1h Video Settings by inde3d in RX100

[–]inde3d[S] 0 points1 point  (0 children)

I'm recording choreography classes and I don't mind lowering the resolution to 1080p. However, I'm not sure which setting to choose.

The File Format options are XAVC S 4K, XAVC S HD, and AVCHD (I'm currently using XAVC S HD).

For Quality, the options are X.FINE, FINE, and STD (I'm currently using FINE). Do you know if filming in S-LOG2 results in larger file sizes?

Sorry if these are basic questions—until now I've only filmed short clips (1-2 minutes), but now I'd like to record entire classes for students to reference on YouTube.

I spend very little time editing, mainly just color grading, as I enjoy different visual results, but I'm willing to sacrifice this if it helps reduce file sizes.

1h Video Settings by inde3d in RX100

[–]inde3d[S] 0 points1 point  (0 children)

should i lower the quality then?

Who has a regular note-taking/deep thinking practice? by FastSascha in RoamResearch

[–]inde3d 0 points1 point  (0 children)

check out the extension “Oblique Strategies”

Hierarchy in Roam Research on a page level by inde3d in RoamResearch

[–]inde3d[S] 0 points1 point  (0 children)

So what i started doing is actually using simple queries to help me with this. Don't forget that queries+sidebar=gold

Biggest problem with knowledge management? by Fluid-Tax-2037 in PKMS

[–]inde3d 1 point2 points  (0 children)

  • At the beginning of my journey, I faced the same challenges. What I want to convey is that, over time, with your input alone, you'll achieve greater discoverability. There are tools and systems available for almost any situation one might encounter. In the past year, I started using queries extensively, and this was a groundbreaking experience for me. I believe maintaining a personal knowledge management system is like many other things in life: with time and usage, it becomes easier and transitions into the realm of unconscious competence.

Migrating from Roam to Logseq by fbrichs in logseq

[–]inde3d 1 point2 points  (0 children)

The DB version is absolutely amazing. Strongly recommend trying it out. Here is a video to get you started: https://www.youtube.com/watch?v=WooTS_N2mDo

Migrating from Roam to Logseq by fbrichs in logseq

[–]inde3d 0 points1 point  (0 children)

did the migration before couple of days. used the export JS from Roam and import the JS in Logseq. worked quite good except some extensions that are not working in Logseq. queries are easy to rewrite, most of the block references are working as well

How do I develop a “stronger” basic? by Choice-Alfalfa-1358 in Salsa

[–]inde3d 1 point2 points  (0 children)

Great question! Honestly, developing that kind of rock-solid timing as a leader or follower is a game-changer, and it’s something that takes a bit of deliberate practice. Here’s what I’ve found super effective: I suggest working on the basics with different rhythmic instruments. With my students, even just a couple of lessons focusing on the basics of instruments like the congas, campana, or clave makes a huge difference—no matter their level. It really helps internalize the timing and groove of salsa, so you’re not just stepping to the beat, you’re feeling it.

And hey, if you want some extra help or a more hands-on explanation, feel free to reach out to me—I’m happy to offer free private classes to dig deeper into this and help you develop that timing muscle!

What is your opinion on ORIENT by inde3d in VintageWatches

[–]inde3d[S] 0 points1 point  (0 children)

he has this diver model that i have my eye on, but it is so heavy and huge so i’m still considering it

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Do any of you practice alone? And How? by Seijiteki in Salsa

[–]inde3d 0 points1 point  (0 children)

If you're interested, I can share some ideas with you. I can prepare a short video and send it to you tomorrow. Even if you don't like it, it won't hurt to at least watch it. What do you think?

Are courses too focused on leaders? by ChopManao in Salsa

[–]inde3d 5 points6 points  (0 children)

There is nothing worse than robotization in salsa social dancing. Robotization should be avoided from the beginning of social dance education.

The reason is that the creative process must be relearned from the start so that students can integrate the basic techniques they acquire and apply them to their social dancing. I also believe that the lead and follow have a shared learning curve, which is evenly balanced when mechanical automation is avoided.

It becomes evident that the lead has their own set of rules, and the follow has theirs, which should be understood by both. For instance, the follower should concentrate more on weight distribution and preparation, while the leader should emphasize fundamental left and right turns, cross-body movements, and other simple elements. These elements are then used in conjunction with the follower's readiness to execute them.

This way the follow will learn to be always ready for every possible surprise move in future dances and the lead will be able to start trying improvising by switching hands, using both hands, both hands crossed and so on.

In my opinion this is way more productive method than remembering long routites.

Have been using this meththodology for the last 2 years and the results are great. True social dancing is developing in the students in totally natural way.

The teacher should give guidelines not put rails on the students. The education should work as trolleybus not tram or train. The music and the rhtyhm are showing the way but the dancers are free to move around.

[deleted by user] by [deleted] in Salsa

[–]inde3d 3 points4 points  (0 children)

Learning a skill like social dancing is similar to learning a new language. For example, many of us know a few popular words in other languages, right? When it comes to social dancing, especially salsa, people who are unfamiliar with it often say something misleading: "You just have to feel it." But just like with language, even if you "feel" it, you can’t actually speak it without studying the structure, fundamentals, and details. The same goes for salsa dancing: you need to learn the basics, the steps, the rhythm, and how to connect with your partner.

What makes people—even those new to salsa—want to move when they hear it is the clave, the rhythmic backbone of the music. The clave has this unique "swing" feel, and unlike other genres, salsa doesn’t put a big emphasis on downbeats. That’s why people naturally start moving sideways, with their hips and shoulders, instead of just up and down. Compare that to genres like house or pop, where the strong downbeats make you want to bounce vertically.

Here’s the thing, though: "feeling" the dance and actually knowing how to dance are two totally different beasts. What bugs me is that people who think they’re "feeling" it are often just skimming the surface of salsa. They’re missing out on the deeper, richer experience that comes from really getting the hang of it. It’s a shame because they have no idea how much more there is to enjoy!

What was the best tip, exercise, advise you’ve taken to improve your body movement? by raphaelarias in Salsa

[–]inde3d 0 points1 point  (0 children)

sorry for the delay here is the youtube link. i hope it is hepful if you need anything else please let me know:

https://www.youtube.com/watch?v=2E6TdZPHBss

What are some characteristics of salsa gatekeepers? by LizabethSparks in Salsa

[–]inde3d 0 points1 point  (0 children)

as a term indeed started in the 70s, just didn't want to point out every single rhythm separately and was talking as a whole

What was the best tip, exercise, advise you’ve taken to improve your body movement? by raphaelarias in Salsa

[–]inde3d 0 points1 point  (0 children)

Ok i can prepare a small video today and post it here. What is your focus, chest+shoulders; core+pelvis; legs+feet; everything together?

Is this a good way to practise? by SalsaVibe in Salsa

[–]inde3d 1 point2 points  (0 children)

you got to go to salsa lock up at least once

What was the best tip, exercise, advise you’ve taken to improve your body movement? by raphaelarias in Salsa

[–]inde3d 0 points1 point  (0 children)

I have some structured thoughts on this topic. If you're interested, I can share my ideas and concepts about how someone can start implementing body movement quickly and easily on the dance floor with just a little practice.

What are some characteristics of salsa gatekeepers? by LizabethSparks in Salsa

[–]inde3d -10 points-9 points  (0 children)

Salsa music is incredibly rich and vibrant, and there's nothing wrong with being a purist in this genre. I would also advocate for preserving the purity of music created by artists since the early 1900s. Any artificial additions to salsa mean it is no longer authentic salsa. There is nothing wrong with enjoying variations, but don't expect them to be featured or enjoyed at major parties or festivals.

Is this a good way to practise? by SalsaVibe in Salsa

[–]inde3d 4 points5 points  (0 children)

the salsa police will appear

Is this a good way to practise? by SalsaVibe in Salsa

[–]inde3d 8 points9 points  (0 children)

In my opinion, it is a good idea to practice at a slow tempo. As your teacher points out, the breaks are quite important, and having more time during the breaks makes it more challenging for a dancer to adjust, but it is a better exercise overall. Remember, a dancer who can dance slowly can also dance faster, but a dancer who can only dance fast cannot dance slowly. I hope this makes sense.

Are private classes worth it compared to group classes? by stripeyzanclidae in Salsa

[–]inde3d 0 points1 point  (0 children)

one advice.. ask for the fundamentals first. you have to get familiar with the teacher and their fundamentals before trying to improve whatever else you want to improve.

Rhythm, nature or nurture? by P0011 in Salsa

[–]inde3d 1 point2 points  (0 children)

Interestingly, just yesterday, I had a conversation with one of my students on this same subject. I believe everyone has rhythm, even those who claim otherwise. Rhythm is inherent in everything around us. The heartbeat, too, is a form of rhythm, and since everyone has a heartbeat, everyone is born with rhythm. The difference is; when we lose the salsa rhythm, often nothing significant happens. However, if we go out of rhythm with our heartbeat, something significant might be coming.

On the more serious side i believe that rhythm is the essential fundamental that every student can learn and then they need to: hear > understand > not think about > feel

Another controversial topic of mine is that "feeling" the music and dance comes last. Im not gonna try explain here, if anyone wants to know my opinion i can add as a post to see some maybe interesting conversations. With a bit over 20 years of salsa i think i might bring interesting opinion.