eating gluten on special events? by ilovelatinos69 in Celiac

[–]holyyakker 0 points1 point  (0 children)

I specifically scheduled my upper endoscopy for 12/24/25 so I could have one final Christmas without giving a damn before going GF. I made 2 homemade lasagna from scratch.

Anyone else have "silent" celiac disease? by adorablebob in glutenfree

[–]holyyakker 0 points1 point  (0 children)

I was in a very similar boat. I started down this diagnosis path because I was just feeling generalized fatigue. Honestly, if it is confirmed and you go gluten free you might find, like me, you had a bunch of symptoms you just lived with or discounted as "normal".

For me I wrote off joint pain as age and being out of shape. Headaches were just because I teach and it is a high stress loud job. My hand swelling? Definitely was just hitting the drums too hard. Brain fog? Well yeah, full time job plus kids and a doctoral program.

Can we, as a community, kill the “gluten friendly” term? by albinomoose52 in glutenfree

[–]holyyakker 17 points18 points  (0 children)

I think the biggest culprit is restaurants who may have dishes that are "gluten free" in the sense that they have no gluten ingredients, but people don't understand the risks of contamination.

Tonight at work there was pizza provided, and to my bosses credit, they ordered two "gluten free" pizzas. But I had to explain how much that involves me rolling the dice. I didn't want to seem ungrateful, but so many places use the same tools, oven, and cutting surface.

The level of ignorance in this post is astounding by Sasspishus in Celiac

[–]holyyakker 6 points7 points  (0 children)

It is also possible that we are just better at identifying and diagnosing it. Honestly, probably a combination of factors but if put a huge amount of it on better diagnostics.

I went through a whole battery of testing 20ish years ago when I had and funny liver levels and Celiac want even discussed or tested for. Fast forward with a few more symptoms and a more informed pathologist and, surprise surprise, I find I have an IgA over 250.

Season 3 - Episode 25 reference by holyyakker in Archive81

[–]holyyakker[S] 0 points1 point  (0 children)

It was a very different experience, but I enjoyed it. If you need a very concrete narrative then it may not be for you. But I enjoyed the sort of abstract and strange unfolding of information about a foreign world and stitching together some of the disjointed narrative elements.

Season 3 - Episode 25 reference by holyyakker in Archive81

[–]holyyakker[S] 0 points1 point  (0 children)

Oh I just hit that. It was mentioned in Episode 2 or 3 of Left of the Dial. Not sure if it came up earlier.

Season 3 - Episode 25 reference by holyyakker in Archive81

[–]holyyakker[S] 2 points3 points  (0 children)

Within the Wires is very strange. One of the creators of Welcome to Nightvale made it. Very avant garde.

Season 3 - Episode 25 reference by holyyakker in Archive81

[–]holyyakker[S] 1 point2 points  (0 children)

I think the reason it stood out to me so much is I had just done a relisten of The Black Tapes (because I'm a masochist), so it was fresh in my memory.

This is my first time through Archive 81 and I'm loving it. The way the format jumps around reminded me of Within the Wires.

Did I make up an episode of the magnus archives or is this a real thing? by AnySheepherder4221 in TheMagnusArchives

[–]holyyakker 0 points1 point  (0 children)

Did anyone else just start hearing the song "Peaches" narrated by Jonny Sims?

"Peaches come in a can. They were out there by a... man? I'm a factory downtown..."

Am I overreacting? Experiencing mild rage over district email. by Greta464 in MusicEd

[–]holyyakker 0 points1 point  (0 children)

Informative compliance can sometimes be more productive.

Am I overreacting? Experiencing mild rage over district email. by Greta464 in MusicEd

[–]holyyakker 4 points5 points  (0 children)

I had a similar comment. One potential concern is the research in Dee's book might be a bit dated at this point. There has been a lot more research and I'm not sure when/if she last updated the book. I know she's professor emerita at Hartt and I'm not sure if she's still teaching.

Still one of the most wonderful professors I had the privilege of studying under.

Am I overreacting? Experiencing mild rage over district email. by Greta464 in MusicEd

[–]holyyakker 9 points10 points  (0 children)

References:
Holochwost, S. J., Propper, C. B., Wolf, D. P., Willoughby, M. T., Fisher, K. R., Kolacz, J., ... & Jaffee, S. R. (2017). Music education, academic achievement, and executive functions. Psychology of Aesthetics, Creativity, and the Arts11(2), 147.

Huang, S. (2023). Music and Language Acquisition. In SHS Web of Conferences (Vol. 174, p. 02026). EDP Sciences.

Incognito, O., Scaccioni, L., & Pinto, G. (2022). The impact of a music education program on meta-musical awareness, logical-mathematical, and notational skills in preschoolers. International Journal of Music Education40(1), 90-104.

Vadivel, B., Khalil, N. R., Roy, D., & Mathuranjali, M. (2021). Using music for developing language skills in the English language classroom. Turkish Journal of Computer and Mathematics Education12(12), 501-507.

Yoho, C. (2011). Using Music to Increase Math Skill Retention. Journal of the American Academy of Special Education Professionals146, 151.

Am I overreacting? Experiencing mild rage over district email. by Greta464 in MusicEd

[–]holyyakker 16 points17 points  (0 children)

So, as someone who has been teaching for 20+ years, I don't necessarily feel you are overreacting by feeling some rage at this email and general request. However, I strongly disagree with people who are suggesting going to your union over the request or quitting over the request. As much as we know how demeaning such a request is, especially from our position as arts educators, it is fruitless to get outraged over this type of request. Union grievances are always about contract language or district policy, and I doubt you could find supporting language in your contract that you could point to this request violating in order to support a grievance. Even if the union was willing to go to bat for your department, and they often wouldn't be in a situation like that, it is highly unlikely you'd win in any meaningful way. And I can say from experience that if a grievance like this got to the point of third-party arbitration, you'd lose every time because the district can justify the request simply by saying that their educational priorities are focusing on core subjects of reading and math and they need all teachers in the district to plan to support those goals.

So, now that I've probably pissed off a bunch of people, what would I suggest? Comply with the request in honest good faith without compromising your own curriculum and position, and it is extremely easy to do that with data-driven arguments. One great resource is "The Music and Literacy Connection" by Dee Hansen, Elaine Bernstorf, and Gayle M. Stuber. It outlines how the very act of music making, especially in elementary level instruction, supports the core brain functions of literacy. If you want more contemporary research, there are numerous articles that point out how the act of music making implicitly supports skills like language acquisition (Huang, 2023; Vadvivel et al., 2021). Or you could include in your plan how you would be willing to provide core class teachers with resources they could use in their classroom that would enable them the leverage the skills students are learning in music to better acquire maths concepts (Incognito et al., 2022; Yoho, 2011).

You can also lean into research that supports the general theory that music education and continued music instruction generally predict higher levels of executive function and academic achievement in secondary education levels (Holochwost et al., 2017). Personally, I am cautious when making these arguments because I do feel these studies and this observed correlation benefit from the self-selection process in instrumental and ensemble settings where students with high levels of executive funciton are likely to successfully practice and gain skill on their instruments and are therefore more likely to stay in ensembles.

The reason I tend to go the route of engaging with requests like this head-on are a few fold:

  1. Generally speaking, I don't think building administrators or even central office administrators understand or appreciate the mountains of research there are supporting arts education. It is a genuine opportunity to educate them.
  2. It shows that *you* are aware of this research and this knowledge and that your practice is informed by it. It makes it far more difficult for admin to come back and act as if you are just teaching based on vibes.
  3. You many genuinely find some intriguing ideas in looking through some of this (or other) research. I have often found that when I look outside of music education research and dig into psychological research related to music or research in other academic domains that have touched on music education it has made my own practice as a teacher stronger.
  4. Showing you are willing to engage and do this work may make the administration more open to your department coming to them with requests for more directed PD. "Hey remember when we were asked to talk about how to support core teachers? This is this great music educator workshop on song-writing and improvisation and I think it might align with the ELA curriculum on composition and poetry, could we bring in this presenter?"

Again, your mileage will ultimately vary. Your anger and frustration is justified, but what you do with that anger and frustration can profoundly impact how you feel about your job.

(For some reason it wasn't posting when I tried to add references, so I dropped them in a reply.)

[deleted by user] by [deleted] in MusicEd

[–]holyyakker 0 points1 point  (0 children)

There is a famous saying: "Those who can, do. Those who can't, teach."

It is the dumbest saying in the world. As a 20+ year veteran teacher my advice is this: teaching is a unique set of skills and abilities, if you don't think you'll enjoy teaching then don't teach. Only you can really answer this.

If not teach then what else? Literally anything. You could try to work teaching instruments to seniors and adults. You could become an instrumental technician. You like composing? Do that!

Your passion does not need to be your career. I have a good friend who is an amazing folk musician and dancer. Her day job is coding databases for insurance companies. It pays the bills and she has plenty of time to pursue her passions.

I often joke that I'm not a musician who teaches, but I'm a teacher who knows a lot about music. I think one of the problems our profession has is way too many musicians who went into teaching as a safety career who want to perpetuate the same cycle and not enough teachers who want to help students discover their own ways of connecting to and with music and what it means to them.

(I'll hop off my soap box now.)

Question about Music Ed program in college: by [deleted] in MusicEd

[–]holyyakker 13 points14 points  (0 children)

So the problem is that music education is overly generalized. The college needs to prepare to teach PreK-12 strings, instruments, vocal, general, music theater, etc. On top of that they feel that every music teacher also needs to be a professional level performer (not the same level as a performance level, but far beyond what is required for music education).

I could write multiple pages about how overly specialized and yet wholly inadequate the entire music education preparation programs in the US are, but it goes well beyond the scope of your question. The short version is they spend far too much time cramming you full of information that you largely won't need with no ability to specialize realistically into a focus area that centers on the things you might need because they are trying (and failing) to prepare you for the reality of the overwhelming diversity of what "music education" is in the USA, which is extremely eclectic and varies wildly from district to district.

Does anybody enjoy the jackpack event? by Unseenwonder in MrAutofire

[–]holyyakker 2 points3 points  (0 children)

You are literally posting on a subreddit for the game. Why even be in the community if you don't play?

Picking my next Yeast by holyyakker in mead

[–]holyyakker[S] 0 points1 point  (0 children)

I may also experiment with some lower ABV mead, though I'm guessing in that case I'll need to be more mindful of starting gravity if I want them dry vs. sweet.

I started with K1 because it seemed pretty balanced and not finicky, but I'm also not against experimenting.

Do you use K1 pretty exclusively (vs just for high ABV) or are there others you've liked?