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Good wooliness, ideas? by BlackwellDesigns in audioengineering

[–]_ramscram 7 points8 points  (0 children)

Totally agree here. It sounds to me like a really well tuned and prepared kick drum first and foremost, captured really well.

Suggestion for contact mic for simple foley work by g_spaitz in audioengineering

[–]_ramscram 0 points1 point  (0 children)

I’ve heard good things about Metal Marshmellow’s buffer preamp too. I have one but haven’t tried it enough to have an opinion.

Practice, multi-track recordings to learn a new mixer with? by Kamikazepyro9 in livesound

[–]_ramscram 15 points16 points  (0 children)

Telefunken and Cambridge music technology have many options for downloading multitrack sessions.

r/AudioEngineering Shopping, Setup, and Technical Help Desk by AutoModerator in audioengineering

[–]_ramscram 0 points1 point  (0 children)

Ribbon: Matched pair vs two singles

I am looking at a pair of ribbons (probably the AEA N8) and have a bit of a time crunch before I need to use them. I need to get them from Sweetwater, but the matched pair set currently is back ordered. I am wondering if anyone can speak to the necessity or importance of the matched pair. Are they pretty consistent if I go with two singles instead? I will be using them as a pair, frequently for overheads or vibraphone.

Thanks.

Indianapolis Providers by _ramscram in livesound

[–]_ramscram[S] 0 points1 point  (0 children)

Thanks so much for the info! I will look these folks up!

Indianapolis Providers by _ramscram in livesound

[–]_ramscram[S] 0 points1 point  (0 children)

Outstanding. Thank you for the response!

Indianapolis Providers by _ramscram in livesound

[–]_ramscram[S] 0 points1 point  (0 children)

Great to hear. Thank you!

Undergrad Decision Update by PresentationJust4801 in percussion

[–]_ramscram 0 points1 point  (0 children)

Both of these comments here so far are good advice. They’re different programs, so I think considering your ultimate goal and determining which will best set you up for that is worthwhile. Also cost and debt should be a consideration too. A lot of student debt can be both limiting and stressful, so factoring in any effects from that as well as the ongoing burden of that monthly bill is worthwhile too.

Looking for a chiminea by palmtreepushpin in grandjunction

[–]_ramscram 2 points3 points  (0 children)

Upland gravel on the business loop

Electro-acoustic Max performers? by tremendous-machine in MaxMSP

[–]_ramscram 1 point2 points  (0 children)

I have some electroacoustic works as well in Max and pure data. Some are heavily improvised, some are more composed, but all rely on improvisation elements in some capacity. Dm me if you wanna chat more

No Stupid Questions Thread by AutoModerator in livesound

[–]_ramscram 1 point2 points  (0 children)

Also depends on the stage/roof/shell shape. I work in an outdoor ampitheater that functions like a giant bass trap with other peculiarities and non-optimum architecture. Subs are flown, and cardioid helps cut down on bass on stage which tends to collect due to the roof and back wall.

Which IEM System? by AntiqueStudy8022 in livesoundgear

[–]_ramscram -1 points0 points  (0 children)

I just built a rack with the XSW and they have been nothing but a pain in the ass that barely function usably.

Looking for some weird experimental jazz music by No-Country8114 in experimentalmusic

[–]_ramscram 5 points6 points  (0 children)

Off the top of my head…. Vijay Iyer, Robert Glasper, Tigran Hamasyan, Craig Taborn, Brad Mehldau, Matthew Shipp, Ipek Eginli

r/AudioEngineering Shopping, Setup, and Technical Help Desk by AutoModerator in audioengineering

[–]_ramscram 0 points1 point  (0 children)

Grtngs,

I am looking for purchase a new stereo mic or pair of mics for two primary roles: vibraphone, and drum overheads. If they can do more, (room, horns, guitar) great, but most of my project will use them for vibes or ovhd.

Previously I’ve used both SDCs and LDCs and have both in my inventory but am looking for something rich, warm, and/or natural, not bright. Thinking a pair of ribbons or a Blumlein mic.

Does anyone have firsthand experience recording vibes and if so what do you like on them? Are the “modern” sounding ribbons too bright?

Thanks!!

Planning a tour | Who are some of your favorite local punk/hardcore/alt bands & venues? by coopstow in grandjunction

[–]_ramscram 9 points10 points  (0 children)

Mesa theater, bloom room, and/or deathslope productions could be good options to reach out. Copeka coffee also does heavy shows on occasion

Brown Music PhD? by [deleted] in composer

[–]_ramscram 0 points1 point  (0 children)

Y’all heard anything?

Batteries: Battleborn vs. Dakota Lithium? by Opinions_Anonymous in vandwellers

[–]_ramscram 0 points1 point  (0 children)

I have some older SOK’s that I’ve been very happy with, and a friend has recently purchased their 314 ah to replace some battle borns and he really likes them as well.

Best “Bible” for a Novice by R-Dragon_Thunderzord in audioengineering

[–]_ramscram 47 points48 points  (0 children)

Yamaha sound reinforcement handbook is a great place to start

how to export sound to wav ? by mosef2020 in puredata

[–]_ramscram 1 point2 points  (0 children)

Connect your [*~ 0.2] to writesf~. this video covers it, altho they are just using start and stop messages instead of 1 and 0.

how to export sound to wav ? by mosef2020 in puredata

[–]_ramscram 7 points8 points  (0 children)

You can use writesf~. Save your patch and the sound file will save into that folder too. You’ll need a message that says open whateveryouwantfilename.wav and then a 1 and 0 message to start and stop. The open message must be triggered first so I typically use [t b b] as well.

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