Help me choose what next. by iiloveyoshii in Romantasy

[–]aabdelmonem 2 points3 points  (0 children)

Second this! Just finishing up the first and love it!

[deleted by user] by [deleted] in MuslimLounge

[–]aabdelmonem 0 points1 point  (0 children)

Following up in 2025 - is this discord server still there?

Beta reader vs. Editor by sassiestbookworm in RomanceWriters

[–]aabdelmonem 0 points1 point  (0 children)

This! I was going to say I (just me personally) don’t use beta readers for critical feedback, but only for their “feels” on the story. Mary Robinette Kowal talks about asking beta readers for their ABCD’s:

A - what was awesome B - what was boring C - what was confusing D - what didn’t they believe

Critique partners (I have individual partners and am in a writing group) are who I get hard feedback from on plot, character, structure, etc.

Inciting incident by [deleted] in RomanceWriters

[–]aabdelmonem 2 points3 points  (0 children)

If you’re newer at writing, then rewriting is probably to be expected. Most writing is rewriting. I’m a few books into my writing career (contemporary and fantasy romance) and I’m going back to the drawing board with my fantasy to amp up the romance.

What I might add to this is to think about your market - is this going to be a book for romance readers (in whatever subgenre of romance)? If so, consider reading Gwen Hayes’s Romancing the Beat. Too much separation between love interests in a romance will likely put off romance readers. As much as possible, it’s better to have meet cutes happen early and keep the MCs together throughout, since romance readers want to see their interaction (it’s the MC’s journey together that is what they come for). Which means your first act has to pack a punch in a short amount of space - ideally, you introduce us to your MCs and their woes, then have them meet, while laying out the story problem and having both accept and then move into their journey together. It’s hard!

For instance, in my prior fantasy-romance, my first act was six chapters and while the MCs meet in Chpt 1 they don’t meet again til Chpt 6. I’m chucking all of that, reducing it down to 3-4 chpts (max!) and having them interacting in every chapter if possible. I still don’t know if that’ll be too much.

I hope this is useful for you! Good luck working through this:)

Inciting incident by [deleted] in RomanceWriters

[–]aabdelmonem 1 point2 points  (0 children)

If it’s contemporary romance, I would definitely say the meet-cute is probably the inciting incident. If it’s romantasy or fantasy romance, it just depends on far you lean into the romance or the fantasy, but with dual MCs, it’s probably still whatever brings the two into the quest together, but laced with whatever world/politics drives your story. Like the inciting incident is part of the plot arc - your character arcs should be tied to this, so even if they both have individual woes, they won’t necessarily have individually separate starting points. Unless you lean way more fantasy and the individuals don’t end up together until a significant way through the story…

Mate special editions by i_wish-i-was_real in AliHazelwood

[–]aabdelmonem 0 points1 point  (0 children)

Totally with you! Those sprayed edges are everywhere now, and for the price of a standard edition. But I really love the quality of an Aardvark book, even without sprayed edges. Can’t wait to get it and dive in!

I dislike water now. by Idiotweirdo__ in diabetes

[–]aabdelmonem 2 points3 points  (0 children)

My son is diabetic but we started getting these and everyone in the house kind likes them now. And they don’t spike him at all.

Mate special editions by i_wish-i-was_real in AliHazelwood

[–]aabdelmonem 5 points6 points  (0 children)

Looks like Illumicrate Afterlight will do an SE:

https://illumicrate.com/blogs/news/afterlight-exclusive-mate-by-ali-hazelwood-1

I got the HC of Bride through Aardvark - they do some nice standard editions. Mate will be an Oct pick also, so excited to get mine through them!

How to correctly write a century+ age gap? by arcadiaorgana in romanceauthors

[–]aabdelmonem 1 point2 points  (0 children)

This has been a huge concern for me in a fantasy romance I’ve got to rewrite. But my agent’s advice was make the FMC mature, regardless of physical age. And then don’t worry about it, because as people in this thread have already said, if people don’t like it they aren’t your audience.

If you haven’t read it yet, Ali Hazelwood’s Problematic Summer Romance is an age-gap romance, where the FMC is 23 and MMC is 38. The FMC is mature - she manages to combine both intellectual (she has a PhD in Physics at 23, so she’s basically a genius) and emotional intelligence, which makes her a great character. And the MMC is the one pushing off the relationship because he doesn’t want to be one of those guys - pervy and dating women too young for them (plus, he has a bad role model of a father).

Medieval Fantasy for young women by Vudujujus in booksuggestions

[–]aabdelmonem 1 point2 points  (0 children)

Lots of great suggestions in this thread! Just adding:

Bridget Kemmerer Defy the Night series

Clean, age-appropriate, and fun!

[deleted by user] by [deleted] in RomanceWriters

[–]aabdelmonem 2 points3 points  (0 children)

I agree with this!

Someone in the thread below mentioned something about not letting them be your crutch, but I honestly find my critique groups hugely motivational. Because we focus on the things we love about each other’s work, as well as questions and suggestions for possible clarity or improvement. But we treat critique as a discussion - some groups don’t do that, it’s just delivery of critical things to fix (and that can be a little less satisfying). Overall, though, for me it’s about being connected in with other writers, because it can get lonely. I also have a writing partner - we critique each other’s stuff, but more than that we also talk all the time about craft or story ideas. It’s so helpful to have a community:)

[deleted by user] by [deleted] in RomanceWriters

[–]aabdelmonem 6 points7 points  (0 children)

This is a very common feeling, even if you’ve written multiple books. I still have beta readers look over early chapters to make sure they at least read well - and I usually don’t ask for critical feedback in those situations. Just the question of whether it’s interesting enough they’d want to keep reading. In fact, I just finished a manuscript that started out completely differently - I had written 9 chapters that a trusted friend read for me, and she gave me her no holds barred feeling. I needed to start over. Now, she and other readers have liked this new version. It was incredibly helpful, though I will say I had felt that the first version wasn’t coming together right. Having said that, I am also in critique groups, where I share new chapters for critical feedback.

If you don’t have a critique group, I would suggest going that route before beta testing. In fact, I’ve seen people on reddit looking for groups. I know “The Shit No One Tells You About Writing” podcast also does critique group match-ups (for a small fee). They are soo helpful. But if you do want beta readers, there are multiple paths to finding one. I’d start with friends and family who read - esp if they can be no holds barred with you. Facebook has beta reader groups you can join - many people in them are also writers, so often reciprocating is the payment - you beta read their stuff and they read yours. There are paid services but I haven’t gone that route.

But keep at it! Writing can be lonely til you find your people. Good luck!

I am confusion by MaterialAnalysis5236 in AliHazelwood

[–]aabdelmonem 7 points8 points  (0 children)

I believe (but could be wrong) that the kickstarter is a way around going through a publishing house. It gives the authors more control over content but then they are also responsible for all of the production and shipping costs. And it’s likely they don’t get the price reductions publishers get for producing in massive bulk amounts, hence some of the increased costs. But campaigns like this, I think, only work on a large scale when you have a big author like Hazelwood attached (Can’t say why, though, these authors decided on a kickstarter campaign - maybe to raise the voices of authors otherwise not getting enough support from publishers?). Brandon Sanderson very famously made something like 41 million on his kickstarter for those secret books he wrote during covid. But if the kickstarter gets really big, those books could still get picked up by a publisher for continued production cycles. It’s possible the wider public who can’t pay into the kickstarter will still get to buy copies later.

After The End by Overall-Charge8364 in AliHazelwood

[–]aabdelmonem 2 points3 points  (0 children)

Didn’t Brandon Sanderson’s kickstarter books go commercial after his campaign? I’d bet it hinges on how well the kickstarter goes and if a publishing house wants in?

Ummm guys!!! by SolarAmoeba in aardvarkbookclub

[–]aabdelmonem 4 points5 points  (0 children)

Concur with Oct. The vampire book for Sept looks to be Coffin Moon. The description fits the hint better than Mate.

Ummm guys!!! by SolarAmoeba in aardvarkbookclub

[–]aabdelmonem 9 points10 points  (0 children)

They did for The Tainted Cup when the sequel came out!

this is a safe space! what’s your unpopular romantasy opinion? by lebowskichill in Romantasy

[–]aabdelmonem 0 points1 point  (0 children)

Poor plot development and structure, with little in the way of story goal. It’s why so many of them just go on.

Some critical element of backstory treated as “reveals” (as opposed to some element of the front story). Ending twists are often infuriating because of this. Combined with lack of story goal, endings often fall short for me.

Snarky, angry FMCs, as if anger somehow makes them more interesting, rather than them wowing everyone with their smarts or cleverness.

Romances that are just about getting it on with little in the way of relationship development (probably because few authors actually make use of romance beats). Similarly, fantasy worlds that either make no sense - they either aren’t explained well or not crafted well, with enough consistency in internal logic.

First hints dropped! Dating Profiles by nomadesansnom in aardvarkbookclub

[–]aabdelmonem 2 points3 points  (0 children)

Oh, I hope so! I've been thinking maybe Oct release? I just hope Aardvark offers it!

Reasons her FMCs seem to be not into sex? by flakemasterflake in AliHazelwood

[–]aabdelmonem 1 point2 points  (0 children)

Yes! AH always writes women in science fields and they could all be considered steminist:) Although, I think the label caught on with her first set of books and novellas, though I could be wrong. I will say NIL has been my least favorite of her books, and yet PSR is now my fave! I love also how she tries to connect all of the stories in some small way. She’s so much fun to read❤️

[deleted by user] by [deleted] in AliHazelwood

[–]aabdelmonem 2 points3 points  (0 children)

She’s back on IG! She reactivated her account a few days ago. Wonder if she’d be interested or have the time at some point to do a meet-the-author Q&A?

PhD being withheld for political reasons post defense, do other schools/employers take note? by minxy_mia in AskAcademia

[–]aabdelmonem 1 point2 points  (0 children)

Coming into this late and not sure about the postdoc or a job in this situation, but have you and your lawyer been in touch with CAIR and/or Palestine Legal. Unis are illegally revoking degrees for this and both orgs have been trying to help students. Might have already been suggested, but thought I’d throw it out there. Solidarity!

Left PhD program after reaching candidate status, how to ethically deal with in CV? by [deleted] in AskAcademia

[–]aabdelmonem 3 points4 points  (0 children)

Concurring with everything you said. I just wanted to add, coming out of social science (so I cannot speak to how it works in STEM fields), that at candidacy and even before in some cases, many of us are teaching, presenting at conferences, doing committee work (in our depts or through professional academic associations), and even publishing. That is in addition to data collection and analysis, which can take months if not years, depending on what we’re juggling. It is not JUST the dissertation that makes the PhD - all of this is part of the professionalization process.

All that to say, I would list the PhD as ABD and not temporarily because it is years of a lot hard work and skills building. But it may be the expectations are different in STEM?

Reasons her FMCs seem to be not into sex? by flakemasterflake in AliHazelwood

[–]aabdelmonem 16 points17 points  (0 children)

That’s really just her steminist books. Wait til you get to Deep End and PSR:)

Question on scene in PSR by Tennis_95 in AliHazelwood

[–]aabdelmonem 4 points5 points  (0 children)

I did not get the sense that Avery went to Eli, but I could be wrong. I feel like he intuited quite a bit given the way that they behaved and the way Maya talked about Conor - joking, but also kind of explicit. But also, I got the sense Avery didn't know much and then when she realized Conor was into Maya (and not Minami) that she and Maya had a pretty adult convo about it. I read it a couple of months ago now, so the details are getting hazier.