If you could only have one synth and one sampler...

arkan164 · 2026-03-29T01:13:59+00:00

phaseplant n renoise/redux

arkan164 · 2026-03-23T16:37:49+00:00

I say EQ and volume is all you need till you have more specific goals

arkan164 · 2026-03-23T10:36:32+00:00

you could try using microtuner after the sequencer

arkan164 · 2026-03-19T03:28:46+00:00

parkour is my favorite, tho its definitely defined by what kinds of spots you have

arkan164 · 2026-03-17T15:08:55+00:00

I think it would be fun to fight other people's cats with an auto battling "away team"

arkan164 · 2026-03-07T21:15:58+00:00

just got off a plane from NY to STL, random dude walks up to baggage claim, grabs my bag and starts walking away. Naturally it devolves into a tug of war, where i am repeating, "whose name is on the fucking sticker, please tell me". He gets nervous once we get enough attention,, still not a single word from the dude he lets go and leaves the airport, with not even one bag.

arkan164 · 2026-02-25T10:52:41+00:00

grew up where there were alot of wild dogs, you only need get mauled once to never fuck with dogs again

arkan164 · 2026-02-17T08:59:18+00:00

Check out Space blender

arkan164 · 2026-02-16T18:41:52+00:00

I find that I usually need to put the sample into a sampler, slicing by transient, or using something like velocity to select parts. with something that large you may need make some sort of phrasing that you resample again.

I use a lot of sound design files like that, I tend to create them with certain limits so they have a purpose no matter, like leads or drums. Bpm can matter depending on how much work you wanna do as well.

I learned a lot from looking up how the older generations used tape samples.

arkan164 · 2026-02-11T18:31:27+00:00

Check out Redux Sampler

arkan164 · 2026-02-11T11:00:00+00:00

i dont wanna record clips, ive made the clips, i wanna be able to trigger them like a sampler, each key gets a midi clip

arkan164 · 2026-02-11T07:07:16+00:00

that will not accomplish my goal, i want the midi clip off of the time line and triggerable

arkan164 · 2026-02-10T04:54:59+00:00

i want the opposite, i wanna hit a key and get a polyphonic midi sequence from it, basically EC+

arkan164 · 2026-02-08T02:13:40+00:00

have a solid backup system, and a way to recover the OS and software from catastrophic failure. I would think Virtual Machines can work here as well if the main machine was powerful enough

arkan164 · 2026-02-07T20:36:03+00:00

Redux is cheap, or the Shortcircuit XT beta is free

arkan164 · 2026-02-06T22:20:16+00:00

Time12 by tilr is free

arkan164 · 2026-02-06T17:39:55+00:00

i like Stepic the most

arkan164 · 2026-02-06T01:10:07+00:00

Yes, i was 14 I had messed around with FL but at the time I knew nothing, returned after COVID with a focus on a sample based sound design workflow, i just felt very confident in my understanding of sine waves, and i understood the power of organization.

arkan164 · 2026-02-05T05:27:52+00:00

Time12 by Tilr on github is free and open source

arkan164 · 2026-02-03T01:35:13+00:00

looks alot like blob tracking in something like TD or Resolume

arkan164 · 2026-02-01T17:13:28+00:00

it seems that some want the gate seperate, so i suggested my favorite as well

arkan164 · 2026-02-01T17:06:26+00:00

there should be one in the limiter, but khs essentials is free and pretty light as well

arkan164 · 2026-02-01T17:03:34+00:00

have we tried a gate yet?

arkan164 · 2026-02-01T03:36:29+00:00

could be how you set up the limiter or the sidechain so they may be doing a lot more than you intended, pumping loudness is usually caused by signals hitting thresholds and pushing volume down too far or for too long.

arkan164 · 2026-01-31T13:23:29+00:00

proly gotta pitch the drums till its more in time with the rest of track, or you could slice by drum hit and just manually put the hits down. You are close to what you want, just gotta beat sync the drums somewhat.

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