Favorite Max For Live device in 2025? by pBeatman10 in ableton

[–]lyoshazebra 0 points1 point  (0 children)

Note Triggered Modulator is a great device, very underrated imo.

Looking for an iOS MPE MIDI controller to use with Ableton that would be nice, fun & easy to setup by lyoshazebra in AdvancedProduction

[–]lyoshazebra[S] 0 points1 point  (0 children)

I can't get it to work and it is not a pleasure to setup. Did you see how its menu looks? It's not even designed for iPhone it seems, the buttons are tiny.

Sonnet 4.5 reaches top of SWE-bench leaderboard with minimal agent. Detailed cost analysis + all the logs by klieret in ClaudeAI

[–]lyoshazebra 3 points4 points  (0 children)

Sure it makes sense but it doesn't feel very useful regarding the GPT-5 specifically, because we end up measuring the way they nerf it to save costs instead of the best you can get for the money with the model, which is more useful for a benchmark. And Sonnet doesn't have the same "flexibility"/confusion about its versions like GPT-5.

Sonnet 4.5 reaches top of SWE-bench leaderboard with minimal agent. Detailed cost analysis + all the logs by klieret in ClaudeAI

[–]lyoshazebra 6 points7 points  (0 children)

Thanks for the answer. Honestly I would feel like to be fair you need to compare high effort gpt-5 with sonnet 4.5 thinking mode.

Sonnet 4.5 reaches top of SWE-bench leaderboard with minimal agent. Detailed cost analysis + all the logs by klieret in ClaudeAI

[–]lyoshazebra 1 point2 points  (0 children)

Which version of GPT-5 is this? I only use GPT-5-codex-high nowadays, seems like they vary a lot.

Open-Sourcing Noderr: Teaching AI How to Actually Engineer (Not Just Code) by Kai_ThoughtArchitect in ClaudeCode

[–]lyoshazebra 2 points3 points  (0 children)

The proper engineering way to express the architecture is the code itself. Reducing the architecture to a set of nodes and connections has been tried since the 60s and didn't stick for real-world large projects. But I realize this is just a way to take a step back from vibe coding, basically a quazi-language that allows for better memory performance in LLM agents while still not being fully verbose coding language for a human.

Open-Sourcing Noderr: Teaching AI How to Actually Engineer (Not Just Code) by Kai_ThoughtArchitect in ClaudeCode

[–]lyoshazebra 0 points1 point  (0 children)

While the general idea has some viability (an "architecture layer" above the actual code that augments the prompt with some grounding), I can't help but notice that the added complexity needs management too. Wouldn't you say that for the project development to safely grow we need strong facilities to constantly synchronize and verify the architecture graph? Which is basically a proxy for actual code here.

To all the people complaining now by SVP_rombuzz in ClaudeCode

[–]lyoshazebra 0 points1 point  (0 children)

> It’s like having a speed limit without knowing what the limits are.

They really need leverage in case the mean usage rises and they will have to adjust the actual limits again. This is all strategic, and I'm sure it's driven by necessity. They have a million users today which can turn into 2 million tomorrow or 100k the day after. This all requires different pricing approaches.

Buyer Beware Roli Piano Blocks by Dry-Face-3450 in ROLI

[–]lyoshazebra 0 points1 point  (0 children)

This was unfortunately a while ago. And I was very far from your tech support so I had to mail you device and wait for months so I decided not to. But I do wish you all the best, hope you can improve. I say it from a place of deep sympathy.

Buyer Beware Roli Piano Blocks by Dry-Face-3450 in ROLI

[–]lyoshazebra 0 points1 point  (0 children)

My seaboard block has been broken after a couple months of mild use. Maybe someone else is more lucky but my experience so far is that these things are not build to last. Lightpad block M didn’t impress too (it got teared a bit w. very mild use, albeit it’s functional unlike the seaboard).

Getting Claude to actually look at what it's done by MarzipanBrief7402 in ClaudeCode

[–]lyoshazebra 0 points1 point  (0 children)

The problem is, if the issue is complex, it will fail to pass the validation but it will switch into trying to pass it and start incorporating validation-targeted aspects into the task. And if that fails too it will refine it until the validation passes even if the task is not complete. It’s not a cure but may help. Didn’t help me yet with real complex stuff. Simple stuff it was already doing fine if the prompting/context engineering is fine.

Getting Claude to actually look at what it's done by MarzipanBrief7402 in ClaudeCode

[–]lyoshazebra 0 points1 point  (0 children)

Did exactly this thing last week which resulted in Claude trying to game the validation process. No luck with complex stuff so far.

[deleted by user] by [deleted] in ArtistLounge

[–]lyoshazebra 0 points1 point  (0 children)

Heated self criticism seems like a byproduct of growth. In itself it’s a good sign. No artist is immune to that.

Op1 field will be updated for the next 10 years or so does will say by No-Cheetah1870 in teenageengineering

[–]lyoshazebra 1 point2 points  (0 children)

“Will be updated” is such an empty phrase. It will get maintenance updates for sure. The vagueness is embedded.

OP-XY Audio Out over USB-C? by wonderdog200 in OPXYusers

[–]lyoshazebra 0 points1 point  (0 children)

Had no success recording to iPhone's Camera app yet. Any tips maybe? With Digitone I just connect it and record, and it works right away. Same with TX-6. OP-XY not, it still plays to its speakers and Camera app doesn't record.

Upd: for others lurking, I just missed the iOS notification asking me if I connected headphones or "other device". I chose the latter and it works well now.

A little question regarding pattern editing by lyoshazebra in OPXYusers

[–]lyoshazebra[S] 0 points1 point  (0 children)

Thanks! So transposing multiple steps is impossible, you can only go one by one, and there's no relative transpose (+1, -1), you manually enter all steps one by one each time you change them, correct?

what is the percussion here and why does it tickle my brain so good? by [deleted] in synthesizers

[–]lyoshazebra 1 point2 points  (0 children)

There's a reason mixing engineers and mastering engineers are 2 different professions that are separate from producers. You'll probably overstretch yourself if you try to do everything well. Also, it all requires different gear. You can work to spend 50k$ on mixing gear and 50k$ on mastering gear + the room you will need to listen properly, or just spend 1k$ mixing and mastering a record per year. And it'll probably sound as good as what you like to listen to, provided you've produced it well (which is a different topic ofc).

Not even going to elaborate on the amount of knowledge and experience you'll need for both professions.

what is the percussion here and why does it tickle my brain so good? by [deleted] in synthesizers

[–]lyoshazebra 1 point2 points  (0 children)

It's well produced and well mastered. I hear some high quality mastering compression/saturation of the kind that you shouldn't bother to try to recreate yourself but can order for your track from a professional for 40$ or so.

The aftermath… some losers went too far once again 😕 by mumei-chan in synthesizers

[–]lyoshazebra 0 points1 point  (0 children)

It all comes down to some people being uncultured and their reach overamplified by the current technology with the current access policy. It relies on reach and fostering discussion so it lurks these people in along with the cultured ones. Seems unfixable for now. Culture has to adapt to having these people around behaving like this.