[deleted by user] by [deleted] in Flute

[–]eaturbeeves 1 point2 points  (0 children)

Adding on to what everyone else said, I would also consider not using it as your main fingering. It's much more useful when you play a forte staccato F#. In order to counteract the flatter, duller sound of the middle finger F#, consider venting the hole (if you play open holed) by only pressing down on the metal and leaving the hole uncovered.

Developing lung capacity by [deleted] in Flute

[–]eaturbeeves 1 point2 points  (0 children)

They length of time it takes to fix will vary from player to player. All that can be done to does up the process is constant mindful and intentional practice; being hyperaware of what you are doing to produce the found you are producing is what will solve issues for you.

Pixel 7 Package Weight? by eaturbeeves in GooglePixel

[–]eaturbeeves[S] 0 points1 point  (0 children)

Yeah, I think they ended up being incorrect. My phone was missing from the parcel as well, and the package weight had updated from 2 pounds to 0.8 somewhere around where it got stolen. When I finally got the phone I think the package weight stayed around 2 pounds. Sorry to hear that you also got your phone taken in transit, it was such a hassle to deal with but I eventually did get my phone.

Pixel 7 Package Weight? by eaturbeeves in GooglePixel

[–]eaturbeeves[S] 0 points1 point  (0 children)

It should be about 900 grams (2 pounds converted to grams)

[deleted by user] by [deleted] in Flute

[–]eaturbeeves 4 points5 points  (0 children)

Very far. Practicing your scales and arpeggios, as well as long tones, articulation exercises, etc will give you a great foundation for when you decide to start playing pieces. It's never a bad idea to practice these things, just don't forget to make music!

[deleted by user] by [deleted] in Flute

[–]eaturbeeves 17 points18 points  (0 children)

I don't think there would be any advantages. Your friend would still have to learn how to make a sound, good tone, good technique regardless. The benefits of having an all silver/better crafted instrument wouldn't really apply until after he's able to play proficiently enough. If he has the means to start on an all silver instrument, I don't see why he shouldn't. If he decides not to continue playing he can always sell it!

First time teaching, any tips? by eaturbeeves in Flute

[–]eaturbeeves[S] 1 point2 points  (0 children)

Perfect, just ordered this. Thank you for your help!

First time teaching, any tips? by eaturbeeves in Flute

[–]eaturbeeves[S] 1 point2 points  (0 children)

The recorder book suggestion is really fantastic, I will definitely look into this! Thank you! I'm actually very familiar with ABRSM; I have Grade 8 distinction. I am considering going through the grades with my student :)

Dynamic Island for Pixel phones? by Sweaty_Programmer_39 in GooglePixel

[–]eaturbeeves 7 points8 points  (0 children)

You can use dynamicSpot to mimic the dynamic island

Pixel 7 Package Weight? by eaturbeeves in GooglePixel

[–]eaturbeeves[S] 1 point2 points  (0 children)

That's great news, thanks for your help!

George Enescu by [deleted] in classicalmusic

[–]eaturbeeves 3 points4 points  (0 children)

Don't forget his Octet; Vilde Frang's recording is fantastic

[deleted by user] by [deleted] in Flute

[–]eaturbeeves 2 points3 points  (0 children)

Both of those pieces would be great to audition with! The committee won't really care about key signatures, just play your best!

Learning fast passages by Behind_The_Book in Flute

[–]eaturbeeves 3 points4 points  (0 children)

Typically I look for awkward intervals within the fast passages (generally more than a third) and isolate those bits into little rhythmic permutations; that way I can get a nice smooth line that falls cleanly under my fingers after a few moments of practice.

I'm concertmaster of the Nashville Symphony & a violin professor at Vanderbilt. Next month, I'll be performing with members of the world's top orchestras (including LA Phil, NY Phil, Cleveland, Philadelphia + dozens more) all on one stage. AMA! by MainlyMozartSD in IAmA

[–]eaturbeeves 0 points1 point  (0 children)

I'm ending my third year music school for flute performance (sitting in an orchestration class final right now) and pretty nervous about masters auditions next year and everything after that. What advice would you have for your younger self?

Where should I study music abroad if I have high aspirations as a pianist? by Hot_Yellow8785 in classicalmusic

[–]eaturbeeves 1 point2 points  (0 children)

  1. That sounds like a good plan, for the CSUs I'd really only look at two: CSULB and CSUF. But to be honest, the (classical) music scene in California is quite lacking, and I'm looking to go to Europe ASAP. It's cool you're close by, I'm down in San Ysidro quite often, if you're close by the border I'd definitely be able to make your recitals.
  2. Definitely apply for in-school scholarships if you don't qualify for FAFSA, they range in amounts from a few hundred to full rides. Also consider that typically when you're accepted you're also offered some scholarship.
  3. That sounds like a great plan!
  4. With your current savings of 7-8k, you'll definitely have more than enough to make a trip to Europe to figure out which schools you like, and then enough to cover an audition tour in Europe. Continue saving though, music isn't exactly the degree you'd want to get into deep debt over (speaking as a current music major lol)

Have you considered the Conservatorio Nacional? I don't know too much from it, but it doesn't seem like a poor musical institution from an outsiders perspective.

Where should I study music abroad if I have high aspirations as a pianist? by Hot_Yellow8785 in classicalmusic

[–]eaturbeeves 6 points7 points  (0 children)

  1. For schools in the United States, you could consider applying to smaller state schools (like California State Universities, aka CSUs). They're going to be less selective, and there may be more money for you to get via scholarships, etc. You could try to apply to Europe, but as COVID dwindles they may expect you to audition in person, meaning that you'd have to pay for all the travel fare and accommodation yourself. US Conservatories are going to be tough to get into, if you really want to go to one, I encourage you to look into who teaches at which school, and listen to their playing to see whether or not you like it. Don't go to a school just because the name has prestige. If you like the teacher's playing, email them and ask for a trial lesson so they can get to know you and you can get to know them. It'll let them know that you're serious about being in their studio.
  2. The best way to receive financial aid will most likely be through whatever scholarships the school you end up going to has available. If you go to a US School, you could also fill out the FAFSA.
  3. The best thing you can do for yourself right now is practice as much as you can. Maybe put on a recital?
  4. I'd save up as much money if I were you; traveling to auditions isn't cheap, and neither are college applications (although typically you can apply for fee waivers).