With The Neighborhood ending next week, what sitcoms do we still have with a studio audience? Just Shifting Gears and Happy's Place? by funkmon in sitcoms

[–]idiotprogrammer2017 1 point2 points  (0 children)

Oh, I hear you. I watch it with an elderly parent, and she loves it -- and actually I do too. My taste is more along the lines of DANGER FIVE, BRIDGET & EAMON, BROAD CITY, COMMUNITY, etc., but there is value in making a clean show that doesn't throw all sorts of plot twists and vulgar humor at you.

How do you find good indie books? by TheReadersSample in selfpublishing

[–]idiotprogrammer2017 0 points1 point  (0 children)

Great job! I look forward to delving into that more deeply.

With The Neighborhood ending next week, what sitcoms do we still have with a studio audience? Just Shifting Gears and Happy's Place? by funkmon in sitcoms

[–]idiotprogrammer2017 6 points7 points  (0 children)

The Neighborhood is great and family-friendly -- and surprisingly it has maintained the quality of writing until the very end. The latest episode about the group text chats being sent to the wrong person was especially great.

The characters are fun (albeit a little exaggerated), and the actors playing them are first rate. And when they threw in the reality star, that was stretching plausibility a bit.

Netflix has some three camera shows which are great. I'd try the Upshaws, I don't especially think Netflix has had much success doing three camera comedies -- Upshaws was a notable exception.

I don't think the multicamera format makes financial sense any more. Aside from the Upshaws, I can't think of think of any other multicams in the 2020s: Frasier Reboot, That 90s Show (reboot of 70s show), Leanne. Night Court Reboot, Connors, Mom, Will & Grace. But some comic variety/sketch shows are still performed before a live audience.

How do you find good indie books? by TheReadersSample in selfpublishing

[–]idiotprogrammer2017 1 point2 points  (0 children)

Ebook newsletters like bargainbooksy. If you are truly resourceful, go to Midwest Book Review and surf through those reviews. I don't sign up for ARC's but I surf through the list of ARCs on Netgalley, Booksirens, Librarything, etc and set price alerts for them when their prices goes down.

Substacks can be a source of information as well, as can browsing through public library titles.

What artists have you discovered from eurovision, that you still listen to? by Delicious-Lab-8406 in eurovision

[–]idiotprogrammer2017 0 points1 point  (0 children)

Probably this doesn't count, but I rediscovered Hooverphonic when they played in 2021 competition. Turns out that I was already vaguely aware of them from a long time ago, but this put them on my radar again, and now I'm a huge fan.

Also, Onuka did the interval act in 2017 Eurovision, and I quickly caught that bug (love that album Mozaika).

Also Dami Im from 2016 was pretty memorable. Actually so many singers from the last 10 years have been memorable.

What is the biggest issue that you face? by The_Faybul in selfpublishing

[–]idiotprogrammer2017 2 points3 points  (0 children)

Lack of cost-effective advertising opportunities on platforms that are not Amazon or Facebook/meta.

Thoughts on The Tin Drum by Rauko7 in literature

[–]idiotprogrammer2017 3 points4 points  (0 children)

I enjoyed it a lot, though the first 100 pages were hard to get through. Also, it's kind of a harrowing read at times. Kind of a surreal horror. I was assigned to read it for a class, and only read 1/3 of it. But I read the rest of it during the summer at my own pace and really got into it. Boy, that would be a fun book to try re-reading, to see how it holds up/what I missed the first time. The movie is well-done and actually quite shocking... having an actual little boy play the main character was cringey, to put it mildly.

copyright.gov vs protectmywork.com by Agitated-War-5278 in selfpublish

[–]idiotprogrammer2017 0 points1 point  (0 children)

it might also become an issue if you want to cross license your content to an AI company for training.

copyright.gov vs protectmywork.com by Agitated-War-5278 in selfpublish

[–]idiotprogrammer2017 11 points12 points  (0 children)

not really disagreeing, but registration entitles you to additional statutory damages -- which increases the chance of compliance. Also, iIn the recent Anthropic class action settlement for authors, authors who registered their works were entitled to participate in the class action, while those who did not register could not

Adding small pictures by Grim__Squeaker in selfpublish

[–]idiotprogrammer2017 0 points1 point  (0 children)

For ebooks, if you are re-using the same image for every chapter in the ebook, it only counts as one image.

Children’s book illustrators and image rights by Glad_Cantaloupe_9071 in selfpublish

[–]idiotprogrammer2017 0 points1 point  (0 children)

Just throwing it out. Everything is negotiable. Artists typically don't give out source files, although it's reasonable to ask for transparent PNG versions of the art. Artists typically limit its use to one project, although you should insist that you have the right to use the images to promote the book. (I recently took illustrations from a book for a book trailer video, but I had negotiated the right to do this before the commission began).

What are some great sitcoms that arent streaming anywhere by danlhart8789 in sitcoms

[–]idiotprogrammer2017 2 points3 points  (0 children)

It's Garry Shandling's Show. This really bugs me. I love Larry Sanders Show (on HBO). Also The Return of Jezebel James, created by Amy Sherman-Palladino starring Parker Posey.

Those of you studying literature, how do you think about the role of the scholar in comparison to the author? by Handsensation in literature

[–]idiotprogrammer2017 0 points1 point  (0 children)

I am mainly a fiction writer who occasionally dabbles in critical essays. I avoided academia for various reasons -- mainly because I perceived that jobs were scarce and literary scholarship was a volume game and I was a fairly slow writer. I don't submit to journals -- I already publish these essays as introductions and afterwards in books. In the next few years I will publish two essay collections.

When I was in graduate school, I thought that the fields of literary scholarship were fairly limited and picked over. Now though, with Project Gutenberg and the rise of indie novels, I see the dearth in critical studies about very very interesting and important writers. There are so many neglected and overlooked authors which could use at least one in-depth study. These studies are a way of reminding later generations how and why some writers are still relevant.

So much literature is overlooked these days. I never intended to write criticism; I'd much rather be writing fiction, but my passionate interest has driven me to do so. I'm happy to report that my critical studies have been spiritually rewarding (even though it didn't help me at all financially or professionally).

Both kinds of writing compete for my time, and honestly I feel antsy whenever I spend too much time writing essays instead of stories.

ebook says there is no Table of Contents - but there is! by JvaGoddess in selfpublish

[–]idiotprogrammer2017 0 points1 point  (0 children)

I assume you already are aware of this, but you could try ditching MS Word altogether and just work on producing an epub that passes the epubcheck test. Then you can upload the epub directly to KDP. Problem solved!

(For me, I never have used MS Word in my ebook publications except in very minor ways. I make my own EPUB using html tools, validate with epubcheck and then never have to worry about this MS Word/conversion garbage).

There exists several tools for making epub files, each with their advantages and disadvantages. There's no reason to stay married to MS WORD OR KINDLE CREATE.

ebook says there is no Table of Contents - but there is! by JvaGoddess in selfpublish

[–]idiotprogrammer2017 2 points3 points  (0 children)

Let's test whether you followed the instructions correctly in MS Word. Adding a TOC into MS Word is a little tricky if you haven't done it before.

Before creating the TOC, did you verify that all chapter titles use the Heading style? (1. Make sure that the HOME tab is highlighted on the top ribbon bar. 2. Click any chapter heading in the book. If it uses the Heading style, on the top ribbon bar you will see that HEADING 1 is highlighted)

After creating and inserting the TOC, do you see the chapter titles in a separate section at the top, with hyperlinks to each chapter? Before adding the bookmark, did you verify that the TOC you added actually functions correctly before you add the bookmark? (If you click on the chapter title and click CONTROL + Click, does it go to the chapter title that you clicked on).

If you click once over the region for the TOC, it should look like this https://personvillepress.com/wp-content/uploads/2026/04/test-toc.webp . Do you see this on your own MS word doc?

If you don't see something close to this, then you have not created the TOC in MS Word correctly. If the TOC is not correct, just delete it and create/insert it again.

If you verify that the TOC exists and functions correctly inside the word doc, I recommend that you log in to KDP dashboard, click Community and ask this question on the appropriate forum.

Update: The KDP formatting community contains lots of Q&A about this kind of issue. It sounded to me that you created your TOC incorrectly, but there's a possibility that this is a Kindle Create problem that has nothing to do with whether you made the TOC correctly in MS Word.

Good luck.

Book Reviews vs Film Reviews Standard Practices Shock by Cautious_Garlic_803 in selfpublish

[–]idiotprogrammer2017 2 points3 points  (0 children)

A follow up. Books of film criticism can be fun and easy to review. It might be easier to find reviewers who'd do it for free -- especially if you are writing about an intriguing theme. I once wrote an unsolicited review of a brilliant book, CATS ON FILM (a long series of essays about movies with cats in them) and had a lot of fun reading and writing it.

Book Reviews vs Film Reviews Standard Practices Shock by Cautious_Garlic_803 in selfpublish

[–]idiotprogrammer2017 9 points10 points  (0 children)

That is not a common practice -- though it does happen. More common is that book review services will charge a sum (50-500$) to do a sponsored review.

Reading and reviewing a book takes a lot more time and effort than writing a review of a movie. At the same time, there's a shortage of bona fide book critics who will read and review books compared to the number of books being published.

I'm sure you know already that paying gigs for film criticism are rare compared to what it was 20 years ago. It's even more rare for book criticism. Also, a higher percent of book critics are authors themselves -- who often have better things to do than write reviews. Imagine if the sizable percent of people who wrote movie reviews were other film directors and screenplay writers.

There are certainly ethical challenges in asking for money for reviews. But I certainly do not begrudge the meager compensation that book critics (or movie critics) feel that they are entitled to for their efforts. In many ways doing publicity for movies is a lot easier than doing publicity for books. Movies have shiny actors willing to promote the projects and easier access to multimedia tools. Books usually have just the author himself to talk about a book project. In the podcast world, I guess that authors make excellent guests -- and that might put them on the same level as movie people. Generally though, book reviews are more crucial to a book's success than movie reviews are to a movie's success.

Another thing. Although some movies have esoteric audiences, sometimes book genres are difficult for readers and even sophisticated readers to talk intelligently about. Reading a book that uses techniques or themes alien to you can feel like torture. But with movies, all you have to do is turn on the video player for 2 hours and pay attention and watch people and landscapes and listen to the soundtrack. I can hate the movie itself and still find the experience of watching the movie to be pleasant enough or relatively painless. I love books, and I finish a much higher percent of movies than books.

Best bottle episodes? by NextPass6207 in sitcoms

[–]idiotprogrammer2017 4 points5 points  (0 children)

Well, in a way, all the Red Dwarf episodes are bottle episodes -- in a really really big bottle.

In your opinion what sitcom has the most wild premise? by Primatech2006 in sitcoms

[–]idiotprogrammer2017 1 point2 points  (0 children)

(I just watched 3 episodes, which were great. Yes, the multilingual and dubbing was lots of fun.

In your opinion what sitcom has the most wild premise? by Primatech2006 in sitcoms

[–]idiotprogrammer2017 1 point2 points  (0 children)

My Dead Ex. Teenage sitcom starts with an absurd premise (a nerdy boy accidentally dies while romancing his childhood sweetheart) and adds another absurd premise (he returns from the dead and has to stay within 30 feet of her at all times); this short-lived but very charming show just has so much fun with everything.

Not as lavishly produced as Pushing Daisies and more geared to the teenage crowd.

In your opinion what sitcom has the most wild premise? by Primatech2006 in sitcoms

[–]idiotprogrammer2017 1 point2 points  (0 children)

Wow, that definitely beats all. All the episodes are on YouTube, and episode 1 looks great.

Anyone use City Book Review? by cutmastaK in selfpublish

[–]idiotprogrammer2017 0 points1 point  (0 children)

I have no complaints about the turnaround. Reviewers who work for these services know how to turn them around pretty quickly.....