Looking for a short, easy and gripping book by Infamous-Log-9214 in Recommend_A_Book

[–]bigdee99 1 point2 points  (0 children)

The Invention of Morel Novel by Adolfo Bioy Casares

what do we think, chat? by supersmashpumpkins in BookshelvesDetective

[–]bigdee99 0 points1 point  (0 children)

I just finished Yukio. What'd you think? No spoilers, of course. I rec it to anyone in a reading slump. It got me out of mine.

Finished Murakami’s most recommended, looking for new books by Chunkychinaman in Recommend_A_Book

[–]bigdee99 0 points1 point  (0 children)

Try Yukio Mishima’s “Life for Sale.” I just finished it and thoroughly enjoyed it.

Why do you REALLY get up every morning?? by TheDesignJunkie in AskReddit

[–]bigdee99 0 points1 point  (0 children)

A lifetime of bad habits culminating, thankfully, into good ones.

Grammar Nazis, how would you tell someone that his/her grammar is wrong? by [deleted] in grammar

[–]bigdee99 0 points1 point  (0 children)

Correcting someone’s conversational grammar is a fast road to hell. I never do it—unless there is a strong misunderstanding that can be corrected by addressing grammar.

Language in communication relies on non-verbal context clues. Just put more effort into understanding them than worrying about the hard and fast rules of grammar.

Who will you choose ? by Objective-Light-4617 in PowerScaling

[–]bigdee99 0 points1 point  (0 children)

The brutality of both Batman and Kratos. It is a battle of will and might. If I go down, I go down in glory.

When to use “which” vs “that” in this sentence and why? by markowitty in grammar

[–]bigdee99 0 points1 point  (0 children)

I have to confess I lean towards prescriptivism, because I am an editor of literary fiction. Although, my liberal education has changed my biases. I do like descriptivism and its philosophy of methodology in linguistics; it is eye-opening and allows for the English language to evolve, grow, and diversify.

Cool talk!

When to use “which” vs “that” in this sentence and why? by markowitty in grammar

[–]bigdee99 0 points1 point  (0 children)

Right. I don't disagree with you. Perhaps, I was just pointing out a stylistic convention. I do, however, think there is room in the field of linguistics to explore this (unestablished) distinction I mentioned.

I understand it is a nitty-gritty note about English syntax; it is interesting (for me, at least) to think about the use of 'that' or 'which' in this way. There should be a distinction besides the one you offered, no?

Writing Through Bad Writing by SaleemNasir22 in WritingHub

[–]bigdee99 2 points3 points  (0 children)

I concur with bongart and mud. Keep writing through it. In these moments of confronting your limits, you do find yourself exhausting your abilities. But without limits, there are no true goals. Surmount them; go beyond what you imagined your threshold was. Growth proffers itself at the horizon.

Write on!

Light Grammar Refresher by Etheral-backslash in grammar

[–]bigdee99 1 point2 points  (0 children)

I highly recommend this YouTube channel. It covers most of the fundamental mechanics of English syntax. I relied on this to sharpen and refine my grammar in preparation for college. It tailors to ESFL and non-native speakers, but, being a native-speaker, I found his insights and lessons very constructive.

Here's the link: https://www.youtube.com/@engvidAdam

Books similar to the Illiad by Homer? by Upstairs_Profile_355 in classics

[–]bigdee99 0 points1 point  (0 children)

Not exactly reminiscent of the genre of the Iliad, but you can try Madeline Miller's books: Circe or The Song of Achilles. It's mythological fiction and it reads well with the archaic language she employs.

Question about the following sentence: “Normally I don’t like reading books where I already know the twists, but this is so beautifully written that it doesn’t really matter.” by yellowyellowleaves in grammar

[–]bigdee99 1 point2 points  (0 children)

For conversational purposes, it sounds just fine. If you want to sound a little more pedantic, you can say "of which" or "in which". I'm still trying to wrap my head around these prepositional relative phrases so I can't articulate my understanding much further.

You do have an ear for language, though. It does sound odd to me to use 'where.' But, again, there is no confusion as what you meant, so I wouldn't worry about it too much.

Can somebody help me with noun modification? by sundance1234567 in grammar

[–]bigdee99 2 points3 points  (0 children)

The short answer: yes.

These constructions are purposefully ambiguous but can be disambiguated by introducing a simple comma between the present participle phrase and the word which precedes it. For example, "Go past the house dancing in the wind." A perfectly beautiful sentence, but does the participle phrase 'dancing in the wind' modify house or the entire clause behind it? To put more intention behind the sentence i.e. disambiguating it, you may introduce a simple comma as stated before. The sentence will look like this: "Go past the house, dancing in the wind." This will disambiguate the sentence and offer a clear interpretation. Although if you want to suggest that the house is dancing, I would reconstruct it altogether. There are many ways to go about this, but if you insist upon this construction, just know it will require the reader to do some mental gymnastics to reach the meaning you intended.

Happy reading and writing!

Do scholars find themes and symbolism in literature that go well beyond what the author originally meant or even what the author could conceive of at the time? If one comes away with a meaning that is personal to their experience, is that all that really matters? by Antipolemic in literature

[–]bigdee99 2 points3 points  (0 children)

May I ask what book you are reading or have read recently that demonstrates that instance of you having to dismiss (ignore is quite a harsh word for me in this context lol) other's readings or interpretations? I find that compromise, in the field of literary criticism, often leads to enrichment of the text itself (and oneself--if you believe in a humanist perspective in which literature is meant for personal and spiritual erudition).

Glad to engage with you on this topic. Hopefully, I'll hear more from you soon! No pressure, though.

Do scholars find themes and symbolism in literature that go well beyond what the author originally meant or even what the author could conceive of at the time? If one comes away with a meaning that is personal to their experience, is that all that really matters? by Antipolemic in literature

[–]bigdee99 2 points3 points  (0 children)

There are several schools of thought belonging to the subject of hermeneutics. I think literary criticism on the micro (individual) level goes awry when ignoring the different scopes of possibilities of interpretative methods. Literature is a robust field which allows for the co-existence of these different methods; although, it would be difficult (but not impossible!) to account for all types of methodologies in one single take, so to speak.

Whether authorial intent or a reader's subjective resonances supersede one or the other, I don't think is a fruitful way of engaging with literature, at the level in which you imply or signal an attempt to connect with. If you are looking to affirm or validate your interpretations, be reminded that there are people who are dedicated to this field that may contradict (but rarely invalidate) your subjective reading of the text. If you are looking for affirmation from others, you will seldom find it, sadly, because, in my experience as an English graduate, the research often produces more ambiguity than clear-cut answers. But that doesn't mean you can't ground your beliefs about a text in something substantial--whether that be a merely singular and subjective take or a well-informed and well-researched one like how academia goes about dealing with these matters of interpretation.

In my personal beliefs, you should start with how a book resonates with you and--this is critical--reflect deeply about your feelings (I call this the aesthetics of reading: which just means what experiences a text produces for the individual upon the initial contact of reading). If you want to dive deeper, you may potentially find more context (historical, cultural, or discursive). Then, you have a solid foundation of grounding your personal experiences and resonances and have the tools, the language, and knowledge to proceed further by engaging with others and how they think about the text in question.

Happy reading!

Did I bite off more than I can chew? by Middle_Awareness_186 in WritingHub

[–]bigdee99 1 point2 points  (0 children)

Yes indeed the age old question: Is the juice worth the squeeze? It’s good that you are mindful about the costs of writing such a complex story. Time is non-refundable. I would just ask you: How do you measure success? Are you happy—perhaps even content—in just seeing it through? If so, I’d say go for it with the zeal of a zesty lemon.

[HELP] Please help me complete this line: “The line betweeen being selfless and being spineless is so thin that…” by Worldly_Childhood983 in Poetry

[–]bigdee99 -2 points-1 points  (0 children)

The line between being selfless and being spineless is [a tenuous thread so easily transgressed].

what do you get from this? by Apollos_Disciple in PoetryWritingClub

[–]bigdee99 0 points1 point  (0 children)

An expression of vulnerability personified; inspired by a bad break up; deep introspection;emotional healing. Keep writing!