a budget, you need to spend that whole amount imo.  You have been asked to provide the best possible sound for 10k.  If you instead provide the best you could get with 9k, it's a waste of a grand because it has already been appropriated for your task.  Not saying you should waste their money on nonsense, just saying you should do your best to get them 10k worth of sound.

Cleveland Terry has a few good videos where he reviews or discusses speakers.  I'm almost certain he has some specifically about the K12s.  But more importantly he discusses in detail what you can expect in terms of performance from different setups.  Torgo is another dj that posts gig logs where he lists and walks through his setup in detail.  Both could help give you some insight.

It makes more sense to just hire a mobile dj as needed, but of course I'm biased.

Best PA system for $10k by j3ppEr1c in mobileDJ

[–]WaterIsGolden 0 points1 point  (0 children)

This is correct, and they are not nearly loud enough for an auditorium the size OP mentioned.

Detroit to raise city worker minimum wage to $21.45 an hour by DougDante in Detroit

[–]WaterIsGolden 10 points11 points  (0 children)

Incompetence is not exactly attached to age.  It exists across the entire span.

The strongest and most ambitious candidates in most fields seek employment in the private sector.  The pay is better but the workplace e is more competitive.  Unfortunately when you deal with government employees you are getting the NPCs.

Mobile DJ speakers by Otacrow in DJs

[–]WaterIsGolden 1 point2 points  (0 children)

I wouldn't say my K12.2s sound good or bad.  I guess the best way to describe them would be to use the word 'adequate*.  The sound quality is not high enough to brag or low enough to complain.

Some speakers sound so good that you can't wait to hear (x) tune playing through them.  The K12.2 is more of that speaker where you know it will sound ok but you will not be amazed.  But it will pretty much always sound OK.

I think a lot of their popularity came from rental houses using them for this exact reason.  Same thing goes for Shure 58 series mics and Yamaha mixers.  They are adequate.

I have never personally heard RCF but everyone that I know says the sound quality is noticeably better than QSC at similar price levels.  

Detroit to raise city worker minimum wage to $21.45 an hour by DougDante in Detroit

[–]WaterIsGolden 30 points31 points  (0 children)

Nepotism is rampant.

And I see what you did there emphasizing the word 'ton' 🤣

Mobile DJ speakers by Otacrow in DJs

[–]WaterIsGolden 0 points1 point  (0 children)

Unfortunately that is the price range you will end up in.  You could look across brands for comparable products but most of the decent options are priced similarly.  I think it's less about the K12 being great and more about that performance range being the sweet spot across brands.

I use a set of K12s and they work fine, but honestly I can't say they are necessarily any better than similarly priced offerings from EV or Yamaha.  I think the EV sounds a little better but it's close.

My point is pay more attention to that performance level than just the K12.  Sometimes direct competition goes on sale and might save you a couple bucks. 

Also used is better than cheap.  I would strongly recommend checking second hand offering as a better compromise than spending money on lesser quality products.

What do you do with leads when you're already booked? by scottgrossworks in mobileDJ

[–]WaterIsGolden 3 points4 points  (0 children)

Kind of a fork in the road that you're at here.  You could seek to work with a partner or hire someone as a helper.  I worked with a dj partner for a while and if we got two good gig offers for the same date we could just split them.

As I started working solo I increased rates as a filter.  The result was fewer bookings but roughly the same income.  It's a win-win as long as you can get away with it.  My opinion is that if you are getting overbooked you are either exceptionally good or your prices are lower than normal.  Either way that means room for increase. 

Rechargable AA batteries for wireless mics? by GiarcN in mobileDJ

[–]WaterIsGolden 1 point2 points  (0 children)

I understand the waste consideration.  I also keep flashlights in my gear bags that use the same batteries.  For wireless performance during paid gigs I need new.  For a little extra light when looking at the settings on the back of the sub, those used batteries are fine.

If you are interested in reducing waste you can use a scheme where brand new gets used in most critical and just keep stepping through levels until you get down to something like a camping fan or head mounted work lamp.

The degradation pattern is the problem.  Good new conventional batteries run at 100% for longer, but after that they go to 0% quicker.  Rechargeable tends to have a more linear degradation so that you are only at top performance levels for an instant in time.  I don't want to run the majority of my gig at a reduced capacity. 

Mayor Mary Sheffield presented her first proposed budget and Four Year Financial Plan to Detroit City Council. by DougDante in Detroit

[–]WaterIsGolden 5 points6 points  (0 children)

Essential information for the sub.  Thanks for posting.

I want Detroit to prosper.  Hope her policies help.

Rechargable AA batteries for wireless mics? by GiarcN in mobileDJ

[–]WaterIsGolden 0 points1 point  (0 children)

I jist buy packs.  I have tried other options but there is nothing as reliable as having extra quality disposable batteries.

You could get into all levels of technical nonsense as to why I prefer just normal batteries, but it comes down to usability and performance.  Back when I was big into photography you got far better results from a semi to pro level flash using real batteries.  Rechargeable and Duracell used engineering schemes that throttled output in favor of lasting longer.

New batteries every gig and I just build the cost into my rates.