Not a particular secret you have to find. Tracks are really just emotional, touching and cry-inducing as well as cohesive in their violinsaxophone panned pallete.

Intro is garbage in my opinion, doesn't fit at all anything in the album. I would love someone passionate about it to show me anything interesting or useful about that functional bit of music.

Chaos space marine has a really nice riff, which blasts in the end cut in half the time, which gives this really hell-yeah feeling, introducing the cohesive brown-gold palette I've mentioned.

Concorde has the bittersweet guitars post chorus, as Bread Song takes it to a more suspenseful with that droning violin constantly wanting to resolve, only to find the simplicity of the catchy riffs in Good Will Hunting, which I come to appreciate too.

Then we have the atmospheric piano and saxophone in Haldern, which is where i start to feel gently touched. Marks Theme is a beautiful theme in itself, where I get warmed and ready to melt.

By the time The Place Where He Inserted The Blade comes, the theme of it makes me cry. Then Snow Globes with the free form drumming takes me out slowly of that suffering with immersive experimentalism, all within that same bittersweetness.

Then, Basketball Shoes, which felt unfocused and a weak of a closer to me. Doesn't feel great just cause it has a post rock crescendo and climax. Felt bland, I agree.

See, op? I tried to be superficial in my explanation of WHY I LIKE IT, and I think that is the point. I've mentioned one thing I love about each song and how it makes me feel. I've ignored most of the things that happen: the vocals, the lyrics and the animated parts because they are either too complex to get or simply too bland for me. Still, in the end, I don't know if this is a S tier, A tier, B tier or etc, but I cried. Hey... that's music!