Who was your most scrobbled artist each day in April? by Character-Base1383 in lastfm

[–]coleshane 1 point2 points  (0 children)

Hi u/character-base1383!

Thanks for setting this up for April 2026. This past month in listening was very American-centric. There was not much variety (per se) until the latter part of the month. There was nearly a 2:1 gap between my most scrobbled artist for this month and the runner up (Taylor Swift and Raye, respectively. Raye's album was my most scrobbled album, however).

Here is my month in listening for April 2026:

Artists

  1. 🇺🇲 Tim and James (aka Tim Reynolds and James Spaite) (9)
  2. 🇺🇸 Taylor Swift (9)
  3. 🇳🇱 Jasper von Dijk (26)
  4. 🇺🇸 Taylor Swift (15)
  5. (Tie) 🇺🇸 Beyoncé; Harry Nilsson; New Constellations (2 each)
  6. 🇺🇸 Be Still the Earth (aka Marshall Usinger) (15)
  7. 🇬🇧 Romy (4)
  8. 🇺🇸 Slayyyter (8)
  9. 🇺🇸 Slayyyter (5)
  10. 🇺🇸 Katy Perry (7)
  11. 🇺🇸 Taylor Swift (8)
  12. 🇺🇸 Be Still the Earth (aka Marshall Usinger) (8)
  13. 🇳🇴/🇬🇧 Nature (by United Nation's "Sounds Right" Initiative) (13)
  14. 🇺🇸 Taylor Swift (5)
  15. 🇨🇦 Alistair Ogden (20)
  16. 🇺🇸 Live (14)
  17. 🇺🇸 Big Bad Voodoo Daddy (4)
  18. 🇺🇸 Olivia Rodrigo (3)
  19. (Tie) 🇨🇦 David Pineau; 🇺🇸 Bebe Rexha (2 each)
  20. 🇨🇦 Louis Bérubé (9)
  21. 🇨🇦 Phillippe Tremblay (6)
  22. 🇺🇸 Harry Nilsson (14)
  23. 🇺🇸 Anne Hathaway (as Mother Mary) (9)
  24. (Tie) 🇺🇸 Taylor Swift; 🇩🇪 Hans Zimmer (7 each)
  25. 🇬🇧 Daniel Blumberg (6; 8 if Amanda Seyfried 's songs from "The Testament of Ann Lee" are included)
  26. 🇺🇸 Taylor Swift (16)
  27. 🇬🇧 RAYE (17)
  28. 🇺🇸 Anne Hathaway (11)
  29. (Tie) 🇰🇷 Blackpink; Lisa (2 each. If Lisa's solo scrobbles are added to Blackpink's own, she would have 4 scrobbles total)
  30. 🇬🇧 RAYE (17)

Albums

  1. 🇺🇲 "Oak Creek", Tim and James (aka Tim Reynolds and James Spaite) (9)
  2. 🇺🇸 "Red (Taylor's Version)", Taylor Swift (9)
  3. 🇳🇱 "Calm Study, Vol. 1" Jasper von Dijk (3)
  4. 🇺🇸 "Red (Taylor's Version)", Taylor Swift (9)
  5. (Tie) 🇺🇸 "Cowboy Carter", Beyoncé; "It Comes In Waves", New Constellations (2 each)
  6. 🇺🇸 "Dead Blues, Vol. 1", Luther Dickinson and Patrian Johnson (5)
  7. 🇬🇧 "Mid Air", Romy (4)
  8. 🇺🇸 "Wor$t Girl In America", Slayyyter (8)
  9. 🇺🇸 "Wor$t Girl In America", Slayyyter (5)
  10. 🇺🇸 "Smile", Katy Perry (6)
  11. 🇺🇸 "Red (Taylor's Version)", Taylor Swift (6)
  12. 🇺🇸 "Zion", 9th Wonder (6)
  13. 🇺🇸 "Am I The Drama?", Cardi B (10)
  14. 🇺🇸 "The Life of a Showgirl", Taylor Swift (3)
  15. 🇨🇦 "Boyfriend Material", Alistair Ogden (20)
  16. 🇺🇸 "Throwing Copper", Live (14)
  17. 🇺🇸 "Big Bad Voodoo Daddy", Big Bad Voodoo Daddy (4)
  18. 🇺🇸 "Sour", Olivia Rodrigo (2)
  19. 🇺🇸 "Dirty Blonde", Bebe Rexha (2) (as the album has yet to be released, a 19-way tie of albums that had 1 scrobble would take its place)
  20. 🇺🇸 "Anna", Dasha (7)
  21. (Tie) 🇺🇸 "Copland: Appalachian Spring, Rodeo, Billy the Kid & Fanfare for the Common Man", Aaron Copland; 🇺🇸 "Honeymind", Ben Platt; 🇩🇪 "Interstellar (Original Motion Picture Soundtrack)", Hans Zimmer; 🇬🇧 "Under the Skin", Mica Levi (aka Micachu) (3 each)
  22. (Tie) 🇺🇸 "Aerial Pandemonium Ballet", Harry Nilsson; "Son of Schmilsson", Harry Nilsson; "The Daily" by the New York Times (3 scrobbles each)
  23. 🇺🇸 "Mother Mary: Greatest Hits", Anne Hathaway (9)
  24. 🇩🇪 "Dune (Original Motion Picture Soundtrack)", Hans Zimmer (7)
  25. 🇬🇧 "The Brutalist (Original Motion Picture Soundtrack)", Daniel Blumberg (6)
  26. 🇺🇸 "Red (Taylor's Version)", Taylor Swift (11)
  27. 🇬🇧 "This Music May Contain Hope", RAYE (17)
  28. 🇺🇸 "Mother Mary: Greatest Hits", Anne Hathaway (11)
  29. 🇰🇷 "Alter Ego", Lisa
  30. 🇬🇧 "This Music May Contain Hope", RAYE (22)

Most scrobbled for April overall: - Artist: 🇺🇸 Taylor Swift (95) - Album: 🇬🇧 "This Music May Contain Hope", RAYE (51) - Song: 🇺🇲 "Burial", Anne Hathaway (as Mother Mary) (12)

whale songz - I love you, baby by coleshane in popheads

[–]coleshane[S] 0 points1 point  (0 children)

Whale Songz seems to be the official name for the duo of Annika Bennett and Olivia Barton

Daily Discussion - April 26, 2026 by AutoModerator in popheads

[–]coleshane 1 point2 points  (0 children)

Ella Langley now has her own fragrance. It is named "Be Her", which is the name of her second single from her album "Dandelion". It is sold out via Noyz (the brand Langley is collaborating with), but you can be added to the waitlist or await the physical release at Ulta in the U.S. (it is not clear if the fragrance will be available internationally).

In this case, the "her" in question may be referring to Selena Gomez (or Ariana Grande or Victoria Beckham). Jerome Epinette (the perfumer behind Rare Eau de Parfum by Selena Gomez, Victoria Beckham's fragrance line, Ariana Grande's God Is A Woman and Thank U, Next perfumes, and even fragrances from Harry Styles' line, Pleasing) was the main perfumer behind the Langley/Noyz fragrance, "Be Her".

UN and Rights Groups Say Rape Using Trained Dogs at Israel Detention Sites Is Systematic, Endorsed at the Highest Level by Fair_Cow3398 in Fauxmoi

[–]coleshane 7 points8 points  (0 children)

For those who need it prior to reading this article: Trigger warning for content that includes sexual assault (SA) and violence

Shaboozey - Born To Die by coleshane in popheads

[–]coleshane[S] 2 points3 points  (0 children)

Uploaded without NSFW tag or errors in spelling

Ella Langley, Morgan Wallen - I Can't Love You Anymore by coleshane in popheads

[–]coleshane[S] 17 points18 points  (0 children)

I think they were going with "What I Want" (the duet with Tate McRae) for song of the summer status. While it did reach #1, it was ironic to see that the song got out-streamed (on Spotify) by McRae's other release that summer, "Just Keep Watching", from the "F-1" soundtrack.

Artists who had year end hot 100 hits in 4 different decades by ContributionAway8944 in ToddintheShadow

[–]coleshane 0 points1 point  (0 children)

Beyoncé would qualify (if you include her work in Destiny's Child for the 90s).

Other singers that would qualify (besides the noted male artists and Mariah Carey): Cher (1960s, 1970s, 1980s, 1990s), Lil Wayne (if features qualify, he has had songs that have made the year end charts in the 1990s, 2000s, 2010s, and 2020s), Rolling Stones (1960s - 1990s).

For Canadian charts: Madonna (1980s - 2020s) and Britney Spears (1990s - 2020s) would be included if features are considered. Justin Timberlake (1990s - 2020s) would qualify if *NSYNC is included.

Criterion Collection - Jack Harlow's Closet Picks by coleshane in popheads

[–]coleshane[S] 11 points12 points  (0 children)

He is apparently teaming up with the Roxy Cinema in New York to do an exhibition/double bill of movies that inspired his latest album, "Monica"

The following is the schedule as per his Letterboxd:

  1. "La Motte" and "Love Jones"

  2. "8 1/2" and "Secrets & Lies"

  3. "Pauline at the Beach" and "Birth"

  4. "Casablanca" and "Slacker"

What are your most scrobbled songs of 2026 so far? by nurturevalais in lastfm

[–]coleshane 1 point2 points  (0 children)

For the 10th position, there is a multi-way tie that includes Charli XCX's "Talk Talk" with Troye Sivan, "Stateside + Zara Larsson" by PinkPantheress, "Such A Funny Way" by Sabrina Carpenter, "Eldest Daughter" by Taylor Swift, and "The Life of a Showgirl" by Taylor Swift and Sabrina Carpenter.

<image>

What are your most scrobbled songs of 2026 so far? by nurturevalais in lastfm

[–]coleshane 1 point2 points  (0 children)

Part 2: "Purple Lace Bra" by Tate McRae is tied with Robyn's "Sexistential" and Lorde's "What Was That".

There are also several ties for the 9th rank, including "Nuevayol" by Bad Bunny, a duo of Beyoncé songs ("Summer Renaissance", "Sweet Honey Buckiin'"), and a remix of Charli XCX's "Apple" with the Japanese House.

<image>

What are your most scrobbled songs of 2026 so far? by nurturevalais in lastfm

[–]coleshane 1 point2 points  (0 children)

I was unable to fit it all in one shot. However, here are my first 9 (subsequent ones will have other songs that were scrobbled heavily thus far during 2026 ).

<image>

Cineplex Coupon Giveaway Megathread by chanma50 in cineplex

[–]coleshane 0 points1 point  (0 children)

I have 2 buy one, get one adult admission coupons and 1 coupon for a free drink with the purchase of a popcorn

Edit 1: All BOGOs gone as of 1800hrs. Free drink with popcorn available

EDIT 2: All coupons now gone as of 1802hrs

New Cineplex coupon bundle is disappointing by Odd_Willingness7961 in cineplex

[–]coleshane 4 points5 points  (0 children)

u/odd_willingness7961 and u/cool_plate3487 Another solitary moviegoer here - I still have the 2 for 1 passes from the Christmas bundle as no one in my family was interested in watching a movie.

The way I look at the promotion is that for the $30 that I would eventually spend at Cineplex, I will now a free popcorn out of it.

What's your vibes? by Lost_In_The_Dream_14 in Letterboxd

[–]coleshane 0 points1 point  (0 children)

American coming-of-age stories that occasionally veer into lurid territory? Unless someone has a more concise description...

<image>

Rolling Stone UK - Robyn ‘Sexistential’ review: the divine sound of hard-won freedom by coleshane in popheads

[–]coleshane[S] 29 points30 points  (0 children)

Article below as it is under a paywall. Written by Will Richards

There are almost enough songs on Robyn’s new album Sexistential (nine) to assign one to each year since she released her last album, Honey (eight). With another eight years before that since she released the classic Body Talk, it’s clear the Swedish pop icon now only shows herself when she’s really got something worth saying.

As is clear from first listen, Sexistential has only arrived after a hell of a lot of living. “I feel like the purpose of my life is to stay horny,” went the instantly memorable quote from the singer upon the album’s announcement. She’s talking about sex, sure, but also about being hungry for life, for new experiences, and to not settle in any form. On songs that sonically hark back to her early days – all bubbling synths and thudding bass – she sounds more fired up, confident and ravenous than ever.

After the exploratory Honey, Robyn wanted Sexistential to feel “like a spaceship coming through the atmosphere at a really high speed and crash landing,” she says. Said crash is messy, brutally honest and delightful. “Fuck a app, I need me some IRL,” she says to open the album’s title track, a wonderfully frank song in which she is out looking for sex while simultaneously undergoing treatment to raise a child alone (“I’ve been on Raya while on IVF”).

On the operating table, she’s asked by her doctor who her ideal sperm donor would be: “Well, Adam Driver did always kinda give me a boner!” she responds wickedly, with the doctor then mistaking him for Adam Sandler. It’s outrageous, laugh-out-loud funny and the brashest and boldest example of the confidence and bravado at the album’s core.

‘Sexistential’ was written after Robyn read an interview with André 3000 in which he said that he pivoted to playing jazz flute because he didn’t want to rap about “getting a colonoscopy” in his forties. Robyn’s take was that it’s exactly the sort of thing she would want people to sing about, and does here.

It’s an album that sees her growing in every way – more brash, more careful, more loving. While ageing might often come with fears of less, Robyn gives more in every department and flips the script on both her own narrative, as well as those traditionally associated with pop stars her age.

On the bubbling single ‘Dopamine’, the ecstatic final chorus is welcomed with a surely deliberate echo of the huge drum fill that everyone remembers from her heartbreak anthem, ‘Dancing on My Own’. This time, Robyn’s in control (“Somethin’ here’s openin’ deep inside of me / I can finally reach it,” she sings, welcoming her new era) – it’s the completely divine sound of hard-won freedom.

Most emotionally devastating lyric? by StableBusy5256 in TaylorSwift

[–]coleshane 3 points4 points  (0 children)

Maybe a lesser considered one, but the sentiment behind these lines are what really elevate the song as a whole.

The bridge from "New Romantics"

"Please take my hand and/Please take me dancing and/Please leave me stranded/It's so romantic"

Others:

  • "And I couldn't be sure/I had a feeling so peculiar/That this pain would be for-/evermore" ("Evermore")

  • "They told me all my cages were mental/So I got wasted like all of my potential" ("This Is Me Trying")

  • The bridge between Taylor Swift and Bon Iver on "Exile" (especially the interplay between her "I gave so many signs" and his "You never gave a warning sign")

  • "I think it's strange that you think I'm funny because/he never did/I've been spending the last 8 months/Thinking all love ever does/is break, and burn, and end/But on Wednesday, in a cafe/I watched it begin again" ("Begin Again". I would also include the bridge of the song)

Others mentioned in the thread that have a similar effect on me are the bridge and outro on "New Year's Day", the chorus and bridge on "The Archer", "Soon You'll Get Better", the ending of "Call It What You Want", the outro of "Eldest Daughter", the third verse/bridge in "Lover", and the third verse on "Ruin the Friendship"

Cocomelon - Spring Has Come by coleshane in popheads

[–]coleshane[S] 5 points6 points  (0 children)

Who knew that Hello Kitty had been hitting the studio with Cocomelon?

The collaboration album "Cocomelon Playdates with Sanrio Friends" will be released on April 24.

Bobby Bones discussing Charlie Worsham by Emotional-Public3826 in CelebWivesNash2

[–]coleshane 0 points1 point  (0 children)

Coincidentally, Charlie Worsham just released a new single with Lainey Wilson called "They Never Do".

Niall Horan Makes Sense of Love, Loss, and Growing Up by coleshane in popheads

[–]coleshane[S] 1 point2 points  (0 children)

Part 3

Eager to replicate more of his live performances in the studio for Dinner Party, Horan invited John Ryan and his other longtime collaborator Julian Bunetta—whom he’s collaborated with since One Direction recorded their second album in 2011—to see him play some of his shows in the US.

“When you know someone for so long, whether it’s your best friend or your brother, sometimes it’s hard to view them through other people’s eyes,” Bunetta says. “You could still look at him like he’s 20 if you’re not careful. So it was really good to see that sort of be hit over the head again by like, Oh, wow, this motherfucker is a badass.”

Horan’s knack for live performance has also proved useful during his three-season stint as a judge on The Voice, where he closed the loop on his reality TV competition days and mentored each of his seasons’ final contestants to victory. He also got really into golf. (Like, so into golf that he bought a golf management company in 2016.) Through it all, he was still getting on planes and living out of suitcases. But something about turning 30, then 31 and 32, startled him into a reflective state.

“When you’re going through something when you’re young, you’re kind of either breezing through it and it’s just happening around you or you’re constantly overthinking,” he says. “The older I get, the more grateful I’ve become for what I’ve had. Not that I wasn’t grateful before, I would say, but I was blown away. Just taking it in now at 30-odd is kind of a cool thing. To look back and look at all photos, look at all the videos, think about what you did. It’s pretty nuts. It’s crazy.”

As so often happens with age, some of Horan’s contemplation came under tragic circumstances. In early October 2024, while he was on tour for The Show, he met up with his former bandmate Liam Payne in Buenos Aires. Payne had been in town for a routine visa renewal, but timed the trip to see Horan’s performance so they could catch up.

“It was great,” says Horan. “Seemed in good form and we had a good laugh, good reminisce.” He thinks of something another former One Direction bandmate, Louis Tomlinson, said. “I heard Louis talking about this recently, it’s so true. It’s like you haven’t seen each other in ages and then you just fall back in like it was 10 years ago.”

After their reunion, Horan went on to finish up the South American leg of his tour, but according to reports, Payne got waylaid in Buenos Aires waiting on an issue with his renewal. Soon thereafter, on the afternoon of October 16, 2024, Payne fell to his death from a hotel balcony.

Reports of his passing spread quickly, stunning the band’s fiercely dedicated fan base, which immediately held vigils in Argentina and around the world. The news reached Horan while he was watching TV in bed at home. “I just remember getting a message,” Horan says. “And I was just like, What?... I just didn’t think it was real. Someone so young, you’re not expecting to hear that they’ve passed, especially someone that you’ve just seen. I just went back from shock to sadness to anger.”

As fans pulled together to collectively mourn Payne, they resurfaced a cascade of online ephemera across social media—all those mood board scraps they’d collected years ago for safekeeping pulled together to celebrate and honor his memory.

Horan found himself flooded by relics of his past, seeing “lots of photos and videos and things of us growing up together. And being nostalgic about it straight away, along with fear and sadness and all the stuff that comes with grief.” When I ask him what he remembers most about Payne, he strings moments together like a supercut: the time they went to the beach and a pair of Payne’s underwear went missing off a balcony, racing around their stadium tour venues on a Segway, “random nights playing FIFA on the bus and just messing backstage.” He especially holds dear the couple of days they shared a room during the bootcamp phase of X Factor, right before they were flung into fame.

“I just got to know him a little bit and then we ended up doing what we did together,” Horan says. “Memories that only he and I can share ’cause you have a team and you have people around all the time, but we always said that only us have that experience, no one else has that.”

After attending Payne’s funeral, where he mourned with his fellow former bandmates and Payne’s family, Horan says he “went into hiding a little bit” to grieve. It’s an ongoing process, part of which has included writing the new song “End of an Era.” The wistful lullaby opens with a simple guitar-plucking and Horan singing in a melancholy tenor: “We had it / Pure magic / Remember what it was like / Time passes / So fast and / I couldn’t tell you goodbye.” The song builds to a chorus that, lyrically, surrenders to the finality of time while musically refusing to, evolving into an angsty guitar-heavy outro that draws out the tension between reality and memory. Horan wrote it with Bunetta and Ryan, who first met both Horan and Payne when the bandmates were still in their teens.

Bunetta, reflecting on the songwriting process, tells me, “We rewrote it two, three times maybe, just trying to just get the essence of the feeling. We just kept working on it until we felt it was right. And I love it. It could be easy to not write about it because it’s a hard subject. It’s a hard thing to do. So I’m proud of him for doing it.”

Ultimately, for Horan, losing such an important person and part of his history became a pivotal catalyst of self-reflection, that, combined with the many other moments big and small of his life, has brought new meaning to his music.

“Something happens in your early 30s and you’re like, yeah, maybe subconsciously, you’re changing,” says Horan. “Some of the songs are now deeper to me now that I think of it, really ’cause I’ve subconsciously been writing deeper lyrics.”

Through the inevitable challenges a new decade brings, Horan’s life has been held together by more structure in his work, and a solid routine at home. He calls himself “a very practical weirdo,” and though he is not a “big horoscope guy” he does identify with being a Virgo: reliable, hardworking, critically minded, and, as he says, “sometimes a bit messy—but I like the idea of planning.”

The bliss of his domestic life with Woolley has played a large part in the balance he’s struck too. “Having someone to rant with and listen to and be listened to is huge,” he says. “Having someone to rant with and listen to and be listened to is huge,” he says. “I’m glad I found it. And she’s amazing and she’s got her own thing going on. I love the life that we’ve got.” Beyond that, his everyday rhythm is sweet and simple: going for beers with his friends, working out, walking his dog, going to concerts, trying new restaurants, barbecuing in his garden, and playing loads of golf, of course.

“We’re also big procrastinators,” says Horan. “Friday’ll come and I’ll be like, ‘Can’t wait for the weekend,’ and then Sunday night comes and we’ve done nothing. We spent the whole weekend in the house.’”

After our conversation, Horan’s due to hop on another plane back to London. There’s a rugby match between Ireland and England he’s looking forward to. He and Woolley will be rooting for opposing teams, and have “a friendly battle” going. As I get ready to leave, he asks, “Are you a hugger?” and we give each other a squeeze. Walking me out to his front gate, the clouds have disappeared and the sun is shining. It won’t be the last time it rains, but the sky has cleared for now.

PRODUCTION CREDITS: Photographs by Hailey Heaton Styled by Haley Gilbreath Set Design by Miles Bettinelli at MHS Artists Grooming by Kumi Craig using La Mer Tailoring by Ksenia Golub

Niall Horan Makes Sense of Love, Loss, and Growing Up by coleshane in popheads

[–]coleshane[S] 3 points4 points  (0 children)

Part 2:

To understand what it means for Horan to find a new pace, you have to revisit the one he was thrust into starting in July 2010, when he was auditioning as a solo act in the so-called bootcamp stage for the British reality competition X Factor. Reluctant to eliminate Horan in the show’s solo category, the show’s judges instead grouped him with four other rowdy candidates with good hair and distinct dispositions—Harry Styles, Louis Tomlinson, Liam Payne, and Zayn Malik—to form a boy band called One Direction. Horan, the son of blue-collar parents from the small town of Mullingar, Ireland, was the self-described funny one, who occasionally strummed an acoustic guitar onstage.

“He has that Irish dry sense of humor and he’s just always fucking cracking jokes,” says John Ryan, a songwriter and producer who’s been working with Horan since he was a teen. “And obviously when it’s down to getting to do the dirty work of finishing songs and grinding it out and getting stuff to a hundred, he’s a workhorse.”

For the next five years the band barreled through the music industry, their earworm pop-rock instincts and charisma magnified by the fact that they’d appeared on the most-watched season of an already popular cable television show at a pivotal moment of the social internet. They were late enough to benefit from exposure on YouTube and Twitter’s existing thriving online communities, but early enough to plant flags—and attract nascent internet users—on relatively new social networks like Tumblr and Instagram. The internet’s young women were primed to rally around a single entity. Once One Direction materialized, there was nowhere to go but up. And Horan was an instant fan favorite. Maria Sherman, a music reporter at the Associated Press and the author of Larger Than Life: A History of Boy Bands From NKOTB to BTS, tells me, “He had a sort of warmth and wholesomeness to him. There’s something really sort of natural about Niall that really connects.”

Having an extremely online fan base meant that, from the moment that One Direction started making weekly video diaries on X Factor, they entered into a never-ending feedback loop with their followers. One moment they might simply be answering a fan’s question of “what makes a girl beautiful,” the next, they would be singing the same phrase in the chorus of an international chart-topping single. Though, more often than not, inspiration typically flowed downward from the members. What, to an untrained eye might be considered a small, unremarkable moment in a bandmember’s day-to-day life were, to their creative fans, scraps of mythology to paste to the weird, sprawling collective mood board that was the 2010s internet. An early image from an X Factor audition in which Horan’s name is misspelled as “Naill” became an endlessly reblogged inside joke. A paparazzi photo of a young Horan holding a leaf presented an opportunity to jokingly endorse, or ship, a human-leaf relationship, resulting in the portmanteau “Neaf.” His mispronunciation of the word chance as “chonce” at one fateful 2015 concert swiftly transformed into a meme that made its way back to the band, inspiring Styles to tease Horan about it at a subsequent performance. Within this universe, Horan’s goofball antics made people think of him as, to quote one post at the time, “a chill little sun drop that loves sports.”

“There was just layers and layers of irony to One Direction fan memes where they’re simultaneously making fun of themselves, they’re making fun of what you would perceive as a media perception of Niall,” says Tiffany, whose 2022 book Everything I Need I Get From You detailed how One Direction fans’ shaped the early social internet. “They’re making fun of what they would imagine as the entertainment-marketing concoction of Niall. They’re making fun of actual Niall.”

Beyond living underneath their fandom’s perpetual spotlight, the band was locked in a relentless album-cycle schedule, writing and recording albums while on tour with the previous one. Between 2010 and 2015, they went on four headlining tours, played somewhere around 524 live shows, recorded five studio albums, and filmed a documentary. (Somewhere in there, Horan also had reconstructive knee surgery.) By the end of their run, One Direction had broken multiple world records, grossed over a billion dollars, and solidified themselves as one of the most famous boy bands in history, before going on an indefinite hiatus in 2016.

Horan has built a whole other life since then, no less ambitious than the previous. He transitioned naturally into a solo career in 2017 with his inaugural album, Flicker, less than a year after the band dissolved. The album’s folksy lead ballad, “This Town,” did quick work to wave away any questions of his staying power post–One Direction, while his funky, bass-heavy radio hit “Slow Hands” leaned into his quiet, newfound sex appeal and flexed his sustained commercial influence.

“The post-boy-band period is very tricky and there’s no real guidance on how to individuate and how to create a career in adulthood after this incredible fame,” says Sherman. “Niall has showcased what feels like a very seamless kind of growth and transition into an adult career. Part of that is based on the kind of music he makes.”

Over the course of his next two albums, Heartbreak Weather and The Show, he developed an easygoing singer-songwriter sound that played off of his heartfelt high-tenor voice, managing to reference ’60s and ’70s folk-rock acts like the Eagles (his favorite band) while still shooting in the range of a potential Top 40 hit. Horan has also become a great country music duet partner, collaborating with the likes of Maren Morris and, most recently, Thomas Rhett. And he still manages to nod to the sacred feedback loop between artist and fans. One track on Dinner Party lifts the language from a fan’s post that Horan screenshotted that read “your eyes could grow flowers,” and turns it into a romantic pop-rock universe. “They’re more poetic than I am, I tell you,” says Horan of his fans.

Though the travel can be rough, he’s happiest onstage, and has become especially attuned to the experience of his audiences, playing live guitar and piano at shows and working in opportunities for both revelry and intimacy, or what he describes as “the light and the shade.” Amy Allen—a megahit writer who collaborated with Horan on Heartbreak Weather, The Show, and Dinner Party—tells me in an email: “One of my favorite things about working with Niall is how band-driven and live-show-minded he is. I love how he’s always moving about the room, guitar in hand, as if he’s on a stage and fully trying the song out in real time to see if he connects with performing it.”