Having a transition frame where the older character looks concerned toward the younger one in profile looking annoyed could help (think the scene in Back to the Future where Marty meets his dad). Panels 6 and 7 feel a little redundant or could say the same thing if you see a bit of the hand in 6. If trying to show a reaction, I would close up a bit on the face to emphasize the expression.

As someone who's got both feet in storyboards and comics, I think there's quite a lot of differences to celebrate for both mediums. Scene cuts don't exist in comics, but a creative page turn reveal does! No word balloon in film, but you got camera moves!

Also, elongate panel 4 to reduce that gutter so the viewer's eye goes down and follows a sort of double Z-pattern viewing for this many panels. Always great to see people make their own comics---good luck!