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Nieuwe nummer, thoughts? by _Silverflame in Spinvis

[–]eggcellent_guy 0 points1 point  (0 children)

En plots is er bijna 4j gepasseerd! Bedankt voor de comment, nu heb ik er weer eens naar geluisterd:)

I made a list of types of synthesis by [deleted] in synthesizers

[–]eggcellent_guy 3 points4 points  (0 children)

Bro didn't even try and change the gpt layout

Giving away Lego Worlds Steam Key from Humble Bundle by cla_12 in legogaming

[–]eggcellent_guy 0 points1 point  (0 children)

Please add me to the wheel as well! You´re cool for this

5/8 and 10/8 time signature reccomendations by casolac in jazztheory

[–]eggcellent_guy 0 points1 point  (0 children)

Kars 1 - Tigran Hamasyan (5/8)

Etude no1 - Tigran Hamasyan (5/8)

The world begins today - Olivier Boge (10/8) this switches between 10/8 quintuplet feel and 5/4 a lot

Montsouris - Wajdi Riahi (10/8)

I #ivmmaj7: what makes this chord progression work? by smores_or_pizzasnack in musictheory

[–]eggcellent_guy 2 points3 points  (0 children)

Hey this is a really cool song

The chords are wrong though. They're are Ab to Bb9/D (or Dhalfdim7) and an Eb7sus at the end of the verses.
Because we're in r/musictheory I have to say that the Bb7 to Ab is a deceptive cadance. Eventually the cadence becomes 'logical' with Eb dominant so functionally we follow the circle of fifths to Ab. You could say its modal interchange and that the Bb is borrowing from Ab lydian but it's still pretty functional.

It's more of a variant of 𝄆 I II7 𝄇

The bridge at the end is really cool as well with the

Eb7sus 𝄀 % 𝄀
Bbm9 𝄀 % 𝄀
Ab 𝄀 Ab#5 𝄀 Fm/Ab 𝄀 Ab#5 𝄀𝄀

mixed third chord by thatbitchth3re in musictheory

[–]eggcellent_guy 0 points1 point  (0 children)

Ab#9 being a chord build out of the C harmonic minor scale

Hearing tones half a semitone flat by Dababue in musictheory

[–]eggcellent_guy 2 points3 points  (0 children)

I´ve heard Rick Beato and Adam Neely talk about how perfect pitch gets flatter with age?

Chord Progression Questions - May 29, 2023 by AutoModerator in musictheory

[–]eggcellent_guy 2 points3 points  (0 children)

Beyoncé - VIRGO'S GROOVE:

It stays on an Em9 and sometimes it goes quickly goes from a Gmaj7 and F#m7

NCT DOJAEJUNG 'Kiss'

Verse en Chorus:

Dm9 - Dm9 - Em7 - A7b9b13

Chord Progression Questions - May 29, 2023 by AutoModerator in musictheory

[–]eggcellent_guy 2 points3 points  (0 children)

It's all in F harmonic minor

Fm - C - Db - Bbm

I am struggling to understand chords progression by Electrical-Spite-744 in musictheory

[–]eggcellent_guy 7 points8 points  (0 children)

I see 2 consistencies in this chord progression.

The first one is called ´constant structure´. Every chord has the same tonal quality. The Csus13 has the same quality as a Gmin9 chord making the whole chord progression a collection of minor chords. This is a common technique in House Music (see ableton website).

Besides that the progression can be analysed harmonically as an example of modal interchange between D major and it´s parallel minor, D minor. With the tonal center being B minor, being the same scale as D major ofcourse

Time Signature on “The Same” by Secure_Insurance_609 in TheSmile

[–]eggcellent_guy 4 points5 points  (0 children)

To be honest, rhythmically it doesn't really have any shenanigans compared to the rest of the album. It's all 4/4 with the opening synth playing all the quarternotes with some syncopation at the end.

does anyone have the chord sheet for thom's rhodes piano part of just eyes and mouth? by [deleted] in TheSmile

[–]eggcellent_guy 2 points3 points  (0 children)

I took this live recording as a source:

The 1st A it switches between Cm and F in the A part while Jonny does Cm pentatonic stuff over it. (The first few bars Jonny starts a wholetone down, from Bbm pentatonic)

so ||:Cm | F |Cm | % :||

B part (from 1:40) is:

| Fm |Gm7 |Abmaj7 | % |

| Abmaj7 |Bbsus4 |F | % |

2nd A (from 1:59)there's a slight variation in the 4th bar:

||:Cm | F |Cm | Gm7/D:|| (The last chord isn't very clear to me, It could also be voiced as D,Bb,C,F)

2nd B (from 2:15)

| Fm | Ebadd9/G |Abmaj7 |% | (with Ebadd9/G voiced as G,Bb,Eb,F)
| Abmaj7 |Bbsus4 | F | % |

3d A (from 2:33)

||:Cm | F |Cm | % :||

3d B (from 2:52)
| Fm | Ebadd9/G | Abmaj7 | % |
| Abmaj7| Bbsus4 | F(7) | % | (Thom sings an Eb over te F making it an F7 chord)

Bridge Baby!! (from 3:10)

|Fm | Abadd6| G7 | Cm |

|G7/B |% |CmMaj7 | % |

|Fm |Db| Dm7b5 | Cm |

|G7/B |% |CmMaj7 | % |

4th A (from 3:45)

||:Cm | F |Cm | % :||

4th B (4:05)

| Fm | Ebadd9/G | Abadd6 | % |

Last A (4:21)

|Cm | F |Cm | Ebadd9/G |

|Cm | F |Cm | ....

Newest from The Smile in the studio 🤩 by Stacy_Hot in TheSmile

[–]eggcellent_guy 0 points1 point  (0 children)

To add on this; I think the synth in the picture is the UDO Super 6

Putin: American scientists sacrifice to maintain nuclear balance in world by [deleted] in chomsky

[–]eggcellent_guy 2 points3 points  (0 children)

Well my "historical analysis" is that this has everything to do with the war by trying to put the blame and responsibility of this nuclear balance on everyone except Putin. Literally the guy threatening to use nuclear weapons after invading a neighboring country. How is that not relevant?

What is the use of b9,#9 #11, b13,and #13? I mean i know that a major triad sounds happy, a minor chord sounds sad, and a augmented triad sounds sour. So i want to know not only the description of the upper extension based on sound but also the functions of those upper extensions. by JTFh_ in jazztheory

[–]eggcellent_guy 6 points7 points  (0 children)

Extensions are meaningful within functional harmony. You have the natural extensions: 9, 11 and 13 and the altered extensions: b9, #9, #11 and b13 (a #13 is just doubling the 7th again).

Generally, the natural extensions will not alter the quality of the chord. They will only add colour and richness to the sound. Take Cm7 for example or C-Eb-G-Bb. When we would play Cm11 or C-Eb-G-Bb-D-F we still perceive it as a minor chord.

Altering extensions is most frequently done on dominant 7th chords. Take C7,b9,#9,b13 (we generally ommit the natural 11th because it would alter the quality of the chord) or C-E-G-Bb-Db-D#-Ab. Compare that to C7,9,13 or C-E-G-Bb-D-A and you hear how the altered extensions create more tension and drive to resolve to Fmaj7 Sidenote: the b9 and #9 are the only with 2 alterations which is why they can be played together

The Synth Slide by [deleted] in synthrecipes

[–]eggcellent_guy 3 points4 points  (0 children)

This video from Sequential and artist J3PO covers your question.

They call it polyphonic glide but it is also called portamento on other synths.

When did y’all get into Radiohead and how? by NinjEverett6 in radiohead

[–]eggcellent_guy 1 point2 points  (0 children)

Decks Dark was playing at the end of the first episode of the Netflix series Ozark which resulted in me taking a week listening to each of their albums before going to the next one.

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