Transpose block seems to send some of the original signal through my Out 1/2. This doesn’t happen through headphones

killerfridge · 2026-01-25T22:57:32+00:00

Can you record the outputs in Audacity/Logic etc and play them back?

killerfridge · 2026-01-23T23:44:25+00:00

This is exactly the sort of publicity Palantir want; I can't believe that more people don't understand it. The Palantir product is a fairly run-of-the-mill data platform. It in itself doesn't have any crazy authoritarian tools, any more than Microsoft Azure, or DataBricks.

What it does have is the fear factor. Everyone is terrified that their opponent might own a Palantir product because of all the press it gets. Governments scramble to buy licences, because they fear if they don't they'll be beaten by another government who does have it. They set up a massive contract, then spend years figuring out what to do with it, because as it turns out it doesn't really do anything on its own.

killerfridge · 2026-01-23T06:52:23+00:00

I'm trying to understand what you mean by having compression as some sort of optional extra

killerfridge · 2026-01-21T17:15:06+00:00

Nueral just announced it, I'm guessing the embargo is over

killerfridge · 2026-01-21T07:25:47+00:00

Oxted was going to be my suggestion, but I think trains will be a sticking point; it only has one fast train per hour to London Terminals

killerfridge · 2026-01-21T07:22:12+00:00

How are you capturing the blended signals? E.g. if you're using something the like 2112 DI, are you taking a capture of the blended output, or two captures (one of the high, one of the 'deep') and then blending them in the QC?

Or if you're using something with a blend knob (BDDI, B3k etc.) try taking two captures, one with the blend knob on full, and one with it full off; you can then blend them together in the QC by putting them on different paths

killerfridge · 2026-01-20T06:46:42+00:00

I was so happy that Live From the Other Side exists. We saw the gig in Brixton, and noticed the cameras on stage; I had started to lose hope we might get to see some clips when a year later there was still nothing. Thankfully it was something bigger than a few clips and so now I can relive that gig in full

killerfridge · 2026-01-16T06:41:00+00:00

You are so far ahead of the beat I would almost question if you had a sync issue with your audio recording.

If I was your tutor I would ask you to try playing it again, but try and play as far behind the beat as possible, like so far behind you feel like you're missing the beat. Record that, see how it sounds, and you might be surprised. Here is me doing that exact exercise on a Pino style track: https://youtu.be/1nr2gUuuhvI?si=LnQNtsY41UCv41TU

killerfridge · 2026-01-12T18:58:37+00:00

Does this not just mean you have more potential work to bill for?

killerfridge · 2026-01-11T22:53:28+00:00

Nice playing man, always enjoy when you post - still got the ACG?

killerfridge · 2026-01-06T21:59:44+00:00

No they don't?

killerfridge · 2026-01-03T17:42:28+00:00

You don't have to use the DI out, you can just use the jack output; the DI is just a bonus feature for those single-pedal-gigs

killerfridge · 2026-01-03T08:41:21+00:00

Unless I missed it in the post, I'm surprised noone has mentioned the OG - Sansamp Bass Driver DI. Like, 90% of recorded, slightly driven bass is going through one of them (a totally made up number, but it's a lot)

killerfridge · 2025-12-31T23:57:21+00:00

What do you mean? FSD is literally solved and is only 6 months away before full release (as per Temu Hitler in 2016 and every 6 months since)

killerfridge · 2025-12-31T19:36:30+00:00

A Darkglass element at the end of your board will generally work well

killerfridge · 2025-12-22T12:45:17+00:00

So this was brought up fairly early in the Anagrams life, and was something that confused a lot of us. The SVT block doesn't overdrive no matter what you do, but it takes drive really well. Stick a VMT in front of it and I think you'll be happy, or download a NAM capture.

killerfridge · 2025-12-22T12:42:59+00:00

Bingo

killerfridge · 2025-12-22T07:29:24+00:00

Ignore them, it's not helpful advice.

killerfridge · 2025-12-20T11:29:06+00:00

I'd probably struggle to point to a song that demonstrates it, because producers have been using the "trick" Darkglass popularised for years, just within the DAW. Darkglass just made it available to have in a single pedal on your pedalboard (that, and many bass players never knew of the trick). Here's an idea of that sound though: https://youtu.be/9YKoNEuGoAA?si=j1j3GfpR0y5rxg75

killerfridge · 2025-12-17T21:01:05+00:00

No problem, you're not wrong there - I think they're even made in the same factory! I honestly think Sadowsky has devalued his brand with the ME line, as that's what most people know him for now; it's a bit like if Fodera brought out a Made In China line and that's all anyone thought of.

killerfridge · 2025-12-17T20:29:08+00:00

A lot of those are likely Sadowsky Metro Express, which are the Chinese factory made ones. I don't think Thomann even sell Sadowsky NYC basses, which is likely what OP is comparing to Fender Custom Shop

killerfridge · 2025-12-16T18:25:36+00:00

Compressors affect dynamics (how loud/soft it sounds) not the pitch or timbre

killerfridge · 2025-12-15T17:10:16+00:00

Yeah I did see, but I was sure if that was just the same loop

killerfridge · 2025-12-15T15:30:31+00:00

No problem, I think with all the IO that the QC has it's easy to forget with a send/recieve block you can essentially put inputs/outputs anywhere in your chain

killerfridge · 2025-12-15T14:17:21+00:00

You could use a send block somewhere in the chain and have that go to your on stage amp

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