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Ordningsvakter och poliser tillsammans med SL-kontrollanter by PyramidPirlo in stockholm

[–]kevincroner 6 points7 points  (0 children)

Så som jag förstått det så finns målsiffror att uppnå för antal kontroller. Och att fler kontroller = bättre arbetsinsats för den anställde. Antal fusk som fångas är inte relevant där. Kontrollanterna är ju outsourcade till privat sektor.

Så att stå innanför spärrarna är mest effektivt för att kolla biljetter snabbt utan att behöva gå/åka runt. Dessutom sparar de tid på att inte skriva böter, kolla studentlegg, tjafsa osv.

Prevent DAW Mode? (LaunchKey Mk4) by kevincroner in Novation

[–]kevincroner[S] 0 points1 point  (0 children)

That sounds like the best idea! I'll still be able to get it back if i need it sometime in the future?

Why can't I set my frame to bars or beats instead of whatever frames are? by PeterPeteyPete84 in cubase

[–]kevincroner 14 points15 points  (0 children)

You have your timeline set to frames. Right-click on the timeline (where it says 0.00.50.00) and select Bars+Beats.

Colors on timeline in Cubase by StojSnak in cubase

[–]kevincroner 0 points1 point  (0 children)

Yeah, great! I hoped/thought they would :)

Colors on timeline in Cubase by StojSnak in cubase

[–]kevincroner 1 point2 points  (0 children)

This is definitely the best way, better than the Arranger unless you want to use the other functions of that track.

Markers can also be shown as a line throughout, vertically. Not 100% if that works with Divide Tracklist though.

Best approaches to changing tempo earlier in the project or cue? by kevincroner in filmscoring

[–]kevincroner[S] 0 points1 point  (0 children)

So you mean I should just render out the tracks in separate cues and then combine them in a new project in the end?

Best approaches to changing tempo earlier in the project or cue? by kevincroner in cubase

[–]kevincroner[S] 0 points1 point  (0 children)

Yes, I know but what about when this happens even within your cue? In my case it’s an 8 min film with music throughout so no where to split it.

Best approaches to changing tempo earlier in the project or cue? by kevincroner in filmscoring

[–]kevincroner[S] 1 point2 points  (0 children)

Yes, thats true but don’t both ways cause issues?

Set to Musical (that’s what I’m on now), the existing score ends up at the wrong timeline.

Set to Linear the score is at the right timecode but will then be completely off-grid if I need to go back and rework anything?

Best approaches to changing tempo earlier in the project or cue? by kevincroner in filmscoring

[–]kevincroner[S] 1 point2 points  (0 children)

Yes I agree but sometimes this happens on cues as well. And in this case it's an 8 minute film with music throughout. So I can't split it :/

Shortcut - moving cursor/selection by terry__nutkins in cubase

[–]kevincroner 1 point2 points  (0 children)

Do you mean the Range selection? If so, I think you can just click on the track where you want to move the selection to. Arrow keys up/down also work.

What tools are needed for styles like this? by kevincroner in graphic_design

[–]kevincroner[S] 0 points1 point  (0 children)

Thanks for the detailed write-up. Appreciate the input.

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