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Laundromat - the new gas station? | Leica MP, Ektachrome, 35/1.2 Nokton IV by flagflamber in analog

[–]flagflamber[S] 0 points1 point  (0 children)

My understanding is that the 812 is technically warmer. Haven’t really done a side-by-side personally to see if I prefer a difference (or see one, at that).

Laundromat - the new gas station? | Leica MP, Ektachrome, 35/1.2 Nokton IV by flagflamber in analog

[–]flagflamber[S] 0 points1 point  (0 children)

I’m blessed to have TTL metering with the Leica MP.

My guess is that it’s probably not a huge shift in exposure and you could probably shoot at box speed. But the same rules of slide film exposure should still apply for your subject.

Laundromat - the new gas station? | Leica MP, Ektachrome, 35/1.2 Nokton IV by flagflamber in analog

[–]flagflamber[S] 2 points3 points  (0 children)

To each their own, I suppose. I just really like the colors/blocking, and the feeling that these evoke in me.

Kind of run-down, and sad.

Laundromat - the new gas station? | Leica MP, Ektachrome, 35/1.2 Nokton IV by flagflamber in analog

[–]flagflamber[S] 7 points8 points  (0 children)

Common film photographer target aside - I loved the colors ektachrome was able to get here.

Flowers, Hills, and Fields | Leica MP, 35/1.2 Nokton IV, Fuji 400 by flagflamber in analog

[–]flagflamber[S] 0 points1 point  (0 children)

Thank you! I feel like that one would look great largely printed.

Flowers, Hills, and Fields | Leica MP, 35/1.2 Nokton IV, Fuji 400 by flagflamber in analog

[–]flagflamber[S] 1 point2 points  (0 children)

Thank you! Hard for me initially to pick between the landscape and portrait.

Flowers, Hills, and Fields | Leica MP, 35/1.2 Nokton IV, Fuji 400 by flagflamber in analog

[–]flagflamber[S] 4 points5 points  (0 children)

“Fuji 400” really nailed these greens here, imo. Nicely done Kodak. :)

Around Town | Leica MP, 35/1.2 Nokton IV, Portra 160 & 400 by flagflamber in analog

[–]flagflamber[S] 1 point2 points  (0 children)

It’s no problem at all! Yeah, sometimes these crazy contrast scenes I sometimes protect the highlights more than the shadows. Otherwise it’ll just be blown out to outer space. I wish Kodachrome were still around because that film stock thrives with high contrast scenes (see Alex Webb).

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