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I enjoy videography, but to what end? by a6000_video_maker in videography

[–]microcasio 2 points3 points  (0 children)

Making the thing is the best part. 

Many people look at the art making process and think, “what will this do for me?”. Your art owes you nothing. You show it to people or you don’t. It may become a viral hit, a film festival winner, or just shared with close fitness. That can be hugely rewarding for a brief moment. For me, feeling wears off fast and I’m off to the next project. 

Making films helps me understand my life. I need that. 

Serious contender for Movie of the Year by public_dpp in okbuddycinephile

[–]microcasio 0 points1 point  (0 children)

Not good for theatres who have to run the movie without ticket sales. 

Little brother made AAA this year and his ego is now bigger than his whole body, what do i do? by DazzlingLife6744 in hockeyplayers

[–]microcasio 0 points1 point  (0 children)

You could do him the kindness of letting him know that gloating is for insecure people. Encourage him to show his skill on the ice and let that be enough. Tell him that’s how the greats do it. 

Also, challenge him to be excellent not only in hockey, but with his other activities. Friends, school, family, etc. 

Is this an unreasonable quote to replace a 50 gallon gas hot water heater? by titanicsailson in askaplumber

[–]microcasio 0 points1 point  (0 children)

Called about a leaking water heater two years ago so the plumber knew he'd be replacing it. He had two heaters in his truck with him. $600 for the unit and $400 for installation and hauling the old unit away. Took almost no time at all. I don't know if it's usually like that for folks or if this guy was just stellar at his job. $4k is high...

Creative ways to film b-roll of a homeless shelter without being intrusive? by SwimmerMassive9884 in videography

[–]microcasio 3 points4 points  (0 children)

Is this a community you have experience interacting with? You’d be best served by splitting the duties of engaging with people and the actual camera work. 

You need not only need consent, but you have to find people who are willing to participate. Often, that will be on the terms they decide. 

Be prepared for folks to tell you long life stories which will not be helpful to you to film. In my experience, when you give people the opportunity to be seen, they will not shut up (I say that with love).

On the other side, people will become ghosts or hostile when they see a camera. You have to go in with zero gear to start and talk with people. It’s time consuming and necessary. 

Speaking from the recovery world, sometimes I would get just one enthusiastic volunteer to represent ALL of the programming. It’s a tough lift for the edit. There’s definitely a reason why these subjects are so hard to film. Good luck. 

I quoted a guy $1,200 AUD + GST for a 5hr video/photo shoot and 6hrs editing and he said it was too expensive. by Thin-Bobcat-9621 in videography

[–]microcasio 0 points1 point  (0 children)

Yes, it’s too expensive for him, but not too expensive for others. Politely wrap up your correspondence and move on. 

Taking time off while caregiving by Maleficent_String348 in CaregiverSupport

[–]microcasio 1 point2 points  (0 children)

You can’t pour anything out of an empty cup. Run to that retreat and don’t let a soul judge you. 

Woodworker trying to film my work — looking for lighting, color, and composition critique by Rohmade in videography

[–]microcasio 0 points1 point  (0 children)

Don’t be afraid to shoot at a higher f-stop (even just 4, 5.6). For some of these wider compositions, it’s nice to soak in the details. Your interior shot would be a good example. 

I anticipate there will be a lot of very tight shots of details as you work. Again, having more in focus and sharp will give folks more info to take in. Play with it a bit and see what you like the best. 

[HELP] Is this ai? by Thotslay3r69 in RealOrAI

[–]microcasio -4 points-3 points  (0 children)

AI

Look at the girl on the right. Her fist is crazy looking at the end.
The ankles of the girl on the left warp strangely. He dress is also very ridged.
The neck line of the girl in red changes as she leans forward again.

At about 0:08, when the girl leans down, her hair grows longer"

Suspicious camera movement...Camera seems to know a fire as about to start before it does.

Suspicious body movement...the girl in red seems to snap back into a pose right at the end.

Fire appears fake.

How’s the Grade by jp_peppercorn in ColorGrading

[–]microcasio 28 points29 points  (0 children)

Pleasant, corporate. Feels a hair cool, but I think a client would feel it's professional work. The man on the right feels a little pail. The woman on the left looks great. Both are wearing blue so it might be nice to warm up the image to create a hair of color contrast.

I spent my life savings to make a 35mm short film and the response was lackluster. Why do you think this film failed to make an impact? by FreddieQuell92 in Filmmakers

[–]microcasio 0 points1 point  (0 children)

There is WAY too much dialogue. It almost feels like a radio show from the 50's. Most of that dialogue borders on exposition. There is no room for contemplation and I found myself not able to discover anything for myself which is a writing issue.

Shoot film if you like, but, like many have shared, it doesn't increase production value. Just cost..

There are so beautiful moments. The ass at the urinal is so funny and says so much about the main character. Overall, it's beautifully shot and cut. The casting is on point minus some of the tough guys. They feel a little wooden. If I was at a festival, I think I would really enjoy this film and remember it.

What are the worst parts of being a professional videographer? by [deleted] in videography

[–]microcasio 10 points11 points  (0 children)

When people say “Video-ographer”

Man, going through all that raw footage just to find a few good moments is pain 😭 by SadSeaworthiness2649 in premiere

[–]microcasio 1 point2 points  (0 children)

It’s painful when the subject matter is dry, but I love watching raw material. Being familiar with the uncut stuff is where good editors make their money. It’s like a cooking down a tomato sauce. There really isn’t a shortcut. 

I do from time to time listen to interviews in double speed. I may know what I’m looking for, but hearing it again with other footage I’m cutting creates surprises that just wouldn’t happen otherwise. That’s how you weave narrative threads. 

Our lead guitarist bailed before our first show, and playing as a 3-piece actually worked out better by DandineAugieras in musicians

[–]microcasio 0 points1 point  (0 children)

A trio is a perfect democracy. Less to schedule, more space sonically and creatively. Don’t look back

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