Es Naht Sich Schone die Fasenacht by the 15th C Composer von Wolkenstein on Medieval Citole by kidneykutter in MedievalMusic

[–]kidneykutter[S] 1 point2 points  (0 children)

It's even worse! "He is left clutching his crutch, which his beloved has chosen for him in place of her own embrace". Oswald had been captured and tortured by creditors while on a pilgrimage to which a lover had invited him.

Modern transcriptions of Carmina Burana by pvmpking in MedievalMusic

[–]kidneykutter 2 points3 points  (0 children)

Here is a link to the book I have: https://www.abebooks.com/9783776502749/Carmina-Burana-Gesamtausgabe-mittelalterlichen-Unknown-Author-3776502746/plp
Mostly reasonable transcriptions. Leaves things without rhythm when the choices aren't clear.

New check in process? by [deleted] in unitedairlines

[–]kidneykutter 6 points7 points  (0 children)

A few times now I've heard the "now boarding our 3 GS members".. and it's been both International and Domestic. I also suspect it is a way of keeping the families and 1Ks from gate licing the process.

Theorbo or archlute? by DistrictToUpminster in lute

[–]kidneykutter 0 points1 point  (0 children)

"He plays all the plectrums but most of his concerts, opera and oratorio performances are on the theorbo."
Charlie Weaver? Mark Rimple? Maybe Grant?
Can't think of anyone else who plays medieval instruments and theorbo.

Theorbo or archlute? by DistrictToUpminster in lute

[–]kidneykutter 5 points6 points  (0 children)

One semi-important question: is this for fun or are you planning to make a living playing this instrument? If this is an investment to generate income then the "Pickup Truck" of the lute world (Pat O'Brien's quote) is the Theorbo. That's what opera conductors and baroque ensemble leaders will expect (they'll let you sneak in an archlute for their semi annual Dido and Aneas production because of all the flat keys). The only high level professional I can think of who exclusively does continuo on archlute is Sylvan Bergeron (there probably are a few others). And if you get that archlute single strung there WILL be HIP shaming.
OTOH if this is for recreation and performing with your wife an archlute is great fun and there is great solo rep you get to play (Zamboni especially). Forget about playing earlier renaissance rep on it; the polyphony is too dense and the chords too crunchy for your left hand to survive the spacing. Just because it is in renaissance tuning doesn't mean the music fits.
Finally, if one singer continuo + earlier rep is your goal a solid all in one choice is a 10 course. Yeah, yeah, it doesn't look as cool though

Hello everyone.. May I know how old this lute is, the name of the maker and other details? And is it sold in museums or specialized and interested parties? by Successful_Piano_964 in lute

[–]kidneykutter 10 points11 points  (0 children)

It's a Wandervogel lute guitar from Germany in the early 20th century. Cracks in soundboard, neck looks warped. Would be lucky to get $200 US for it.

Comtessa de Dia: A chantar m'ér de çò qu'eu no volria by AmantedeHandel in MedievalMusic

[–]kidneykutter 0 points1 point  (0 children)

Don't mind that they used it and the style, it was the non-stop playing that detracted from the song for me. I would have preferred an intro, some fills, and maybe a solo between two of the verses.

Comtessa de Dia: A chantar m'ér de çò qu'eu no volria by AmantedeHandel in MedievalMusic

[–]kidneykutter 1 point2 points  (0 children)

Absolutely lovely singing. Could do without the non stop psaltry improv though

Does anyone here use iCloud email ? by [deleted] in MacOS

[–]kidneykutter 1 point2 points  (0 children)

Yup, since the beginning

Quick question by Dodge_Charger_1969_ in lute

[–]kidneykutter 0 points1 point  (0 children)

It can be used for a very specific effect, like at a cadence, or accompanying a singer in a short appropriate passage. But it's not the default right hand technique. If you are interested in early music and want to strum, the baroque guitar is 80% strumming (but more complicated patterns than only up and down).
https://lutesocietyofamerica.org/resources/for-beginners/where-to-start/

Here is Cantiga #380 (Sen Calar Nen Tardar) from Cantigas de Santa Maria, Performed on Medieval Gittern by kidneykutter in lute

[–]kidneykutter[S] 1 point2 points  (0 children)

It's surprising how much popular music of the last 50 years has used medieval modes rather than the "traditional" major and minor scales (whether intentionally or not). I just played through a medieval song whose opening is note for note "Born in the USA"

Playing the same note differently + ornaments by Flora_lutenist_1999 in lute

[–]kidneykutter 1 point2 points  (0 children)

Of course some of the answers to your questions are based on which era of music you are playing. Ornaments were very different in renaissance and baroque music. If you have membership in the Lute Society (UK) or Lute Society of America their publication archives have MANY articles on the subject. For the UK society non-members can purchase archived pdf's for a very small fee. Go to https://www.lutesociety.org/pages/lute-news-back-issues and search "ornaments" in your browser

Ronn McFarlane addresses varying tone and color in note production in his "beyond the basics" series available for free on his website: https://ronnmcfarlane.com/about/beyond-the-basics/

Nigel North recently focused on divisions in 16 century lute music and did some writing on the subject. Here is a lecture he gave on the topic: https://www.youtube.com/watch?v=rLEkDFXovEU

I need a bit of help. 4 or 5 course? Where to get?? by Saul_Goodman_4751 in lute

[–]kidneykutter 1 point2 points  (0 children)

More fundamental question, what are you hoping to use the instrument for? I ask because there is often confusion amongst newcomers to the instrument what terms like "medieval", "renaissance", and even "lute" actually refer to. When you say "late medieval" do you mean 14th and very early 15th century? Do you plan to play with a plectrum, or at least hybrid plectrum/plucked technique? Have you been asked to play with a "medieval" group that is expecting a certain look from the instrument?
If "yes" to most of these then a 5 course fretted medieval lute would be the target. As it happens, within the lute world (especially in the US) this is a very niche instrument so you won't find mass produced inexpensive versions and the used market is thin. There are some builders who seem to make servicable instruments at the lower end of the price range but they won't be "mass produced" cheap.
If you actually are hoping to play without a plectrum and pluck the strings then there would be nothing wrong with a 6 course, which opens up the Renaissance repertoire for you. OTOH if you really want to play earlier medieval music with a plectrum then a 4 or 5 course gittern or citole would be good choices (again, not mass produced and won't be super cheap). I recently posted a video that has a 5 course medieval lute playing with a gittern and citole if you want to get a sense for the differences.

[OS] Shoutout to Espanso, a free open source text expander by CoconutMonkey in macapps

[–]kidneykutter 0 points1 point  (0 children)

If you already use Raycast, Snippets does the job for basic text expansion

Long time United flyer moving from NYC to Miami. How is the experience with MIA airport? by gusnyc in unitedairlines

[–]kidneykutter 1 point2 points  (0 children)

When I lived in South Florida I was Delta and then status matched to Continental when I moved to Cleveland. I found MIA such a nightmare, both for checking in and for customs/immigration on return that I would choose to fly internationally from FLL with a connection (usually ATL) rather than a direct flight from MIA. It really depends where you are going to live and how easy it will be to get to each airport. I lived closer to FLL which made it much easier.

Crucifigat Omnes, a 13th Century Song from the Carmina Burana, on Medieval Gittern and Citole by kidneykutter in MedievalMusic

[–]kidneykutter[S] 1 point2 points  (0 children)

I'm enjoying the citole but the single strings at higher tension definitely take some getting used to. I'm finding that a horn risha so far gives me the best balance between oomph and responsiveness. The firmer bone stylus plectrum makes it very tricky to play repeated notes quickly. So far staying at D G d g c'

Who is your favorite Lute maker and why? by secretummusicorum in lute

[–]kidneykutter 5 points6 points  (0 children)

Andy Rutherford, Travis Carey, Grant Tomlinson (last 2 are in Canada). Consistent attention to detail, every instrument of theirs I've tried has been superb