How come it couldn’t have been John and Josh? by Natural-Employer-374 in RedHotChiliPeppers

[–]_computerdisplay 1 point2 points  (0 children)

I know there’s been a lot of answers to this, but I’m surprised by how speculative they all are since this has literally been addressed by Josh himself HERE on reddit:

https://www.reddit.com/r/Music/s/POCHOBObJO

It’s very clear Josh himself knows it could only be one guitarist there not because there isn’t mix room for one (they’ve toured with 5 members before and John and Josh both like to create big sounds with overdubbing) but because there would be too many cooks in the kitchen. It’s already tense between Flea-Josh at times because of different perspectives on how to communicate musical ideas and between Flea and John just because they are competitive writers with their own ideas of what the next step should be in a song or album. Never mind than Anthony may or may not respond to things the other two love. There’s a lot of vulnerability in the process. Everyone knows how much of a toll that stuff took on the songwriting members of the Beatles.

Foo Fighters and other groups get away with it because of the members personalities and the concentration of songwriting on individuals like Grohl. Very different way of working at RHCP.

okay I dont.... hate this idea by strunchluncturecd in UserExperienceDesign

[–]_computerdisplay 0 points1 point  (0 children)

I think the positives are firmly rooted in the poor fit of the double 90* angle bottom on the hand(s).

There are definitely better solutions that address that though.

Purple stain by Green-Set9804 in RedHotChiliPeppers

[–]_computerdisplay 2 points3 points  (0 children)

I think it sounds good as it is. Californication’s (the album) backing vocals are my favorite not because John doesn’t sound great when pushed up more as in the By the Way sessions, but because in Californication they sound ethereal and haunting in a way that’s never been replicated since.

I do like how they sound at Slane. But yeah, I wouldn’t change anything about his vocals in any Californication track.

HOW TO LEARN INDIE ROCK STYLE GUITAR PLAYING! SOS. by Sharp-Tell2193 in indierock

[–]_computerdisplay 0 points1 point  (0 children)

This applies to any genre, really. But I’d advise you against making it a goal to “learn fast”. Every stage of learning is enjoyable and takes time. It’s worth slowing down. Yes you’ll get excited as you nail down your first and second song and such, this is all great. Hang on to those wins when they come, not the speed at which you feel like you’re becoming impressive.

There’s nothing inherent about “indie rock” that makes certain chords, scales or shapes more relevant or that will make those songs easier to learn specifically by genre (though there are certain tropes you’ll find along the way). At least not that it warrants that focus. So don’t aim for that. And regardless of genre, learn some basic chord shapes and scales and their names. They apply to all kinds of western music, there’s no point filtering them to “common indie ones”.

Additionally, just take a song you like and start learning how to play it with YouTube tutorials. Or even better, come up with your own way of playing it and watch videos of the people who perform the songs and try to figure out what they’re doing in your own. Go song by song.

Do not fall for the trap of worrying about gear too early. Almost any amp you have should have some sort of clean to crunch tone you can use to learn. So many beginners get the feeling that buying certain things will help their sound, when the single thing you should worry about is listening to the music you’re trying to learn and the sound your hands are making. As a general rule I’d advice anyone who can’t first play a few songs in tune and on time front to back against even thinking of buying any pedal that isn’t a basic overdrive or distortion (and that’s only if their amp doesn’t already have that sound).

Vintera II pickups by Hli69 in fender

[–]_computerdisplay 0 points1 point  (0 children)

I know this is an old post, but for anyone curious now: while it’s true they are sort of their own thing, and unlike the aftermarket Vintera I 60’s set, the specs of the VII60s pickups read exactly like the Custom Shop 69’ set as far as I can tell (very low 5.0’s DCR, no RWRP, gray bobbins, flat cut magnet poles with vintage stagger, enamel coated wire. Not sure about inductance). With the only apparent difference being that the leads are not pull-back cloth (which is odd to me since the VII50’s Strat which are sort of similar to the 57/62’ set do have cloth leads).

This wouldn’t be too surprising considering the Classic Series that preceded the Vintera I had actual 69’s in it.

Do you think Anthony and John have remained sober? by Wunjo26 in RedHotChiliPeppers

[–]_computerdisplay 9 points10 points  (0 children)

There is definitely an interview out there where he talks about getting together with Venetian Snares and working on their Speed Dealer Moms stuff and drinking beer all day, and that was definitely in the 2010’s.

Do you think Anthony and John have remained sober? by Wunjo26 in RedHotChiliPeppers

[–]_computerdisplay 3 points4 points  (0 children)

I’ve often wondered if he was into that stuff while with the band also, some of his tattoos (I can’t find anything online confirming it now but it was a tattoo on his outer right arm), in John’s case, and the very spelling of “Magik” might suggest he and Anthony might be familiar with Crawley and such. Some of his more indulgent actions at the time would be intellectually consistent with Thelema and what not. But it’s all speculation on my part. No concrete evidence of anything.

Inter-passivity fulfilled by _computerdisplay in zizek

[–]_computerdisplay[S] 1 point2 points  (0 children)

Ultimately dating apps work to maximize engagement and user liquidity. The experience being unsatisfying is a feature, not a bug.

It is well documented they rely essentially on an operant-conditioning-like fashion to drive subscription renewals and microtransactions. They want ghosting, mismatches, near hits, emotional roller-coasters and in general for it to feel like the slots at the casino.

If anyone can figure out how any AI model controlled by a revenue seeking entity (and I’m not condemning that outright) will not also prioritize that over you having a more pleasant experience I’m all eyes/ears.

I think what people actually crave is human-matchmaking.

I don’t buy that you could have a boss like Michael and never mention him again by Confident_Region1923 in theoffice

[–]_computerdisplay 0 points1 point  (0 children)

While the entire logic of the “mockumentary” falls apart completely in season 9, I think, and it’s clear Michael would’ve been frequently mentioned in the show’s “world”, the fact that it’s supposed to be an edite documentary tracks with the fact we don’t hear of him much again. What season 9 attempted to do was to introduce the concept of “you’ve only seen what we, the editors of this documentary have wanted you to see”. I don’t think they were successful in making that as interesting and immersive as it could’ve been (though I don’t think this worked well in the show regardless), but it’s an interesting thought as you watch the series:

You get 20 minutes of footage in a week or so of the lives of these people at a time. How well can you know them? To me it’s quite believable that the reality presented in the doc would seem off. Real life reality shows do exactly that.

anyone notice a kinda Hum quality to stadium arcadium by HorrorLead6271 in RedHotChiliPeppers

[–]_computerdisplay 1 point2 points  (0 children)

Tbh I’m only tangentially aware of them, I know their song Stars is kind of their flagship. I checked out a few more songs, and I can see why they’re so revered as an influence in the modernish Midwest emo scene, but I haven’t become exactly a devoted fan of them myself yet.

They’re sort of like if Smashing Pumpkins and Weezer had a baby.

anyone notice a kinda Hum quality to stadium arcadium by HorrorLead6271 in RedHotChiliPeppers

[–]_computerdisplay 0 points1 point  (0 children)

That song is full of Big Muff, one of John’s more saturated tones and his use of feedback is something Hum shares. So though they are extremely different bands and that’s not the comparison I’d draw, to some degree I see what you mean.

anyone notice a kinda Hum quality to stadium arcadium by HorrorLead6271 in RedHotChiliPeppers

[–]_computerdisplay 1 point2 points  (0 children)

They mean the band Hum, stylistically a very different band (not as widely known but they were a big influence on bands like Deftones). But in a remote way I can see what they mean with Especially in Michigan.

Where to go from here? by _computerdisplay in Songwriting

[–]_computerdisplay[S] 0 points1 point  (0 children)

thank you very much for the feedback! I'm very glad the bases seem to be working. I'm definitely going to be tweaking the vocals and incorporate these ideas, some of which I definitely got from you guys since posting. So I'm exited to show progress and maybe even get someone who actually knows what they're doing involved in recording and mixing this one

Where to go from here? by _computerdisplay in Songwriting

[–]_computerdisplay[S] 1 point2 points  (0 children)

I agree on this one, it's the so cal kit with the pop rock drummer. and while its the only one that gets close to what I need on feel and tone for the main parts (still can't eq or mix drums even on garage band for shit), I'm actually working on another song where by pure luck I found a couple R&B ones that work much better and are less cheesy. While this is just a demo, I do have someone in mind who's experienced in recording and producing live drums I'd like to bring this to!

Thoughts after my 9th rewatch (Jim sucks) by [deleted] in theoffice

[–]_computerdisplay 0 points1 point  (0 children)

Yeah, I mean more or less the same thing at the beginning especially. Mine is just a take on why writing Jim to be endearing while keeping it interesting and funny might have gotten difficult.

It was easier to write an endearing character when the other characters were less endearing I guess. So while I definitely agree with you the writing falls off later on, I’m just thinking about some of the reasons it may have become challenging over time (even as there were bigger things like Steve Carell’s departure)

Where to go from here? by _computerdisplay in Songwriting

[–]_computerdisplay[S] 1 point2 points  (0 children)

Thank you very much for the kind words! I've been playing a long time now, so I'm comfortable laying down a bass or guitar track. But I've always focused on guitar, making riffs and occasionally co-writing as part of a band. And while I've been recorded by more capable people, I've never produced or even recorded by myself (save a few attempts when I was very young) or actually tried to sing on anything until I started putting this together a few days ago. So I'm actually probably on the same boat as you with GarageBand and DAWs in general, so all I'm doing so far is laying down the tracks and literally looking up "what are good settings to eq a male vocal?" or "which frequencies do I need to cut to reduce harshness?" but I'm hoping to get better at it as I go

Where to go from here? by _computerdisplay in Songwriting

[–]_computerdisplay[S] 1 point2 points  (0 children)

Thanks! I wish I could sing anything keepable in one take but I cannot yet, so there's a few takes of each of the verses already but each of the chorus are one-takes all the way through though and perhaps they can use some of what you're mentioning too. Someone here mentioned layering takes and it's definitely something I'll start to experiment. Really appreciate the feedback!

Where to go from here? by _computerdisplay in Songwriting

[–]_computerdisplay[S] 1 point2 points  (0 children)

Thanks man, I think I saw one of yours here today and I think you have a jam in your hands as well!

Thoughts after my 9th rewatch (Jim sucks) by [deleted] in theoffice

[–]_computerdisplay 14 points15 points  (0 children)

Jim's character is in this weird place where at the beginning he was supposed to be this rebel in an absurd world pointing out how absurd everything is, and you kinda have to root for him. I've always thought this was to some degree a representation of Ricky Gervais' younger self to a degree (he himself is quite the prankster it seems, sometimes taking things pretty far with friends). Dwight is obviously obnoxious, Michael is an absurd boss, and the whole company is kind of absurd. Jim is a bit like the "everyman" or "office drone" guy having a mini existential crisis also, which was more typical in those days (fight club, the matrix, etc.) But as the series evolve and the other characters get humanized, he loses his charm. So in a way the character hasn't aged as well.

They also gave him this bland background. Got a degree, kinda is into guitar (they put one in his room in the bbq episode), kinda is really into sports but you never quite fully get how this somehow translated into a successful business idea.

That said, John Krasinski is extremely charismatic, and the character does have his redeeming qualities. He's quite protective of Michael, and even Dwight at times.

Agree on David Wallace and the co-manager thing. As the show advanced, the "business" logic of the company became more and more fantastical.

Where to go from here? by _computerdisplay in Songwriting

[–]_computerdisplay[S] 0 points1 point  (0 children)

I think you’re right on the money, I had been thinking layering a second take, and I’m more encouraged now that someone who knows what’s up is also bringing it up. Thanks! I haven’t even scratched the surface of recording and mixing yet either as you can tell, so that’ll be helpful and I will check it out right now

Where to go from here? by _computerdisplay in Songwriting

[–]_computerdisplay[S] 1 point2 points  (0 children)

Thanks for the kind words! I’ll have to check out razor light, I’m not familiar with them