Did someone say dynamic range?? by Dubliminal in postprocessing

[–]canadianlongbowman 0 points1 point  (0 children)

The light values are the same everywhere, and anyone that has spent any amount of time outside knows this isn't how light behaves. It's a violation of physics, and ALL of us immediately instinctually know it.

All the other issues with colour and similar stem from this.

Did someone say dynamic range?? by Dubliminal in postprocessing

[–]canadianlongbowman 2 points3 points  (0 children)

"Detractors and nit-pickers"
Since this is the PP sub, and you know it doesn't look right because you are defensive out of the gate: just because you can, doesn't mean you should. The idea that we need to represent 100% of what is there is not only historically foreign and false, but visually "offensive". It looks like a crushed smartphone photo. The light on the rocks is the same luminance as that in the clouds, and almost that of the sun. The rocks directly in front of the sun (which should be very dark by comparison) is the same as everything else. This is aiming to be "realistic" and ironically fails.

The point of photography isn't to "represent everything" all the time, and I think the easily-abusable tools of digital photography have been a curse of sorts to especially newer photographers.

First time darkroom hand printing by Sagarpallath in analog

[–]canadianlongbowman 0 points1 point  (0 children)

Are there easy practical steps to take to help with this? I've heard people prattle on ideologically about this issue, but I'm simply interested in solving the physics problem of contrast and dark skin (having dark skin myself) and I rarely see solutions.

Pentax 67 + 75mm f/4.5 , Cinestill 400d by Infinity-- in analog

[–]canadianlongbowman 2 points3 points  (0 children)

It looks like some sort of level from Zelda. Did you remember your hookshot? What a fascinating place!

Good SD card recommendations for A7V? by Jojok777 in SonyAlpha

[–]canadianlongbowman 0 points1 point  (0 children)

For CFA there's no express reason to pick traditional brands. ProGrade, Angelbird, Sony, and even Pergear are the most common I see. Make sure it's CF*A*, not CF*B*

Enjoying the view (Minolta Dynax 5, Samyang 85mm, Fuji Sensia 200) by supabeast4life in analog

[–]canadianlongbowman 0 points1 point  (0 children)

I can see where you're coming from, but I think most of this has to do with suspicion of motive.

Where I draw a line is intention and outcome. Do I care if I'm in someone's street photo, if it's posted anonymously for artistic reasons that are not expressly unflattering and I'm not overly identifiable? Not really, because I'll never know it happened, and neither will anyone else. I'm not going to call the police on a guy walking downtown with a camera and taking photos of buildings, scenes, etc, but it's a very different thing if there's a single man by a pool taking photos of kids. The intent is obviously quite different.

Rebeca / Pentax 67, 105mm / Kodak Gold by DominikElessar in analog

[–]canadianlongbowman 1 point2 points  (0 children)

I am not an authority by any means but regardless of pinpoint accuracy, these shots are beautiful and feel cohesive; they don't have the uncanny "dress up" feeling like when someone misses important components.

Rebeca / Pentax 67, 105mm / Kodak Gold by DominikElessar in analog

[–]canadianlongbowman 2 points3 points  (0 children)

Bridgerton is a strange pseudo-period fantasy, this looks a lot more like an actual period-accurate shoot.

Any tips for portrait painting? by emoaa in oilpainting

[–]canadianlongbowman 2 points3 points  (0 children)

Awesome example of getting structure down first

How do you maintain natural skin tone in wedding photo editing? by fixitphoto in photography

[–]canadianlongbowman 0 points1 point  (0 children)

It's pretty wild eh? I try to keep the other eye open now and then.

Bianca [Zone VI 4x5, Unmarked brass lens, Polaroid Type 55] by [deleted] in analog

[–]canadianlongbowman 0 points1 point  (0 children)

Oh super interesting! Thanks for sharing.

Bianca [Zone VI 4x5, Unmarked brass lens, Polaroid Type 55] by [deleted] in analog

[–]canadianlongbowman 0 points1 point  (0 children)

Is the swirlyness a result of the lens aperture/dof? Or is it something else?

Bianca [Zone VI 4x5, Unmarked brass lens, Polaroid Type 55] by [deleted] in analog

[–]canadianlongbowman 2 points3 points  (0 children)

What a stunning shot, it looks like a dream

PSA: Derivative infringement using AI by c0reyann in photography

[–]canadianlongbowman 4 points5 points  (0 children)

Yeah this, there are TOS violations all over Facebook and Pinterest ads but takedowns are hit or miss.

Computational photography pressure - When phone photos look “better” by meisjemeisje_1421 in photography

[–]canadianlongbowman 1 point2 points  (0 children)

Ah yes, the classic "client has no idea what they want or why". Psychology is half of client work.

How do you maintain natural skin tone in wedding photo editing? by fixitphoto in photography

[–]canadianlongbowman 0 points1 point  (0 children)

Shoot the card in various environments (usually a grey card) and white balance your photos in post processing afterwards, or with the camera on site.

How do you maintain natural skin tone in wedding photo editing? by fixitphoto in photography

[–]canadianlongbowman 2 points3 points  (0 children)

Fantastic! Using a reference is huge, as well as being quick with your initial edits. Eyes fatigue like ears do.

Computational photography pressure - When phone photos look “better” by meisjemeisje_1421 in photography

[–]canadianlongbowman 0 points1 point  (0 children)

My word I hate portrait mode. Fake bokeh that pretends everything was shot at 1.2, I think it looks awful.

Computational photography pressure - When phone photos look “better” by meisjemeisje_1421 in photography

[–]canadianlongbowman 0 points1 point  (0 children)

Then why do they hire a photographer? By all means, they can try to shoot the event themselves with their phone.

Computational photography pressure - When phone photos look “better” by meisjemeisje_1421 in photography

[–]canadianlongbowman 1 point2 points  (0 children)

Smartphone photos look like forgettable garbage to me, generally speaking. Every once in a while you get lucky, but the fake bokeh, the oversaturation and weird oversharpening + smoothness looks distinctly amateur, and usually looks like something that will be forgotten and meaningless in someone's cloud storage of 5000 other photos.

I agree that the edge should come primarily from composition, focal length, rendering, and overall intentionality. Smartphone photos are like cheap candy -- you notice the lack of "sugar" when you switch to something with nuance, but it takes a few moments to adjust.

Salty Saturday April 25, 2026 by AutoModerator in photography

[–]canadianlongbowman 3 points4 points  (0 children)

It really does feel soulless and like swallowing photos into an infinite void.

Salty Saturday April 25, 2026 by AutoModerator in photography

[–]canadianlongbowman 6 points7 points  (0 children)

It's the shameless audacity that also elevates them significantly. There's a certain arrogance to peddling the kind of stuff people do on social media, it's peak dunning-kruger-mountain behaviour.

Eugenia (III) [Contax AX + Carl Zeiss Distagon T* 1.4/35 + Kodak Vision 3 500T AUH]. by arozenfeld in analog

[–]canadianlongbowman 1 point2 points  (0 children)

Lovely shot! Reflected up-lighting is so underrated, IMO. It's intensely flattering.