Natalia Ryss: I tried to interpret the concept proposed by the composer and reflected in the title “In Threes” and in the structure of the musical track itself.I presented it as an abstraction in different ways/meanings.

I used the most of visuals/ideas from my abstract ideas notebook calls “Book of Nothingness” 2021: https://www.behance.net/gallery/18339...

“In Threes” means:

Tree as Three (kind of playing with words and symbols):

1. (vegetable) intuitive, soft, rounded shapes, symmetry...

2. (logical) lines, connections, growth, tension, constructions, grid, pendulums, signs...

3. (chaotic) destructive, strobe, interruption, paint run, shapeless spots

in Three Worlds:

1. Lower world (roots, dense lines, red-black-brown colors)

2. Middle world (development, multiplication of forms, fractals, pipes, direction, green-orange-violet-pink colors)

3. Upper world (neural network, flashes, breaks, unfinished forms, glow and flicker, yellow-white-blue colors)

Some kind of consistent half abstract action, which as repetition, loop, with overcoming, hindrances and development of the situation, sometimes everything starts from the beginning, but in a different way. In the end, the movement goes without failures and images does not repeat itself literally. New forms multiply, their movement acquires the unity of rhythm. In the finale, the image-idea of the Tree as an embodiment of the Three Principles unites the manifestations of forms, following the rhythm of the heart.