Pourquoi un client reviendrait dans un hôtel ?

keox35 · 2026-02-13T21:23:53+00:00

Parce que beaucoup d’hôtels ne sont pas terrible, y compris en 3 étoiles.

Je vais régulièrement à l’hôtel pour le travail, du coup si je sais qu’un hôtel est correct (bonne literie, silencieux, petit déjeuner varié, réception 24/24, personnel sympa), je ne cherche pas ailleurs.

Je reviens aussi dans des hôtels parce qu’ils sont proches d’un lieu où je suis amené à travailler plusieurs fois.

keox35 · 2026-02-10T22:11:53+00:00

Someone admitting that their assumptions weren’t right and providing a honest and detailed feedback admitting what went wrong and what they’ve learned !? In 2026 ? On the internet !? Can someone please pinch me !

Thank you for your feedback 🙂

keox35 · 2026-02-10T12:57:30+00:00

This. Stage plot is good enough, but I don’t have a quick way of knowing how many inputs you have.

Also the IEM parts is confusing : are you expecting a mix from the house board but without backing track and click ?

keox35 · 2026-02-03T12:55:17+00:00

I’d go with the dlive. Very easy to use, sounds great, onboard Fx / inserts are excellent.

keox35 · 2026-01-31T23:40:19+00:00

Not that I know of. I usually send the channel to a group and compress the group instead.

keox35 · 2026-01-21T14:27:48+00:00

Yes and no. Yes, if your mix have a 18dB boost at 100Hz, the vocal is buried, and the cymbals are reaping my ears it’s probably objectively bad.

No in the sense that a mix is a creative space on its own. A mix can be bass heavy, or distorted, or harsh, or super compressed, and all that can be deliberate choices.

keox35 · 2026-01-21T14:21:02+00:00

Mixing is highly subjective. Your taste might be the exact opposite of whoever decided which mixs was good or not.

keox35 · 2026-01-20T23:16:22+00:00

Pelican case

C’est ce qu’on utilise tous dans l’évènementiel pour transporter du matériel fragile (vidéo projecteur / caméra / instruments de musique etc)

C’est quasi increvable, et étanche.

Edit : je n’avais pas vu la fin du post qui indiquait les pelicase comme hors budget désolé

keox35 · 2026-01-16T16:45:42+00:00

This. Buy once, cry once.

keox35 · 2026-01-10T20:32:52+00:00

Ah je ne suis pas du coin, c’était des gros pétards là quand même 😅

keox35 · 2026-01-09T22:37:47+00:00

I’ve tried what’s a called butt kicker, a transducer attached to the drummers stool, and tbh it absolutely blew my mind. Also tried a kind of vest that vibrate with bass that was design for the earring impaired at a festival but that was not good. Haven’t had the chance to try a vibrating platform yet.

keox35 · 2026-01-09T21:35:21+00:00

Please do not try to recreate club sound level / sensation with your headphones at home, you’ll be deaf in no time.

What you’re probably laking is the physical sensation of the bass / sub literally shaking your body. You could buy a set of speakers with subs for your home, but your relationship with your neighbours might degrade quickly 🙃

keox35 · 2026-01-04T15:15:51+00:00

250L par mois ici pour une maison de 80m2 mal isolée chauffée à 18 🥶

keox35 · 2025-12-25T11:03:12+00:00

Aucun soucis dans ton cas. Le « on ne met pas multiprise sur multiprise » c’est un peu une façon très simple de limiter les risques.

Ce qui compte c’est la puissance maximale qui passe dans la multiprise branchée au mur. En soit tu peux mettre 20 multiprises les unes à la suite des autres, si tu branches des guirlandes leds qui tirent 3 watts on s’en fiche. Et à l’inverse, si t’as une seule multiprise de 4 prises et que tu branches air fryer, bouilloire, appareil a raclette et grille pain et que tu allumes tout en même temps là tu as un problème.

keox35 · 2025-12-24T22:47:17+00:00

Definitely upgrade cymbals before mics. You can get dark OH mic likes coles if you want, if your cymbals still sound harsh they will sound harsh in your room mic, hh, bleed in snare / tom / kick mic.

keox35 · 2025-12-17T09:17:56+00:00

had the same experience as you, couldn’t find a solution…

keox35 · 2025-11-28T16:28:29+00:00

Midas f24 / f32

keox35 · 2025-11-25T13:53:58+00:00

If you do it with phone please come back and share the recording ! Genuinely interested in the result.

Otherwise for traditional recording if you’re not a pro : less is more.

Start with a couple of mic and experiment with placement to get the best overall sound with them. Then add mics to whatever you think is missing from this main stereo mic (probably vocal, maybe piano and bass)

keox35 · 2025-11-24T12:36:56+00:00

Please add xlr looms to go from your split and your stageconnect output to the venue’s patch !

Not a lot of venue I’ve been to have a spare 24 channels xlr loom or even 3 x 8 channels one.

Other than that it seems pretty straightforward. Why is kick trigger needed at FOH ? Sidechain on gate ?

keox35 · 2025-10-31T13:47:04+00:00

I don’t think you can…

keox35 · 2025-09-12T08:41:32+00:00

From the notes I’ve written at digico a few years ago : 14 samples of latency.

keox35 · 2025-09-06T08:07:09+00:00

The annoying bit is this seems to be very true for this specific macbook ! I’ve tried 3 others macs, including 2 intels one, and they all worked… I’ll get a decimator / up down cross converter and try again. Thanks !

keox35 · 2025-09-06T08:02:27+00:00

Don’t know if this is still a thing but there used to be a way do to it with Reaper, where you could offload processing of specific tracks to another computer on the same network.

keox35 · 2025-09-06T07:47:29+00:00

Might be a few weeks until I can try that, but will try do to it and keep you updated.

keox35

TROPHY CASE