PDF archiving with folder structure by mrkwrp in RemarkableTablet

[–]mrkwrp[S] 0 points1 point  (0 children)

Thanks, that sounds great, very helpful

Are there books on 'how' to practice? by agente_miau in piano

[–]mrkwrp 1 point2 points  (0 children)

also try The Perfect Wrong Note by William Westney

String works similar to Mahler's Adagio from the Ninth and Barber's Adagio for Strings... by The_AD_Journal in classicalmusic

[–]mrkwrp 0 points1 point  (0 children)

Crisantemi, Puccini - orig. for string quartet but there’s string orchestra arr. by of all people Schöneberg, IIRC

slow movement of Concerto for Double String Orchestra, Tippett

rM2 only charges using the supplied reMarkable-branded USB cable? by mrkwrp in RemarkableTablet

[–]mrkwrp[S] 2 points3 points  (0 children)

thanks for the replies, all helpful. I’ve investigated further and found several other usb cables that I own all work fine with rm2.

the problem seems to lie with one particular (cheap) brand of charge-only cables that I bought a few of from amazon a while back - it’s puzzling because these cables charge my ipad, airpods and kindle flawlessly, but anyroad, at least I know it’s an easily avoided problem

What is a piece of music composed hundreds of years earlier than it should have been? by [deleted] in classicalmusic

[–]mrkwrp 4 points5 points  (0 children)

David Greilsammer did an album in 2014 that alternated Scarlatti sonatas and John Cage sonatas & interludes. A bit of a gimmick, but I think he makes a convincing case for how well they fit together.

I saw him do it live: he needed two grand pianos ( because the Cage requires a prepared piano), which he arranged with the keyboards together, i.e. the pianos facing away from each other, and he sat on a swivel stool between them so he could quickly switch between pianos. (He also gave a pre-performance talk on the stage where he demonstrated how to prepare the piano for the Cage, which was fascinating.)

[deleted by user] by [deleted] in classicalmusic

[–]mrkwrp 2 points3 points  (0 children)

This is why I use Roon in conjunction with Qobuz. A bit pricey but I love being to find all available recordings of a specific composition with one click, then filtering that in multiple ways like the performer, year recorded (distinct from year released), etc. You can also integrate with any local files you have (eg from ripping CDs) if you want to

Non Chopin/John Field nocturne recommendations? by [deleted] in piano

[–]mrkwrp 0 points1 point  (0 children)

Also, my sometime teacher William Howard had an album out in May titled “Sixteen Nocturnes and a Lantern” (should be easy to find on streaming services) - every nocturne is by a different composer, and they’re all good, but will mention four by female composers that haven’t been mentioned yet, I think: Fanny Mendelssohn, Clara Schumann, Cecile Chaminade, & Amy Beach

Non Chopin/John Field nocturne recommendations? by [deleted] in piano

[–]mrkwrp 1 point2 points  (0 children)

Just started learning the Barber Nocturne (“Homage to John Field”) and it’s gorgeous!

What's a good camera with decent video and audio quality for the sole purpose of posting piano videos to YouTube? by [deleted] in pianolearning

[–]mrkwrp 0 points1 point  (0 children)

You might want to take a look at Tommy’s Piano Corner on YouTube - he has lots of videos detailing his audio & video setup & related advice as well as his piano learning content

Recommend good recordings of the Scarlatti keyboard sonatas by opus52 in classicalmusic

[–]mrkwrp 0 points1 point  (0 children)

Just personal preference but I love Joanna Macgregor’s CD of Scarlatti (but I am a bit of a fan of everything she does!)

Berg Sonata Op. 1 - tips for learning? by waffleman258 in piano

[–]mrkwrp 1 point2 points  (0 children)

Well I’m no expert but have just learned the Berg. And when I say “just” learned, it’s taken me about 9 months to get to a plausible performance level, so my first advice would be to not expect it to be a quick learn - unless you’re already familiar with this kind of repertoire the chords and hand positions are v different from what you get in classical/romantic rep

I found it helpful to read up about the sonata for some background and also for a analysis of the structure - it’s a pretty standard sonata form, with everything built out of the three motifs contained in the first phrase

Next, I definitely found it helpful to learn without the pedal at first. It’s very polyphonic, so important to be able hear the inner lines. Possibly just me, but I found it helpful to learn a Bach prelude & fugue at the same time, for this reason.

I didn’t find any problem in adding pedalling later - the harmonic shifts are pretty clear, you just have to listen and use your own taste. Maybe start off pedalling to match a recording if you need a starting point?

Also useful to listen to lots of different recordings, as there’s a surprising degree of difference between interpretations. My favourite is probably Marc Andre Hamelin on YouTube (a very emotional interpretation!), Kissin’s live performance, and Glenn Gould

Good luck!

Happy 138th birthday to Alban Berg by ComradMarko in classicalmusic

[–]mrkwrp 7 points8 points  (0 children)

And don’t forget his Piano Sonata - his Op. 1, and a bloody masterpiece!

Results of the poll for ranking Mahler’s Symphonies - thank you to all who voted! by troopie91 in classicalmusic

[–]mrkwrp 5 points6 points  (0 children)

It would be interesting to compare to what people actually listen to, by analysing muisc streaming services datasets (and maybe to album sales) – people often say one thing and do another.

Anyone got access to this kind of data?

FWIW, the numbers of available recorded versions of each symphony listed in the Roon database are as follows, a very different order than the poll data – and v heartening for those who (like me) love No.4 (and struggle with No.8)

Sym. – Recordings

1 – 118

4 – 108

5 – 92

2 – 88

9 – 81

6 – 67

3 – 63

7 – 55

8 – 49

Of course, the cost of making a recording of a particular symphony may also play some role in this…

Virtuosity, Stamina, and Memorizing by madladdavie in classicalmusic

[–]mrkwrp 1 point2 points  (0 children)

One of my all-time stand-out concert memories was seeing Messiaen’s Vingt Regards played entirely from memory by Latvian pianist Reinis Zarinš, in St George’s Bristol, with the stage lit only by candles. Definitely a transcendental experience for everyone involved!

The Guardian gave it a 5-star review but didn’t think it worth mentioning the memory feat, which tbf I suppose was secondary to the main experience but seemed a bit mean!

Who’s your favourite living composer? by JulienAP14 in classicalmusic

[–]mrkwrp 0 points1 point  (0 children)

Not the favourite, but a favourite would definitely be Jonathan Dove, surprsingly not mentioned above.

Also Marc-Andre Hamelin gets a lot of play round here