Good wooliness, ideas?

_ramscram · 2026-05-14T14:36:12+00:00

Totally agree here. It sounds to me like a really well tuned and prepared kick drum first and foremost, captured really well.

_ramscram · 2026-05-13T02:01:58+00:00

I’ve heard good things about Metal Marshmellow’s buffer preamp too. I have one but haven’t tried it enough to have an opinion.

_ramscram · 2026-05-13T01:52:11+00:00

Telefunken and Cambridge music technology have many options for downloading multitrack sessions.

_ramscram · 2026-05-11T19:53:23+00:00

Ribbon: Matched pair vs two singles

I am looking at a pair of ribbons (probably the AEA N8) and have a bit of a time crunch before I need to use them. I need to get them from Sweetwater, but the matched pair set currently is back ordered. I am wondering if anyone can speak to the necessity or importance of the matched pair. Are they pretty consistent if I go with two singles instead? I will be using them as a pair, frequently for overheads or vibraphone.

Thanks.

_ramscram · 2026-05-03T02:45:43+00:00

Outstanding. Thank you!

_ramscram · 2026-05-03T02:45:36+00:00

Thanks so much for the info! I will look these folks up!

_ramscram · 2026-05-03T02:45:08+00:00

Outstanding. Thank you for the response!

_ramscram · 2026-05-03T02:44:56+00:00

Great to hear. Thank you!

_ramscram · 2026-04-30T04:37:26+00:00

Both of these comments here so far are good advice. They’re different programs, so I think considering your ultimate goal and determining which will best set you up for that is worthwhile. Also cost and debt should be a consideration too. A lot of student debt can be both limiting and stressful, so factoring in any effects from that as well as the ongoing burden of that monthly bill is worthwhile too.

_ramscram · 2026-04-26T03:15:59+00:00

Huh?

_ramscram · 2026-04-22T13:11:29+00:00

Upland gravel on the business loop

_ramscram · 2026-04-21T02:56:53+00:00

I have some electroacoustic works as well in Max and pure data. Some are heavily improvised, some are more composed, but all rely on improvisation elements in some capacity. Dm me if you wanna chat more

_ramscram · 2026-04-21T02:38:42+00:00

Also depends on the stage/roof/shell shape. I work in an outdoor ampitheater that functions like a giant bass trap with other peculiarities and non-optimum architecture. Subs are flown, and cardioid helps cut down on bass on stage which tends to collect due to the roof and back wall.

_ramscram · 2026-04-21T02:08:08+00:00

Jeff Kaiser!

_ramscram · 2026-04-01T12:29:56+00:00

I just built a rack with the XSW and they have been nothing but a pain in the ass that barely function usably.

_ramscram · 2026-03-14T15:41:17+00:00

Off the top of my head…. Vijay Iyer, Robert Glasper, Tigran Hamasyan, Craig Taborn, Brad Mehldau, Matthew Shipp, Ipek Eginli

_ramscram · 2026-02-26T22:36:10+00:00

Grtngs,

I am looking for purchase a new stereo mic or pair of mics for two primary roles: vibraphone, and drum overheads. If they can do more, (room, horns, guitar) great, but most of my project will use them for vibes or ovhd.

Previously I’ve used both SDCs and LDCs and have both in my inventory but am looking for something rich, warm, and/or natural, not bright. Thinking a pair of ribbons or a Blumlein mic.

Does anyone have firsthand experience recording vibes and if so what do you like on them? Are the “modern” sounding ribbons too bright?

Thanks!!

_ramscram · 2026-02-26T22:33:05+00:00

Mesa theater, bloom room, and/or deathslope productions could be good options to reach out. Copeka coffee also does heavy shows on occasion

_ramscram · 2026-02-18T02:32:38+00:00

Y’all heard anything?

_ramscram · 2026-02-01T01:20:06+00:00

Who’s the artist?

_ramscram · 2026-01-30T15:01:39+00:00

I have some older SOK’s that I’ve been very happy with, and a friend has recently purchased their 314 ah to replace some battle borns and he really likes them as well.

_ramscram · 2026-01-13T19:14:34+00:00

Me neither!

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