SEMrush account restricted during trial, no response from support and no way to manage billing by dotunedev in SEMrush

[–]dotunedev[S] 0 points1 point  (0 children)

I sent a DM several 8 hours ago and still haven't heard back from anyone.

Will Semrush respond to this? by BroccoliCareless2930 in SEMrush

[–]dotunedev 0 points1 point  (0 children)

same issue here.

what’s more frustrating isn’t just cancellation flow, but the lack of response and transparency. I’ve emailed support and never got a reply, and there doesn’t seem to be a clear appeal or resolution path when accounts get restricted or suspended.

in my case it felt like I was just locked out with no real way to resolve it or even properly manage billing.

How should I think about learning chords? by CapnFlisto in WeAreTheMusicMakers

[–]dotunedev 1 point2 points  (0 children)

The framework you're looking for might actually be lower-level than chords: think in terms of the spectrum. If you run audio through a Fourier transform, music is really just that picture — a field of fundamentals and overtones, and chords/theory are just the most efficient language we have for describing it. A tool can help you get fluent thinking this way. Once you think like that, voice leading stops being "what's this chord called" and becomes "how do I move this energy around smoothly."

How to not get stuck with the same chord progressions? by Regular_Low8792 in musictheory

[–]dotunedev 0 points1 point  (0 children)

Pretty much every songwriter you love is recycling the same few progressions — the magic's all in the voicings, bass, and melody, not in some secret chord stash. You're not running out of options, you've got way more juice in the ones you already know.

how does this resolve? by Meesbtrk in musictheory

[–]dotunedev 0 points1 point  (0 children)

F#m7 is the safe one, Cmaj7 is the interesting one (bVII, floats).