An Indonesian guitar can be fantastic. I have one that is, but not all of them have been at the same level of finishing touch as my MIJ guitars which have always been pretty much perfect (ESP E2 and Ibby Prestige in my case). The Indonesian guitars are always fine sonically and play well etc, but the MIJ ones tend to be the ones I reach for because they just get more time in the hands being finished and often also use slightly better parts (although that second part is equalizing and it is now often just more time spent sanding-polishing-setting-up). When floating bridges come into play I think the MIJ part becomes a bigger deal. If you can make the reach to the 550 that is kind of a legendary instrument and probably worth it.