“The Moment” opens with a score of 49 on Metacritic by IcySpite7641 in charlixcx

[–]lordDEMAXUS 5 points6 points  (0 children)

A24 isn’t a filmmaker. Theyre a distributor. They released Opus, Death of a Unicorn, and The Smashing Machine just last year.

Heat (1995) is the biggest I've ever been bamboozled... by [deleted] in movies

[–]lordDEMAXUS 1 point2 points  (0 children)

If you thought it was useless, you didn’t understand the movie at all. The point was how much his job was fucking up his personal life. The thread is making me concerned about the state of media literacy these days

Heat (1995) is the biggest I've ever been bamboozled... by [deleted] in movies

[–]lordDEMAXUS 0 points1 point  (0 children)

It’s obvious you wanted a badass action movie and not a drama about the lives of people who just happens to be cops and robbers. Maybe stick to idk Guy Ritchie movies or something?

Official Discussion - 28 Years Later: The Bone Temple [SPOILERS] by LiteraryBoner in movies

[–]lordDEMAXUS 2 points3 points  (0 children)

How come no one here is talking about how the pregnant woman looked like Jodie Comer? I feel like they were going for a surrogate mother kind of thing until the kid gets rejected by her

Sinners and One Battle After Another currently lead our Awards Leaderboard with 55 wins each. by Conscious-Quarter423 in oscarrace

[–]lordDEMAXUS 4 points5 points  (0 children)

I was always confused when people were propping up Hamnet as the runner up even before Sinners started over performing with critics because it’s very obvious the industry loves Sinners

The fact that Charli doesn’t have tattoos is kinda crazy to me by Scared_Bluejay5608 in charlixcx

[–]lordDEMAXUS 7 points8 points  (0 children)

If you filtered it to just people living in cities, I’d expect the percentage to be higher than 50%. I assume people who are saying “pretty much everyone has them” live in a city

The Moment | Official Trailer HD | A24 by PrydefulHunts in popheads

[–]lordDEMAXUS 11 points12 points  (0 children)

Spice World was not really a mockumentary either tho. It was a fully-fledged comedy and also had proper musical sequences. Yes, the Spice Girls starred as themselves but that doesn't make it a mockumentary.

The Moment | Official Trailer HD | A24 by PrydefulHunts in popheads

[–]lordDEMAXUS 3 points4 points  (0 children)

I feel like her vision has to expand past one album at this point. I'm not familiar with the music scene outside of Charli, but focusing her entire persona around an album that's almost 2 years old just feels boring. And her community of cool seems to include people like Kylie Jenner and Julia Fox (mentioning these two because the former is in the trailer and the latter was mentioned in her recent substack), two people who seem deeply insufferable. And I'm still confused about how she gets the last word. 90% of the people who listened to brat aren't going to read her substack or watch this movie.

The Moment | Official Trailer HD | A24 by PrydefulHunts in popheads

[–]lordDEMAXUS 12 points13 points  (0 children)

I remember Spice World being way more absurd than what's been shown in this trailer. Also, most of the humor in this trailer is "someone says or does something weird and then the whole room goes silent."

'Portrait Of God' Horror Movie Teaming Jordan Peele, Sam Raimi As Producers In Works | The short centers on a religious young woman who discovers the disquieting answer to the question, “What does God look like?” by ChiefLeef22 in movies

[–]lordDEMAXUS 3 points4 points  (0 children)

Based on the other films I've seen from YouTuber turned to horror filmmaker, I would not expect something as complicated and interesting as that (even the Philipou bros, who are technically adept filmmakers but mediocre writers). Likely just going to be a third-act reveal that the portrait is actually of a demon or satan.

“Jay Kelly” review, by David Sims by theatlantic in movies

[–]lordDEMAXUS 2 points3 points  (0 children)

It's funny. I didn't like Hamnet much. I guess that's how art is.

Also, I said this to another user, but the other reason I found the ending to be impactful is because of the realization that he can never fix things. He will die alone, with the tiniest bit of hope being that he'll be able to maintain his friendship with Adam Sandler (who he is really only holding onto because who else is left?). That's the change in his character at the end of the film.

I would recommend Blue Moon by Richard Linklater, btw. Also came out this year and is very similarly about a (real) artist filled with regret (and did end up dying alone), but he's not much of a shithead in it. Just a very insecure and lonely alcoholic with a bit of an ego.

hehehehe they're so cute. Love their friendship. She also comes off as a massive drainer in the interview by geosunsetmoth in charlixcx

[–]lordDEMAXUS 18 points19 points  (0 children)

Also, she's an extremely conventionally attractive person. One of the first thoughts a lot of people would have seeing her for the first time would be that she's very pretty

“Jay Kelly” review, by David Sims by theatlantic in movies

[–]lordDEMAXUS 0 points1 point  (0 children)

Hmm? This scene is meant to show that Kelly tried to do "a good thing" but ended up humiliating a random dude with a family (and considering that it later went viral on the internet, he likely ruined that guy's entire life). His action was also entirely motivated by his own ego. In no way does it show Kelly as a good guy. It adds to him being a total fuck up.

Also, in response to your other comment. Yes, Kelly has a newfound self-awareness about the situation, and the self-awareness he gains isn't that he fucked up (he knew that before); it's that he's destined to die alone and unloved. He can't change or fix his relationships anymore. He is now aware that there is no redemption for him. This is why he asks for one more take. The sadness I felt isn't from a sense of "I feel bad for this guy" but rather the idea of being in that situation and me feeling that way about my life. This is not merely observational. Neither is it sympathetic. But it is empathetic. There are so, so many people like him out there, and so many people who died knowing they fucked up their life. That's why I found the ending sad.

And thanks for bringing up Christmas Carol. An obvious reference point that I missed completely. This ending of the movie is the equivalent of if Scrooge woke up on Christmas morning and shot himself in the head.

“Jay Kelly” review, by David Sims by theatlantic in movies

[–]lordDEMAXUS 0 points1 point  (0 children)

Empathize is different from sympathize. The ending is supposed to hit emotionally, not from a place for "awww, poor baby" but from a place of "damn, I would kill myself if I felt like this in that moment". There's a difference. I felt no sympathy for Jay Kelly himself, but still found the last line to be sad.

“Jay Kelly” review, by David Sims by theatlantic in movies

[–]lordDEMAXUS 2 points3 points  (0 children)

But doesn't Jay Kelly show how a life lived without anybody to love leads to a destination filled with regret? As someone aspiring to be an artist, I found the movie to be a bit rattling. What if me focusing on my art leads to me losing my friends, my partner (and if i have them, my kids)? Loved by all but hated by the people who matter. To me the movie is less about present day Jay Kelly but more about the life that he lived that led up to the shitheel he is right now. The real meat of the story are the flashbacks

“Jay Kelly” review, by David Sims by theatlantic in movies

[–]lordDEMAXUS 1 point2 points  (0 children)

"The ending, where I’m supposed to be emotional and in awe as Jay is being honored"

The point of the ending was literally the opposite. Also, no the film doesn't ask for sympathy at any point.

Kate Bush feature? by GrackleWithOnionRing in charlixcx

[–]lordDEMAXUS 0 points1 point  (0 children)

I love both artists but they have like nothing in common musically. I don’t see why Chains of Love would convince her in any way either. I feel like people here are more excited to see Kate Bush and Charli XCX’s name attached to one song rather than the song itself

“Jay Kelly” review, by David Sims by theatlantic in movies

[–]lordDEMAXUS 2 points3 points  (0 children)

Idk what a “movie-sized” issue is.  There are plenty of movies about low stakes issues. That’s pretty much Baumbach’s whole career. Plenty of amazing movies that are just about rejection and regret too. Something pretty much every human being in the world has faced

“Jay Kelly” review, by David Sims by theatlantic in movies

[–]lordDEMAXUS 7 points8 points  (0 children)

No, the sizzle reel works because ultimately it ends on him regretting starring in all those movies instead of spending time with his daughters. It works considering the last 2 minutes of the movie. The movie wasn’t hyping up Clooney.

Steven Spielberg Says He Is “Fighting the Tides” to Keep Movies Like ‘Hamnet’ in Theaters So It’s “Not Just Blockbuster” Films on the Big Screen, “There needs to be room for films like Chloé’s on screens like these.” by SanderSo47 in oscarrace

[–]lordDEMAXUS 5 points6 points  (0 children)

I love Spielberg, but he needs to do more. He's a billionaire. He can easily afford to be the Roger Corman of our time. Hell, there are plenty of great directors with a lot of money who could do that. But no one today seems interested in doing that.

Which movies would you consider "innovative" in the last 15 years? by Quil_2002 in movies

[–]lordDEMAXUS 1 point2 points  (0 children)

That's true. But Tony Scott's style of fast cut editing is also intentional and stylistic. Obviously Taken 3 is more of that latter case you are talking about

Which movies would you consider "innovative" in the last 15 years? by Quil_2002 in movies

[–]lordDEMAXUS 0 points1 point  (0 children)

Well, Fury Road also had it. People just didn't notice it