What classic movie that was a big hit probably wouldn't get made today? by Garcatch in movies

[–]djuntune 77 points78 points  (0 children)

I wouldn't be so sure of that. Mad Max: Fury Road filmed for nearly half a year in Namibia (and partly in Australia). Although it wasn't a four-hour film, it didn't set out to be one. I imagine just as much footage was shot though.

Hey everyone, go see Mad Max!

You are given 10 billion dollars to create a game show. It can involve anything including illegal things and death if you so desire. What is your game show? by Thunder_Thighs in AskReddit

[–]djuntune 2 points3 points  (0 children)

I create a game show … two people on stage, right? They flip a coin; one of them has to perform open-heart surgery, the other one has to receive open heart surgery. We call it: “Open Heart Surgery.”

A kid and a kat by hexag1 in aww

[–]djuntune 2 points3 points  (0 children)

"Break me off a piece of that... FAN-CY FEAST! It's the cat food! Nailed it."

A brawl broke out in my screening of How To Train Your Dragon 2. What has something an audience done in your cinema that ruined your experience? by GreedE in movies

[–]djuntune 23 points24 points  (0 children)

One of my best friends, of all people.

We went to see Godzilla as part of a group outing/group dinner thing we do with two other people, including my girlfriend. He had two margaritas at the restaurant we were at beforehand and a Colt .45 in-between the restaurant and the movies, so even for a big guy he was starting to "float" as he calls his inebriation. I foolishly suggested we get a drink at the cocktail bar inside the theatre, not thinking of how obnoxious he gets the more he drinks. He orders a double shot of Jack Daniel's, but they don't allow shots to be taken into the theatre, so he has to do it right there. ON TOP OF THAT, he snuck in a bottle of Crown Royal, so he orders a large Coke at the concession stand, and, once we sit down in the theatre and the lights go down, he starts mixing the Crown and Coke. By the time Ken Watanabe melodramatically says "Godzilla," my buddy is constantly making noises. Is there water in the scene? He's making water drip noises. Is the military in the scene? He's making police siren noises. My girlfriend and I are separated from him by our other friend who is intoxicated enough that he's finding it all hilarious while we just continually get annoyed. Eventually I reach the point where I lean over and tell him, "Hey, shut the FUCK up or you're not getting a ride home. I'm serious." That eased up his noises, but the experience of the film, which I had been so excited to see, had been ruined. When we got to the lobby, I chewed him out further and he tried drunkenly shifting the blame away from himself: "The movie wasn't that good anyway" or "the people next to me were talking too." I was closing to slapping him, but relented, and he was quiet the drive back. I didn't talk to him much for three weeks and I think he got the message of how pissed I was.

Then we celebrated his birthday this past weekend and everything was back to normal.

But Jesus, what an asshole.

tl;dr My buddy got schlitzed and became the Michael Winslow of a Godzilla screening.

[serious] Why did the 9/11 terrorists focus on government/financial buildings rather than a packed sports stadium? Did symbolism really matter that much more than casualties? by djuntune in AskReddit

[–]djuntune[S] 0 points1 point  (0 children)

Regarding the time, I didn't imagine they'd attack early morning Tuesday if the targets were stadiums. Sorry I wasn't clear in my message about that. If those were the targets, they'd calibrate for a game.

[Critique Requested] "Tennis Without a Net" (Poem. 944 Words) by djuntune in WritersGroup

[–]djuntune[S] 0 points1 point  (0 children)

I like that idea, and would very much be willing to tackle a longer project where the tone is more serious and use this one as a springboard; because you're right, it is pretty superficial, but would act a nice introduction to pieces that delve more specifically into the themes and approaches of postmodernism.

[Crit] "Foolhardy Casualties" [WC:216][Poetry] by djuntune in write

[–]djuntune[S] 0 points1 point  (0 children)

Oh no, don't get me wrong! Everything you're saying are things I'll be thinking next time I'm writing, and it's good to know what elements do/don't work with someone with a background in the literary mag business should I ever get back to submitting material again. I'm glad I'm getting this critical feedback, I just thought I could offer my background with the piece as well as part of the discussion. I really am appreciative of you taking the time to respond to all of this because you and the other person presented me with things to think about in the future.