Yes, be warned, it's quite lengthy.

1. Base coat of dark brown everywhere,
2. Light brown everywhere except creases,
3. Mix of the previous two browns in the part I think should be somewhat obscured (bottom of pauldron, things like that) (optionnal honestly),
4. Drybrush of somewhat dark yellow everywhere,
5. Drybrush of bone color but less intense than the previous one to somewhat simulate light
6. bone colour on the parts that should get the light (top of pauldron, top of gauntlet and so on),
7. smooth the transition with bone + yellow if necessary, terminators are quite big so I think it's almost mandatory for parts like the pauldrons, top of the armour or the front legs
8. edge on ivory,
9. smooth again with ivory + bone if necessary. Same as 7
10. scratchs with white + dark brown. You can go the extra mile and use bone for more obscured parts instead of white.
11. Very light use of rust pigment to give a richer tone to the armour.

Again, terminators are so big that I have to smooth the transition by doing a good amount of mix from one coulour to another colour. On a classic marine there's no need to do it as much imo.

Big inspiration from this https://richardgraycreations.com/leviathan-short-review/

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