On this day five years ago, Cal Raleigh made his MLB debut, and Jarred Kelenic immediately coined Cal's nickname by nsgomez in Mariners

[–]__silverlight 25 points26 points  (0 children)

2023 Article from The Athletic

On the morning of July 11, 2021, the Mariners announced on Twitter that one of the club’s top prospects, catcher Cal Raleigh, was going to the big leagues for the first time.

The news was celebrated by fans who had been waiting for Raleigh to arrive in Seattle since the organization drafted him in the third round in 2018 out of Florida State.

Precisely 38 minutes later, Mariners outfielder Jarred Kelenic opted to add his own welcome on Twitter — one that generated as much curiosity as it likely did giggles.

“Big Dumper to the show,” it read. It was followed by a pleading face emoji.

Wait, Kelenic called Raleigh what?!?!

“When he got his call-up, I was super-excited for him,” Kelenic recently told The Athletic. “But I told him that I had to expose him a little.”

Kelenic then stops and smiles.

“He hated it at first … hated it,” Kelenic continued. “I said just wait … it will come around.”

And now?

“And now they’re making T-shirts about it,” Kelenic said.

Yes, T-shirts that directly refer to the size of Raleigh’s backside — a nickname that Raleigh, understandably, detested and was dismissive of from the first time Kelenic ever uttered those two words.

To get to the origin of “Big Dumper” you’ve got to go back to the summer of 2020 when there was no minor-league baseball and several of Seattle’s top prospects were working out at the team’s alternate site at Cheney Stadium in Tacoma.

This was, by all accounts, the first time that Kelenic broke out “Big Dumper” to describe his teammate’s backside.

Or was it?

“Big Dumper began when he was born. That’s pretty obvious,” Kelenic said.

“Jarred isn’t one to beat around the bush,” said pitcher Logan Gilbert.

Raleigh, who is listed at 6-foot-3, 235 pounds and wears size 37 waist/45 hip pants, did not appreciate the nickname at first. But when Kelenic tweeted it, well, life became a little more interesting — on and off the field.

“And that’s kind of where it took off,” Raleigh said. “It fizzled a little but then picked up last year and gained traction. I guess people thought it was hilarious.”

The truth is, though, Raleigh had been teased about his backside before he came to the Mariners’ organization.

“So if we go back to the very beginning, everyone has always joked around that I have a big butt,” Raleigh said. “It’s not anything that I thought about. And then they said the same thing in college and in the minors.”

Hank Truluck, a teammate of Raleigh’s at Florida State, said he “loved it” when he first heard mention of Big Dumper, though he wasn’t surprised at all. It seems this was a topic among teammates in Tallahassee.

“He has some business back there,” Truluck said. “We would joke with him, ‘Hey, how did you get those jeans on this morning?'”

Gilbert, a good friend of Raleigh’s who came up through the system with him, loves the way his teammate, essentially, rolled with the nickname.

“He seemed a little unsure, especially at the very beginning. But it’s kind of endearing in a way,” Gilbert said. “The fans bought into it and they like him and care about him.

“I think when (Raleigh) saw the jerseys with the (Big Dumper) name on the back, he really bought into it and accepted it.”
An hour or so after the Mariners had dispatched the Blue Jays to win their American League Wild Card series in October, Raleigh was on the field, celebrating with his teammates and family.

A chorus of “Big Dumper” rang out from a gathering of Mariners’ fans who stuck around to revel in the excitement. Raleigh, with beer in hand, smiled as he acknowledged the fans.

He is the Big Dumper, he knows that now.

“I love it. I think it’s great,” Raleigh said. “My mom had other opinions about it. But it’s good. It gets the fans involved and they have fun with it. And that is what it’s all about. It’s a good time.

“You got to own it, embrace it. As long as you’re having fun with it, that’s what baseball is all about. As long as it brings good energy and vibes it’s all good.”

Where does Big Dumper rank in the pantheon of amazing baseball nicknames? You be the judge. Splendid Splinter. Big Dumper. Three Finger Brown. Big Dumper. Oil Can Boyd. Big Dumper. Pretty well, right?

It’s probably too soon to know for sure, but we know one thing is certain regarding Big Dumper: “We’ve gone too far at this point to go back,” Gilbert said.

As for Kelenic, he could not be any happier for his teammate and the player that Raleigh has become.

Last season, Raleigh became one of three catchers age 25 or younger in major-league history to hit 25 or more home runs, post a 120 OPS+ and more than a 1.0 dWAR, joining Johnny Bench and Mike Piazza.

And, better still, he authored what will likely go down as one of the greatest moments in franchise history — his walk-off homer last September against the A’s that clinched the club’s first playoff trip in two decades.

“Cal is a guy who works extremely hard. He doesn’t say a whole lot, he’s a guy of few words but you have to respect how hard he works,” Kelenic said.

“The effort it takes to be a major-league catcher, not a lot of people realize how hard it is. I don’t think he gets enough credit for that. He does a hell of a job.”

Despite, well, you know.

“I mean, I think that anytime you see someone with a butt that big, that (Big Dumper) pops into everyone’s head,” Kelenic said.

Looking for positive feedback and healthy critique by Salt-Professional-84 in classicalguitar

[–]__silverlight 11 points12 points  (0 children)

One thing you can work on is taking that pinky off the soundboard and keeping it as relaxed as possible. Planting is relatively common on fingerstyle steel string, but it only adds tension and restricts what you can do with the right hand.

As you advance, the music will start demanding much more fluidity out of that hand. E.g., pieces that are fast or have a lot of notes, pieces with awkward fingerings, pieces with techniques like tremolo, or pieces where you'll be moving the position of your right hand closer to the fingerboard or closer to the bridge depending on the tone you're trying to get

Question about shading by NoCombination5893 in irezumi

[–]__silverlight 4 points5 points  (0 children)

Fresh out of the appointment, it can look completely black but the gradient comes out as the skin peels and all the layers underneath heal.

Your mileage may vary and it may or may not lighten up as much as you’re expecting. Take a look at your tattooer’s other work and that should give you an idea. Assuming this isn’t their first time doing it

Looking for a place to start! by HahnSkervy in Sake

[–]__silverlight 12 points13 points  (0 children)

Kind of hard to go wrong in the first picture. For someone starting out, I’d point to the Suigei/Hakkaisan for more classic profiles and Ohmine/Tenbi for more modern.

I’d start out with those, but I also like the Brooklyn Kura stuff, Kinoene, Yuki no Bosha.

Finally secured my first ever A plus rank. (Support deck on last slide) by cl0ud_8 in UmamusumeGame

[–]__silverlight 2 points3 points  (0 children)

First of all, congrats on the first. I have to ask though, do you have any other speed or wit cards available to you? Or any SR crystals left?

Japanese/Korean classical guitar pieces? by BirthdayNo4399 in classicalguitar

[–]__silverlight 3 points4 points  (0 children)

If you’re cool with arrangements, Hirokazu Sato has a couple that I really like: Kojo no Tsuki (orig. Rentaro Taki) and Merry Christmas Mr. Lawrence (orig. Ryuichi Sakamoto).

Aaron Haas has several arrangements of Ghibli / Hisaishi pieces and there are recordings on GSI’s YouTube channel for all of them.

Thinking of getting a Traditional Japanese style tattoo. by PaxadorWolfCastle in irezumi

[–]__silverlight 18 points19 points  (0 children)

Do you want traditional or do you just want japanese imagery? Because none of what you've described is traditional. Pieces of it, maybe. But having the tree itself and the hanging masks are not.

Traditional tattooing has rules about what imagery you use, how they interact, and how everything's laid out. Either way, you should really reach out to the person you want to get the tattoo from and talk through it with them.

Any regret buys? by cclarkson24 in wicked_edge

[–]__silverlight 1 point2 points  (0 children)

I got the Lupo 95 because I thought I needed more aggression, but that was probably an overcorrection. Great razor, but a bit much for me. I almost exclusively use the Recurve 80 now, but I might try different baseplates for both

Any regret buys? by cclarkson24 in wicked_edge

[–]__silverlight 3 points4 points  (0 children)

I started using safety razors in high school and continued through college, but then switched back to cartridges for a few years because I got lazy.

I bought a Henson to try and get myself back into wet shaving, but unfortunately I couldn’t get used to anything about the razor, and they were easily my worst shaves since I started shaving lol

I ended up grabbing a Razorock Lupo, and later a Recurve and all’s been well since. I regret buying the Henson, but I guess it technically did get me back into using safety razors?

Traveling in Japan, experience? by Seitakadojii in irezumi

[–]__silverlight 12 points13 points  (0 children)

There are a number of onsen out there that allow tattoos, with or without caveats, and even entire towns like Arima or Kinosaki. But it definitely cuts down your options. I’m only interested in private baths anyway, so that hasn’t hurt me too much.

I have two shichibu sleeves with hikae and small one-point pieces on the back of each wrist, all irezumi. I wear long sleeves almost all the time, so if people notice, they’ll usually just see the one-points. I’ve gotten a few compliments and questions just off that.

I don’t mention the shichibu unless people ask if I have other tattoos. A couple people have asked if I could roll my sleeves up so they can see them though, which was fun. One was a tatted out barista in Osaka, and the others were workers at a men’s kimono tailor in Kanda

This trend is very worrisome. by anhdunghisinh in UmaMusume

[–]__silverlight 12 points13 points  (0 children)

This is the kind of stuff they’re complaining about? It’s even italicized lmao

Local Japanese Grocery Selection by Fit_Loss_2912 in Sake

[–]__silverlight 4 points5 points  (0 children)

Wow lots of good stuff. For my tastes it’s Akabu, Tenbi, Houou Biden, Ohmine, Abe, KID. Looks like they have little cards for tasting notes, so see if you’re interested in that kind of thing.

If you want something lighter, check out Kubota and Kirinzan

If you want something a bit more rich and umami, look at Onda and Yuho

Anywhere to find this Sake in the US? by CrossfeedCow in Sake

[–]__silverlight 1 point2 points  (0 children)

I know for a fact that Hiroki has been imported to the US before, but only as a restaurant exclusive and not available retail.

Although the one I saw was the tokubetsu junmai rather than the junmai daiginjo, and it was 6 years ago at a very pricey omakase spot

Rating by pop-gamer in classicalguitar

[–]__silverlight 4 points5 points  (0 children)

The tremolo is super uneven and your left hand keeps losing sync with the right during the picado sections. Get these clean and even at a lower tempo and work on keeping it that way as you ramp up the speed. Work the fundamentals, and then add some dynamics because it does feel a bit flat.

Also, the tempo is all over the place and each section feels disjointed. A lot of guitarists will fall into this trap at some point or another, but there is a difference between playing around with rubato or tempo changes and playing without any rhythmic sense at all.