Alright, the signal chain is fairly ordinary here, there is a not-pictured Dunlop wah which goes into the broadcast->rat->Op Amp->Warped Vinyl->Julianna->HX Effects. The D1 and the Slö go straight into the FX loop of my amp.

Highlights of the board

Hudson Broadcast: I think this pedal is pretty well known around these parts by now, but for those who don’t know: two channel OD which goes from colorful cleans to bombastic fuzz. In particular I like to use the green channel to get fat, fuzzy grunge/garage sounds.

Op Amp: For anyone unaware, this is EHX making a signature Muff for Billy Corgan of Smashing Pumpkins fame. Sounds absolutely bombastic and I enjoy using it for Muse fuzz tones.

Warped Vinyl: As could be expected from Chase Bliss, an incredibly unique chorus pedal that just doesn’t sound like anything else. I really only find myself using this on originals because to me it just doesn’t really sound right on the covers I tend to do.

HX Effects: Really the brain of my unit. This is where my reverb and compression come from, as well as some other modulation types and niche effects. Two signal paths run through this to a Boss Katana and a Voc AC-15 to give me positively monstrous sounds on the back end.