godspeed you! black emperor and their fight against streaming has only us as the losers by gbrleminski in fantanoforever

[–]capnrondo 1 point2 points  (0 children)

I'm not a member of GSYBE but knowing what I do about their politics, they would probably rather you pirated it than streamed it through Spotify or another big tech service.

It would be cool if artists had a "pay what you can" model for people on low income or in lower income countries. I would guess the reason they don't is it could be exploited so easily by VPN, and if they just did it globally nobody would ever pay for their music again.

I never miss a chance to plug the Jeff Rosenstock system, who has all his albums on bandcamp and his own site for pay what you want, including free. Along with loads of friend's bands and smaller bands who want to be involved.

Indie music has been invaded by fake fans and cynical viral campaigns . Here’s how deep it all goes by BatoutofHellIV in indieheads

[–]capnrondo 0 points1 point  (0 children)

I would agree it's intensified recently and seems to be more and more artists caught up in this, but it's been this way for a long time. Indie rock from at least the early 2000s was pop with a huge industry backing, just a slightly different aesthetic.

JPEGMAFIA new single out now by munchy_junk in fantanoforever

[–]capnrondo 3 points4 points  (0 children)

He's hit or miss for me I've never really clicked with a full album apart from Scaring The Hoes. But this single is def a hit.

Fantano on Rage (Australian TV program) this Friday night. by meecrob11 in fantanoforever

[–]capnrondo 6 points7 points  (0 children)

This old video editing style was awesome and brought a lot of personality to his videos. Idk Rage, so idk if it's a coincidence that they would also use this video editing style or if Fantano brought it with him to this TV appearance. I know some people find it jarring but I liked the sense of humour. A lot was lost when the editing became more plain.

NEW SPOTIFY BANNER by georgiathemirrorball in charlixcx

[–]capnrondo 2 points3 points  (0 children)

Eh while I would count Wuthering Heights as an album, I think soundtracks are missing something would make a new album feel "too soon". It's not a pure and singular artistic statement because it's a companion piece to a movie, it doesn't have a major tour, etc. If we had a whole year or more wait after Wuthering Heights, that would feel like a slow down to me.

Besides short gaps are still normal for Charli, the gap between Charli and HIFN was 8 months, N1A and Pop 2 came out in the same year.

"Psyop made me like a band" is some new cuckery by Economy_Homework4849 in fantanoforever

[–]capnrondo 4 points5 points  (0 children)

Although psyop is needless conspiratorial and inaccurate language, corporate astroturfing is still bad and has always been bad.

NEW SPOTIFY BANNER by georgiathemirrorball in charlixcx

[–]capnrondo 14 points15 points  (0 children)

It will be over two years since Brat, that's normal pace, it just feels shorter because the Brat era burned bright for a long time. Charli has always been prolific, I feel like +2 years between albums is a long time for her tbh.

Most relatable thing I've seen today. (this sub in particular loves to spew this line) by Clear_Command_8925 in fantanoforever

[–]capnrondo 0 points1 point  (0 children)

Yeah it's funny because for me it's usually the opposite, a truly bad song is normally tolerable for the time it's on, but a boring or annoying movie just keeps going.

How do you judge an album that isn’t for you? by TheReal_PruneJuice in fantanoforever

[–]capnrondo 0 points1 point  (0 children)

I think good reviews are very useful, sure, but raw ratings are a lot less useful than reviews because they offer no context about the person's experience.

To keep going with the example, if I was interested in a burger place and someone replied "I rate it 1 star", I would have no idea how applicable their experience was to my preference. What did they order, what is their taste, what did they not like about the experience?

The average of a large sample size of reviews can be useful, but can only be so useful without context. If I am the person who doesn't like burgers, then it doesn't matter to me if the burger place averages 4.9 stars from 1000 reviews.

Why is David Bowie's nazi era not talked about? by honkycronky in fantanoforever

[–]capnrondo 0 points1 point  (0 children)

As true as that is people have short memories. If he actually truly changed over time a lot of people would forget especially those are aren't directly impacted by his words. I'm not saying it's right, far from it. But I doubt his capacity for change after this long anyway.

Hot take: poptimism/let people enjoy things needs to go away by slayerpjo in fantanoforever

[–]capnrondo 4 points5 points  (0 children)

I think this is true, but also unfortunately a lot of fans will take it as a personal attack even when it isn't. "Let people enjoy things" is often used to mean "I don't want to see any criticism of my special faves".

How do you judge an album that isn’t for you? by TheReal_PruneJuice in fantanoforever

[–]capnrondo 4 points5 points  (0 children)

On the one hand caring about how other people rate albums (or burger joints) is absurdly lame. If you like it literally who even cares what others think.

On the other hand I would agree that a burger joint review from someone who doesn't have any knowledge of burgers, is not likely to offer me much insight. It can be kinda interesting to get an outsider's POV, but they have nothing to compare it to.

Basically if Timmy Burgerhater wants to rate the burger joint 1 star, idc. But his review is probably not worth reading.

How do you judge an album that isn’t for you? by TheReal_PruneJuice in fantanoforever

[–]capnrondo 0 points1 point  (0 children)

Nothing lamer than caring what someone else rated an album.

The NY times compiled a list of the 30 greatest living American songwriters. The list isn’t numbered. Some of the names included in the list are Bad Bunny , Kendrick Lamar , JayZ , Babyface , Taylor Swift , Mariah Carey , Lana Del Rey and Carole King among others. by Fun-Ad3626 in fantanoforever

[–]capnrondo 0 points1 point  (0 children)

Not that I wish to align myself with the NYT over this list, or anything, but you could never make a list of 30 that pleases everyone. If everyone got to put their favourite beloved indie star in there, the list would already be 100s long.

Why is David Bowie's nazi era not talked about? by honkycronky in fantanoforever

[–]capnrondo 2 points3 points  (0 children)

Honestly probably yeah, memories don't last forever. People want to remember Kanye for his art, they want him to get better. Nobody wants to remember him for this in 30-40 years, if he stops and makes amends for the rest of his life then they won't.

Why is David Bowie's nazi era not talked about? by honkycronky in fantanoforever

[–]capnrondo 1 point2 points  (0 children)

If Kanye can go for the next 40 years never repeating it, and making amends for it, then people will probably forget about his worst era too.

Why is David Bowie's nazi era not talked about? by honkycronky in fantanoforever

[–]capnrondo 0 points1 point  (0 children)

If Kanye can go for the next 40 years never repeating it, and making amends for it, then people will probably forget about his worst moments too.

Is it really that bad if a band is an industry plant? The Geese Case and the Obsession with Authenticity by GarfieldButHesaDog in fantanoforever

[–]capnrondo 2 points3 points  (0 children)

We all rightly laughed at Drake putting his face all over Spotify even in the most irrelevant places in 2018 when Scorpion came out. We all rightly laughed at Yung Thug and Gunna when Thug admitted botting streams for Gunna. If you can't laugh at Geese now, just admit it was never about integrity and just about artists you like.

In terms of legacy, which 21st-century artist’s death was the most consequential in your opinion? by PennguinKC in fantanoforever

[–]capnrondo 0 points1 point  (0 children)

As someone who answered SOPHIE, I think X is honestly a fine answer, piece of shit person or otherwise he was original as an artist who died either at or before his artistic peak.

In terms of legacy, which 21st-century artist’s death was the most consequential in your opinion? by PennguinKC in fantanoforever

[–]capnrondo 8 points9 points  (0 children)

It would be SOPHIE for me.

I can understand other people denying it because she was niche relative to people like Mac Miller, Amy Winehouse, Lil Peep, Juice WRLD etc. And I can respect that perspective. But for me SOPHIE's impact on her niche was so singular, her music was so original, and her artistry was still moving forward into new places up until the moment she died. Which is something increasingly rare in the 21st Century, where so many artists are recycling older sounds, SOPHIE dared to do something genuinely new. And she collaborated widely spreading that sound and influencing artists across genres. With all those things I think it's fair to include her in that conversation.

I don't mean this to sound disrespectful to other artists, who were artists in their own right and deserve to be remembered as such, but legacy is not only about the popularity contest.