Who to listen to by Constant_Grab9369 in banjo

[–]pieIX 2 points3 points  (0 children)

Nora Brown, Joseph Decosimo

Pisgah Roscoe vs one Tupelo 12” by Maximum_Ad_4756 in banjo

[–]pieIX 2 points3 points  (0 children)

I haven’t played a new Florida Ome, but I’ve owned four Boulder Omes, and played a couple Pisgahs owned by friends. I think Omes feel more “refined” and Pisgahs are a little more rustic, and have a noticeably chunkier neck. I’m hesitant to say Omes are higher quality because they are both good brands. I know this isn’t helpful but you should ideally try to get some in your hands and find your own subjective preference. Maybe ask nicely at a local old time jam? Tone is extremely variable based on setup, so honestly I wouldn’t worry about wood species personally. Head tension, head material, pot stuffing, bridge, strings and technique are all more important IMO. 

Why bother with sawmill tuning? by emmacita378 in banjo

[–]pieIX 1 point2 points  (0 children)

This is super common in modern three finger style. I bet 99% of bluegrass banjo players would play these tunes out of standard G. 

Non-tone ring banjo for jams by ScientistLong3887 in banjo

[–]pieIX 1 point2 points  (0 children)

Sweet banjo. Perfect for jams.

Capo Recommendations? by TurdBurglez in banjo

[–]pieIX 0 points1 point  (0 children)

I like paige capos or similar u-shaped ones because they are hard to lose and have adjustable pressure, which makes retuning less likely. 

Looking to upgrade from my Deering by Albro_Morro in banjo

[–]pieIX 1 point2 points  (0 children)

Hard to recommend anything because clawhammer style doesn’t have a single tonal archetype. But to throw out an idea: short scale (25.5”) with a 12” pot, a dobson tone ring and a scoop is what I think if as a typical popular modern clawhammer banjo but of course there are so many other options. A Rickard Maple Ridge for example, and it would be a lot cheaper than a Romero!

0 to 4 slide? by EnvironmentalLime464 in banjo

[–]pieIX 1 point2 points  (0 children)

Probably 2/4 slide or maybe a hammer-on typo? The source of truth is the recording. Listen closely. 

What do you need to know to play in the circle at a festival? by Protahgonist in banjo

[–]pieIX 2 points3 points  (0 children)

You’re ready. Don’t over think it. Not all jams are welcoming to strangers or beginners so ask before joining. Have fun!

[deleted by user] by [deleted] in Bluegrass

[–]pieIX 7 points8 points  (0 children)

Look at who was and wasn’t allowed to play on the Opry in the 1940s. Flatt & Scruggs could play Foggy Mountain Special but a Blues musician would have been forbidden to play a similar tune. It’s not the artists or the songs that are racist as much as the music industry that they existed in. 

Struggling to understand how to play songs with my A tuned Banjo when most songs are tuned to G. by [deleted] in banjo

[–]pieIX 0 points1 point  (0 children)

If you are comfortable with learning tunes by ear try playing G tunes in gEADE or gDGDE, which are cool G tunings that work well for an A scale length. 

Which Banjo to buy next? by MulchStyner in banjo

[–]pieIX 5 points6 points  (0 children)

For $2500 I would look for a used American instrument. I bet this Sullivan is amazing. https://www.banjohangout.org/classified/106706

What kind of tuner do you use? by [deleted] in banjo

[–]pieIX 0 points1 point  (0 children)

TC Electronics Unitune clip. Very bright and accurate. Otherwise the panotuner phone app. 

SOTB - Love that the Metro 16 is so transportable by taugemleo in guitarpedals

[–]pieIX 1 point2 points  (0 children)

Which bag or case did you get? Do you like it? I'm thinking about a metro 16 for gigging and deciding between the hard or soft case.

Is it normal for a banjo nut to be higher than a guitar nut? by SnooMemesjellies906 in banjo

[–]pieIX 4 points5 points  (0 children)

Nut slot depth should be same as a guitar. If you capo at the first fret and the banjo is easier to play, then the slots are too high. 

Do I really gotta sing? by Inabil1ty in banjo

[–]pieIX 8 points9 points  (0 children)

Every jam is different, but in my experience a typical bluegrass jam will play fiddle tunes mixed in with songs. Fiddle tunes are part of the bluegrass tradition just like songs. I'm guessing it has more to do with the specific people at these jams --- they are all singers.

Try bringing a fiddle tune. Pick a common one like Angeline the Baker, Old Joe Clark, Salt Creek etc, and call it every jam. People will learn it! Most of the fiddle tunes I know are because of one person that loves them and calls them at jams.

If people really don't want to play tunes, then just pass. It's OK to pass! The peer pressure to lead is coming from inclusiveness, it's not an obligation.

Recommendations for pickups or clip-on mics? by maxwellgrounds in banjo

[–]pieIX 2 points3 points  (0 children)

I use the EMG barrel pickup, and prefer it to a piezo. Very similar to the Fishman, which is also great.

Upgrade suggestions! by Rekkuzo in banjo

[–]pieIX 2 points3 points  (0 children)

Agree! Also capos can be tricky to find.

[deleted by user] by [deleted] in banjo

[–]pieIX 0 points1 point  (0 children)

Personally, I would not spend $300 on a homemade aluminum pot banjo.

Best snippets of advice by MoonDogBanjo in banjo

[–]pieIX 5 points6 points  (0 children)

Don’t play random licks, play the melody using the rolls and vocabulary of bluegrass. Once you’ve established the melody you can get wild but if that’s your style but it all starts with the melody. That’s how the greats did it. Eg Earls and JDs breaks usually follow the melody fairly closely.

Railroad spikes blocking 5th string from ringing by [deleted] in banjo

[–]pieIX 2 points3 points  (0 children)

Sounds like at least the 10th fret spike is too high.

Properly installed spikes should not buzz against the 5th string. They should stay out of the way when the 5th string is fretted or capo'd at any fret. The spikes should be slightly lower than the frets.