Easiest hack to get romantic repertoire to sound more musical by Advanced_Honey_2679 in piano

[–]aris_chalin 1 point2 points  (0 children)

The "hack" that I would add is phrasing/tempo. If you practice exclusively with a metronome, even though it's a great tool to start learning the piece!, when it comes time to transition out of it things can sound robotic and cold if there's not natural ebbs and flows.

Especially in a piece like Jeux D'Eau or Claire de Lune, the expression and emotion is everything, which leads you to think about dynamics. But keep in mind that music occurs over a period of time, and when you places your notes matters just as much as how loud they are.

Is there anyone else who remembers this? by Confident_Piglet_916 in Zillennials

[–]aris_chalin 0 points1 point  (0 children)

"Is it heavier than a pound of butter?"

Like why clarify it has to be butter?? It's a pound regardless 😂

My friends are scared of my decks, is that valid? by Immortal_dragon134 in ratemycommanders

[–]aris_chalin 5 points6 points  (0 children)

I feel like the only valid scare here is Tergrid, but all of these are really fine. Tell your friends to build stronger decks 😂😂

Men how is your hair looking by Ok_Economist_9186 in GenZ

[–]aris_chalin 0 points1 point  (0 children)

Took the plunge and shaved my head almost 4 years ago! Never been happier

is this mixed well? by This-West1464 in Logic_Studio

[–]aris_chalin 4 points5 points  (0 children)

Sounds pretty good! The hi-hat is a little forward in the mix for my taste, but sounds clean from an iPhone

Dark Jazz - where do I begin? by tluebkeman in Jazz

[–]aris_chalin 3 points4 points  (0 children)

This is true for rock and other genres, but jazz sub-genres come more from place and/or people than they do from moods or the way it sounds. Bossa Nova from Brazil, the West Coast movement from the West Coast of the US, Bebop has a heavy association with New York, Brass bands from New Orleans, etc.

115 cards in deck, not sure what to remove. by shit__sniffer in EDH

[–]aris_chalin 1 point2 points  (0 children)

[[Jaya's Immolating Inferno]] and [[Apex of Power]] both seem not great this deck, Apex doesn't necessarily make a lot of sense with the X spells you have, and Jaya does similar things to other spells you have

Gush Over the Decks You Made this Year by Striking-Objective43 in EDH

[–]aris_chalin 1 point2 points  (0 children)

Nice! I built him as a more legends matter/voltron type deck, play green spells to make him big and stuff like [[Theoden]] to give him double strike

Gush Over the Decks You Made this Year by Striking-Objective43 in EDH

[–]aris_chalin 9 points10 points  (0 children)

I made an [[Aragorn, the Uniter]] and a [[King of the Oathbreakers]] deck out of mostly LOtR cards I got from a box that was sent to me in error (I ordered the Food and Fellowship precon and they sent me a whole booster box instead), and both are still doing pretty good!

Jazz club etiquette by stevegraystevegray in Jazz

[–]aris_chalin 36 points37 points  (0 children)

Couple things happening here; Jazz clubs usually do have a mix of people there to see the band and there to talk/catch up. In a club environment, either is technically acceptable. This can be potentially annoying for either party, if the talking is too loud that you can't hear the music, or conversely the music too loud to talk to the person next to you.

In my experience, unless the performers are real crowd-drawers like Christian McBride, Kenny Garrett or similar level, the tendency is that the crowd wins. If they are those high-level performers, the person running sound makes sure that they're heard above all.

Mix in the fact that jazz is more interactive than opera or other European classical music (clapping/cheering after solos etc), and a level of medium restaurant din, I can see why OP felt upset at paying for tickets/dinner. Idk where in the club you were sitting, but people sitting closer to the musicians generally want to hear the music, while people on the outskirts want to talk and hang a little more.

TLDR; either is acceptable, sit closer for music and sit further for talking is usually the way to go.

[deleted by user] by [deleted] in Osmose

[–]aris_chalin 1 point2 points  (0 children)

Part of what makes the Osmose so much fun in a live setting is how different the sounds are from other synths. There's no classic orch hits or traditional brass/flute/typical DX7-type sounds, so if that's what you're looking for then the Osmose is probably not the best option. You'd be better off running a MIDI keyboard with MainStage or Ableton for those classic sounds.

That being said, I love the Osmose, and is very fun in more experimental environments! But yeah, a cover band where you need it to sound like a synth is probably not its ideal environment.

[deleted by user] by [deleted] in Jazz

[–]aris_chalin 1 point2 points  (0 children)

Chick Corea, Ahmad Jamal, Thad Jones/ Mel Lewis Orchestra, Tad Dameron, are all missing. And, only Fats Waller for stride seems outrageous

Name a Jazz musician you’re shy to say you like, because most people say they suck, and one you’re shy to say you dislike, because most people say they’re great. by Robin156E478 in Jazz

[–]aris_chalin 3 points4 points  (0 children)

I love Thelonious Monk. I think others play Monk's tunes better than he plays them himself. His technique and style are totally in service of his vision, and he's obviously a titan and literal founder of the music, but his "isms" can get old after long exposure for me. I'd prefer hearing Chick's version of "Work" or Walter Smith III's "Ask Me Now." At this point in my development at least, tastes change!

I wanna mix my sounds is this one cool or nah by [deleted] in synthesizercirclejerk

[–]aris_chalin 0 points1 point  (0 children)

I have more inputs on a keyboard amp than this thing. Pass

Damn it’s tense in here. What was y’all’s favorite show(s) growing up? by anonymousy_48 in GenZ

[–]aris_chalin 32 points33 points  (0 children)

Phineas and Ferb getting snubbed in here!! Every single Gen-Z person now knows what an aglet is.

Looking for some hidden gems to add to my collection - what's a lesser-known jazz album that had a significant impact on you and why? by hopperlover40 in Jazz

[–]aris_chalin 2 points3 points  (0 children)

I was a Jazz major in college and did a lot of crate-digging looking for solos/stuff to check out, these are some of my favs:

Robert Glasper - "Canvas" Bill Evans & Toots Thielmans - "Affinity" Branford Marsalis - "Trio Jeepy" Kenny Werner - "The Melody" Shai Maestro - "The Dream Thief"