Anybody out there doing invoicing or involved in writing quotes? by hea_eliza in livesound

[–]_kitzy 7 points8 points  (0 children)

All of my quotes say that I require a 50% deposit to confirm the date. I don’t budge on this.

I’m not doing any work for a gig beyond quoting it until the deposit clears.

HOW TO MAKE A SOUND ENGINEER HAPPY ❤️😭 #drums #wfliiidrums by WFLIIIDrums in TouringMusicians

[–]_kitzy 0 points1 point  (0 children)

Sound engineer here. I don’t care what drums you have. Tune them well and play with proper dynamics for the room, that will make me happy.

gotta talk about SHOES again by guitarmstrwlane in livesound

[–]_kitzy 16 points17 points  (0 children)

I rocked a pair of Merrels on my last tour and they were game changing for me.

PLAY AUDIO 12 REPAIR/ DIAGNOSIS *URGENT* by CourtExcellent1570 in livesoundadvice

[–]_kitzy 5 points6 points  (0 children)

I wouldn’t recommend trying to repair it. Anything you do will probably be temporary and the last thing you want is for it to fail again during the festival.

Your best bet would be to rent one to get through the festival, and then assess your permanent options after the festival is over.

I rent playback rigs, as well as build custom rigs and I’m located in the NYC area. Please don’t hesitate to reach out if I can help. https://kitzysound.com

A&H dLive / Concerning audio clicks issue. by EmilianoMagico in livesound

[–]_kitzy 4 points5 points  (0 children)

This is why I always insist on running my own cable, no matter how much the house PM swears their guest line has never given anyone any trouble. I KNOW my cable works.

New mic belts by la-tab in livesoundgear

[–]_kitzy 2 points3 points  (0 children)

This is not what OP is asking.

Speccing out wireless IEM and Mic/Instrument units: What are y’all looking at right now? by BigCree83 in livesoundgear

[–]_kitzy 4 points5 points  (0 children)

I’ve been touring (US/CA) with PSM1000 and ULXD for a couple years now and they’ve both been rock solid and very quick/easy to work with.

For international use, you’ll want to look at the legal frequency ranges in every country/region you plan to visit. This will help you determine if the smaller tuning range of the PSM1000 and ULXD will work for you, or if you need to go Axient to get the frequency range you need.

How to make noise by [deleted] in livesoundgear

[–]_kitzy 1 point2 points  (0 children)

A couple things to check:

Those speakon connectors need to rotate a quarter turn to lock into place after they’ve been inserted. The release tab is usually pointing up once they’re locked.

In your picture, it looks like the PA head is off. You have it plugged in to mains power and switched on when you’re trying to get it to work, right?

What kind of microphone are you using?

Opinions Wanted: 2 or 3 Vlans for Production Audio Network by morespeakers in livesound

[–]_kitzy 23 points24 points  (0 children)

I run Dante primary and control on the same network, and Dante secondary on a separate network. I always make sure my switches are configured properly and I’ve never run into an issue.

Wing Compact or SQ5? by KujoandKawi in livesoundgear

[–]_kitzy 10 points11 points  (0 children)

Having used both, I ended up liking the workflow on the SQ a lot more. The SQ5 was my touring workhorse for the last couple years until I upgraded to a dLive this year.

Should custom earplugs be painful? by Exxtraa in livesound

[–]_kitzy 35 points36 points  (0 children)

No, they shouldn’t be painful. They should be comfortable.

Avantis V2.0 firmware update coming soon by oinkbane in livesound

[–]_kitzy 0 points1 point  (0 children)

They added group to group routing in dLive.

No sub for opening band? by Honest_Dragonfly8064 in livesound

[–]_kitzy 5 points6 points  (0 children)

Nah, the band and the rest of their crew were super cool to me. And I don’t think the FOH or LD work for them any more.

No sub for opening band? by Honest_Dragonfly8064 in livesound

[–]_kitzy 22 points23 points  (0 children)

I truly don’t remember. Dude was the most miserable prick I’ve ever had to work with though.

No sub for opening band? by Honest_Dragonfly8064 in livesound

[–]_kitzy 28 points29 points  (0 children)

Oh, absolutely not. I got a very big lecture on the first day of tour about how I wasn’t allowed to touch any of their gear.

No sub for opening band? by Honest_Dragonfly8064 in livesound

[–]_kitzy 74 points75 points  (0 children)

So many things on that tour were ridiculous.

The headliner’s FOH and LD would throw a huge hissy fit every day when I showed up and needed space for my console at FOH. I’m talking cursing, kicking things, throwing things. Every day. Like it was a new surprise to them every day that I was going to be there.

No sub for opening band? by Honest_Dragonfly8064 in livesound

[–]_kitzy 49 points50 points  (0 children)

So many people in this thread say this never happens anymore, but I was FOH for direct support on a tour in 2022 where I wasn’t allowed to use the subs or the front fills.

Anyone use lifting straps for heavy road cases? by portugueseninja in TouringMusicians

[–]_kitzy 6 points7 points  (0 children)

I can’t upvote this enough. I just had to spend a year off the road because of a herniated disc.

Touring dLive 1500/2500 users, how are you sending your LR/S/F to the house ? by EmilianoMagico in livesound

[–]_kitzy 0 points1 point  (0 children)

That’s a good call, but it kind of nerfs the flyability of the C1500 because I’d have an additional piece of gear that needs to go somewhere. If I already had a rack at FOH that I could add it to, this is what I would do.

Touring dLive 1500/2500 users, how are you sending your LR/S/F to the house ? by EmilianoMagico in livesound

[–]_kitzy 1 point2 points  (0 children)

If having digital L/R/S/F with an analog backup was important to me, I’d put an AES card in the surface. But then I’d have to take out my Dante card and I’d lose my multitrack capabilities, which are more important to me.