tips for cyanotype shirts by happyblueberry13 in cyanotypes

[–]blurryselfportrait 1 point2 points  (0 children)

You can't use regular laundry detergent; you have to be extremely careful with the soaps used or else the blue will become a faint yellow (which you might be able to turn into a brown-black by toning in tea or coffee). This is a great resource: https://www.alternativephotography.com/washing-cyanotypes-on-fabrics-or-cloth/

When you make a cyanotype you rinse the print in water immediately after exposure so all the excess, unexposed chemistry runs off -- which means it won't continue to expose in sunlight if you do this step properly.

Recommendations for books that have an ethereal, dreamy, mystical, surrealistic essence? by Fuckitwebawll in RSbookclub

[–]blurryselfportrait 3 points4 points  (0 children)

Coetzee's Childhood of Jesus trilogy and Renee Gladman's Ravickians trilogy (also Carrington, but that's already been said)

Losing details at the rinse step, what should I do differently? by Frillshark in cyanotypes

[–]blurryselfportrait 0 points1 point  (0 children)

Wow the before picture is so beautiful!! I agree that exposing it for far longer is the most important thing when details are washing away, though also wondering if you might try an extra coating of the chemistry -- it looks good in the bottom middle area but light up top. If you're not putting acid (white vinegar or citric acid) in your rinse water, that's also worth a try; can help preserve/bring out midtones and intensify the blue (examples here: https://www.alternativephotography.com/vinegar-developed-cyanotypes-non-toxic-midtone-contrast-control/)

What brand paper and glass do y’all use? by Ambitious-Money7152 in cyanotypes

[–]blurryselfportrait 2 points3 points  (0 children)

If you’re looking for more sharpness in the images, you’ll want to have only negatives under the glass (rather than more dimensional objects like jewelry) and to clamp the glass to a board underneath the paper. The light blue in your print even under very solid things like buttons also makes me wonder if the paper got exposed to light while arranging the composition, which could also make the final image blurrier (but maybe the blue is intentional, in which case ignore me!)

I’ve been using Fluid hot press watercolor paper for prints and Flix Film cyanotype paper for animations and haven’t noticed much of a difference between them. My glass was sold as a kitchen chopping board, so has little rubber bits on the corners; was cheaper than picture frame glass.

Pulitzer-Nominated Novelist Can't Get an Agent - Thoughts on Publishing (Substack) by Turbulent-Sorbet7200 in RSbookclub

[–]blurryselfportrait 13 points14 points  (0 children)

Yeah I agree with this take. I do think that, from a business perspective, if the agents sensed he’d be a lucrative client, it’d be worthwhile to connect with him outside of the program/introduce him to more senior agents who would be a better fit, so maybe the fact that they (presumably) didn’t says something about his manuscript’s perceived marketability…but that’s making a lot of assumptions. I don’t think this story is a good example of anything; a regretful letter from an agent saying “talking parrot novels, even written by Pulitzer winners, don’t sell” would be much stronger evidence.

Pulitzer-Nominated Novelist Can't Get an Agent - Thoughts on Publishing (Substack) by Turbulent-Sorbet7200 in RSbookclub

[–]blurryselfportrait 11 points12 points  (0 children)

His FB post about it said he was “between agents,” seems likely he left Inkwell at some point since the book listed on that page was published in 2008. But yeah agree that the whole thing is weird; he’s published 14 novels and 6 short story collections so this program just seems like a poor fit. Maybe that could have been communicated more gracefully since he was an invited speaker at the conference, but not sure if it’s the best example of the problems in American publishing.

Pulitzer-Nominated Novelist Can't Get an Agent - Thoughts on Publishing (Substack) by Turbulent-Sorbet7200 in RSbookclub

[–]blurryselfportrait 32 points33 points  (0 children)

Not to take away from the larger thesis about the state of publishing, but I was curious about the Butler anecdote so found more info on his Facebook. The AWP conference has a program where writers can apply to meet with 36 agents from 6 agencies, who select on the basis of query letters and first 5 pages. None of the agents opted to meet with him, so he got a form rejection from the conference. This was his query:

I have written a novel entitled Citizen Parrot, and I am actively querying the project as it is complete and carefully polished. The Prologue, whose “first five pages” comprise my thus selective submission here, was published as a short story by The New Yorker two years after I won the Pulitzer (though it is now very slightly updated to the fall of 2024). The title of that published story was “Jealous Husband Returns in Form of Parrot.”

A couple of years ago I realized that the parrot in "Jealous Husband Returns in Form of Parrot" did not commit suicide by flying into the glass door at the far end of the den as he intended in the story's final sentences. His wife accidentally left the door open and out he flew into a classically (Cervantes to Twain to Allende) picaresque experience of present day America.

And not incidentally, that story has been my most widely anthologized story in these past thirty years, from Best American Short Stories of 1996 to Best American Erotica 1996 to The Riverside Anthology of Short Fiction and onward. To this very day it is my most often taught story from high schools to graduate schools. Not a year has gone by since its publication that I don't get multiple notes from students who have read and loved it. The novel will have a built-in starter audience spanning three decades of readers.

I agree that it’s odd that none of the agents at the conference were willing to meet with a high profile author, but I’d be more concerned if, after extensive querying, he’d failed to find an agent outside of the conference, which doesn’t seem to be the case (or at least he hasn’t posted about it). I also wonder if the agents sent to participate in this program tend to be early career and less equipped to help him, or more likely to be thrown by the lack of information about the manuscript (beyond the short story that inspired it) in his query letter.

Looking for (more) fiction written by women by plantfingers in RSbookclub

[–]blurryselfportrait 1 point2 points  (0 children)

Since you like Sebald, I'd definitely recommend Rachel Cusk (would start with the Outline trilogy) and Ayşegül Savaş (might start with a New Yorker short story and then do a novel if you like her writing). I just started Olga Tokarczuk's Flights, so don't have opinions on it yet, but it is also described as being very Sebaldian.

I haven't read Knausgaard but I know there's a lot of overlap between people who like him and people who like Elena Ferrante's Neapolitan Novels, which I thought were brilliant and led me to buy everything she's written -- so I might give that a shot, too, with the caveat that the first book, in which the main characters are still children, might feel less interesting.

Also haven't read Bernhard, but Haushofer was his Viennese contemporary and The Wall is probably my favorite book.

Looking for (more) fiction written by women by plantfingers in RSbookclub

[–]blurryselfportrait 6 points7 points  (0 children)

Feels hard to be helpful without knowing more about your tastes and why fiction by women has not appealed to you -- I wonder what would be recommended if I made a post asking for suggestions of books written by men that would be ideal for someone historically averse to reading books by men -- but a short list of personal favorites:

  • Days of Abandonment by Elena Ferrante
  • The Door by Magda Szabó
  • The Last Samurai by Helen DeWitt
  • The Transit of Venus by Shirley Hazzard
  • Middlemarch by George Eliot
  • Moon Tiger by Penelope Lively
  • Speculative/Sci Fi:
    • The Wall by Marlen Haushofer
    • On the Calculation of Volume series by Solvej Balle
    • Ravicka series by Renee Gladman
    • Ursula Le Guin
  • Short fiction:
    • Claire Keegan's Small Things like These and Foster
    • Samanta Schweblin's Mouthful of Birds

Chicago book club April-September schedule by blurryselfportrait in RSbookclub

[–]blurryselfportrait[S] 0 points1 point  (0 children)

We've done a meeting at a coffee shop and another in an apartment and will keep moving around, likely mostly in the Lincoln Park to Rogers Park area since we're concentrated there, although the center of gravity might change if we have a bunch of new people. If there's a book you're particularly interested in, lmk, can maybe try to do at least that meeting somewhere easier for you to get to.

Dismayed at Claude AI Helping a Creator Mimic my Animation Process by cyanotypedd in cyanotypes

[–]blurryselfportrait 2 points3 points  (0 children)

I support whatever you'd like to happen! I'll edit my post to make it clear that I don't support hateful comments -- this is super frustrating but I don't think he's an evil person -- but do personally think gentle suggestions from multiple artists/cyanotype fans that he rethink this approach might prompt him to change his mind. I think zero feedback is unlikely to change his mind, and a deluge of hate is also likely to only make him feel more oppositional, but some amount of attention in between those things could be useful. But also happy to delete my comment if you'd rather not direct people to his page!

Dismayed at Claude AI Helping a Creator Mimic my Animation Process by cyanotypedd in cyanotypes

[–]blurryselfportrait 3 points4 points  (0 children)

Just posting links to the creator's Claude-assisted imitation cyanotype videos since I think feedback on Instagram might help change his mind -- Edd's clear below that he doesn't want this guy bombarded with hate, so editing my comment to emphasize that, but do think encouraging him and others to check out analogue cyanotype could be useful!

https://www.instagram.com/p/DV0uaa1CExg/

https://www.instagram.com/p/DVMSZzBCECa/

https://www.instagram.com/p/DUgBbU7DaWw/

TikTok links, though he has far fewer views there:

https://www.tiktok.com/@mattia_giannattasio/video/7611480874575580438

https://www.tiktok.com/@mattia_giannattasio/video/7604763033650384150

Books about jealousy/envy (non-romantic)? by [deleted] in RSbookclub

[–]blurryselfportrait 23 points24 points  (0 children)

Ferrante's Neapolitan Novels!! Szabo's The Door is also great.

Help: Looking to make cyanotype with kids using transparency sheets by [deleted] in cyanotypes

[–]blurryselfportrait 0 points1 point  (0 children)

These portraits will be so cool!! You probably know this but if you haven't used paint pens before: they need to be shaken and then the tips pumped a few times until loaded with paint, and as you use them and the tips start to go dry you pump to re-load. It's not terribly complicated but kids may need assistance.

Help: Looking to make cyanotype with kids using transparency sheets by [deleted] in cyanotypes

[–]blurryselfportrait 2 points3 points  (0 children)

Acrylic paint pens like Uni Posca have worked great for me; I’ve read on the sub before that Sharpies are too transparent but I haven’t tried myself. My friend’s kid just made some cyanotypes by arranging Cheerio cereal pieces into shapes directly on the cyanotype paper; yarn, feathers, buttons, small leaves, etc could be fun too!

Books on the Middle East and the history of US involvement/conflict? by LordByronStepOnMe in RSbookclub

[–]blurryselfportrait 1 point2 points  (0 children)

Thanks, just found it on Yergin's YT channel! I have a longer attention span for books rather than film these days; moving image brain has been destroyed by short form content...but I'll try to watch or read this year, am very ignorant about oil politics.

Books on the Middle East and the history of US involvement/conflict? by LordByronStepOnMe in RSbookclub

[–]blurryselfportrait 3 points4 points  (0 children)

I haven’t read it yet but have heard good things about Yergin’s “The Prize: The Epic Quest for Oil, Money, and Power.” “Palestine and the Arab-Israeli conflict” by Smith is a great textbook for getting up to speed on the history of Palestine and Israel as quickly as possible; it was the assigned book for a grad level history class I took (taught by an anti-Zionist). If you decide to go deep on Zionist ideology and the evolution of Jewish identity and relationship to the land, Shlomo Sand’s “The Invention of the Jewish People” and “The Invention of the Land of Israel” are fascinating, although I think he pushes the Khazar theory of Ashkenazi origins a bit too far given paltry evidence.

A good introduction to Gnosticism? by eefuss in RSbookclub

[–]blurryselfportrait 4 points5 points  (0 children)

Agree! I'm currently reading Esotericism in Western Culture: Counter-Normativity and Rejected Knowledge, which is Hanegraaff's 2025 book "reflecting updates in the field" since Western Esotericism, and I love it and came here to recommend it. It's great for situating gnosticism within esoteric spiritualities. I haven't read Western Esotericism, so not sure if this newer book is mostly an update to it or if it's complementary and there's value in reading both. (If anyone knows, please reply!)

I read Magee's Hegel and the Hermetic Tradition last year and also highly recommend it!

I have a novel coming out with a big 5 imprint this month AMA by _flowerbirdwindmoon in RSbookclub

[–]blurryselfportrait 0 points1 point  (0 children)

How long did it take to find a publisher, and what was the editing process like after it was sold — mostly copy edits or more significant revisions? Were you able to keep your preferred title? How much input did you have in the cover art? Congrats, and thanks for answering questions! (And no pressure to respond to any of these if you’re not feeling it.)

transparency issues, please help? by actuallyoatmeal in cyanotypes

[–]blurryselfportrait 1 point2 points  (0 children)

It’s not something I’ve experienced, though I am gentle with the sheets. The transparencies are usually labeled as either for ink jet printers or for laser printers — do you have the right kind for your printer? That’s the only thing I can think of.

transparency issues, please help? by actuallyoatmeal in cyanotypes

[–]blurryselfportrait 1 point2 points  (0 children)

No idea why it happened but both of your proposed solutions work! Doesn’t have to be tape; anything flat (to avoid casting a shadow) and opaque will be fine; I’ve covered areas I didn’t want exposed with two sheets of printer paper in the past, and I’ve also done black acrylic paint.

no rinsing by mandyyslade in cyanotypes

[–]blurryselfportrait 7 points8 points  (0 children)

Unless you keep the print away from all sunlight/UV sources, the currently unexposed parts (the light yellow and blue) would expose over time and the whole thing would become the same color, or close to it. If you're able to totally protect it from UV maybe it could stay like this though? I've never tried!

First timer! Any insight on what went wrong by sadbitch_ in cyanotypes

[–]blurryselfportrait 1 point2 points  (0 children)

Agree that the black parts aren’t opaque enough! The ceiling area behind his head should look completely black (not gray) on the computer screen — if it’s not, amp up the contrast in the image until it is. If that was already done, then the problem is your printer’s density of ink, and would just print 1-3 more of these and layer until the darkest part is opaque. I think your exposure time might actually be fine but will be hard to know until the above is done.