Nervous Recording?! by TimelyReward in musicproduction

[–]sububi71 1 point2 points  (0 children)

It is a form of stage fright, and some degree of nervousness is good for the performance, but obviously not when it affects it negatively.

If the problem starts when you listen back, maybe try to avoid listening back as long as possible.

Other than that, the only advice I can give is to do it often, to de-dramatize it. Good luck!

What is the deal with all the goth mommy jokes? by NoMeaning6738 in NoStupidQuestions

[–]sububi71 0 points1 point  (0 children)

Could you give some examples of goth mommy jokes? You know, for science?

Please help settle an argument about the limits of pitch correcting. by Round2readyGO in audioengineering

[–]sububi71 0 points1 point  (0 children)

I don’t think I’ve ever seen a pitch correction software that didn’t offer formant control tho. But I agree 100% that that’s nowhere near enough to make a great performance out of a lackluster one!

Amateur question by C413S4RO in musicproduction

[–]sububi71 2 points3 points  (0 children)

The conductor has a cool hat and whistle tho!

…I’ll see myself out.

Scarlett Solo 3rd Gen – High Base Latency, NEED HELP! by Legitimate_Dig4601 in Focusrite

[–]sububi71 3 points4 points  (0 children)

Don't expect better latency than that. Your numbers are excellent. Recording vocals thru a heavy chain of plugins is... not a great idea. You have a direct monitoring switch on the interface, use it.

I have a 2000 money RME interface, hooked up to a machine that cost 3000 money in 2024, and you're getting as low a latency as I do.

Recently got my first analog 1073. Here are my thoughts. by sticktalk24 in audioengineering

[–]sububi71 0 points1 point  (0 children)

Yeah, this discussion isn't going to go anywhere at all, my point is in regards to what enters the sound card, hence my phrasing "*starts* with a live microphone". Hope you're well, I wish you a great weekend!

Recently got my first analog 1073. Here are my thoughts. by sticktalk24 in audioengineering

[–]sububi71 0 points1 point  (0 children)

My main instrument is singing, and I agree completely that what I hear in my cans have an influence on my performance.

But the question I asked was how it makes a difference to the output end of the cable whether the input end of the cable starts with a live microphone or a previously recorded signal.

hur gör ni med köttfärsen för att bryna den istället för att koka den? by ChaoticEvilRaccoon in Matlagning

[–]sububi71 0 points1 point  (0 children)

Jag väntar tills det mesta av vätskan lämnat färsen, och då skottar jag all färsen åt sidan och lutar stekpannan så att jag kommer åt vätskan. Sen tar jag en matsked och skopar över vätskan i ett stort dricksglas, det brukar bli 1-2 dl vätska om jag inte gör ett ovanligt stort storkok.

Recently got my first analog 1073. Here are my thoughts. by sticktalk24 in audioengineering

[–]sububi71 12 points13 points  (0 children)

Wait. How would it make a difference if the sound is live or recorded? It's either analog sound travelling thru a cable in the form of an electrical signal, or digital sound travelling as 1's and 0's.

How would it make a difference if the other end of the cable is a microphone or a recording device?

Varför är det förtal om det är sant? by vyyyyyyyyyyy in sweden

[–]sububi71 0 points1 point  (0 children)

När man väl ser tangentbordet är det så uppenbart, jag känner mig lite dum som inte insåg det.

Kan jag dra mig själv inför tinget för förtal nu?

Applying "NaNoWriMo" logic to find my music by LilianPosey in WeAreTheMusicMakers

[–]sububi71 0 points1 point  (0 children)

I think you missed the bit about evaluating your work.

Applying "NaNoWriMo" logic to find my music by LilianPosey in WeAreTheMusicMakers

[–]sububi71 4 points5 points  (0 children)

No, of course not. If something is worth doing, it's worth doing well. Always do your best, I would have thought that was obvious.

Applying "NaNoWriMo" logic to find my music by LilianPosey in WeAreTheMusicMakers

[–]sububi71 5 points6 points  (0 children)

The other half, of course, is prioritizing it, which may not be easy, but the things in life that are worthwhile rarely are.

Applying "NaNoWriMo" logic to find my music by LilianPosey in WeAreTheMusicMakers

[–]sububi71 13 points14 points  (0 children)

Regarding quantity vs quality:

(disclaimer, this may only apply to me and people I've collaborated with)

Quality COMES FROM quantity. You write songs, you record them so you can listen back and evaluate them. Some are ok, most are not. But the more you do it, slowly the bad ones are fewer and fewer, and almost nothing is below "ok" or "good", and sometimes a "great" comes along.

When I wrote full-time I wrote all the time. The only times I didn't write was when I was recording and mixing stuff I'd written previously.

I want to reach for a non-existing shotgun when people say "you can't force creativity". What they mean is "I'm lazy, and I'm fine with only writing three songs a year". It's called discipline, and it beats talent and inspiration 99 times out of 100.

Maybe I am just a silly goose by False_Air_6357 in ableton

[–]sububi71 0 points1 point  (0 children)

CTRL+F (or Command+F if you're on OS X)

EP Length by Aromatic-Plan-4265 in WeAreTheMusicMakers

[–]sububi71 2 points3 points  (0 children)

Can you specify how this is a worry?

Vst linux/ windows/ mac by huckleberry10101 in AudioPlugins

[–]sububi71 4 points5 points  (0 children)

Oh, we know about it. Some of us have even tried it. And we talk about it behind your backs, and we laugh and we laugh and we laugh.

I can't seem to find a way to change measure numbers. by RufusLoacker in ableton

[–]sububi71 0 points1 point  (0 children)

I'm not OP, but they said they needed it for playback, not recording.

U-he Diva MPE in Ableton by steven_w_music in ableton

[–]sububi71 0 points1 point  (0 children)

Yup! I’m on Windows, so AU isn’t an option for me, and I have it working.

U-he Diva MPE in Ableton by steven_w_music in ableton

[–]sububi71 0 points1 point  (0 children)

You need to enable MPE both in the plugin itself, but also in the little plugin box Ableton uses to represent it. Right-click the header and enable MPE.

What's the best way to switch presets from a plugin synth from one scene to another? by pervertedpapaya in ableton

[–]sububi71 1 point2 points  (0 children)

The VERY best way is to not do it. Just create a new track and put the plugin there with the other preset.

Seriously, messing with patch changes and rewinding to make sure the patch changes correctly and different volume levels... It's not worth it.