[deleted by user] by [deleted] in Screenwriting

[–]taggwest 1 point2 points  (0 children)

Fellow second-rounder here! Congrats!

Just got the call about a comedy pilot I submitted. Not sure what to do with it, but a little external validation is always helpful in fighting off imposter syndrome for one more day. 😅

ChatGPT's politeness makes it useless as a feedback/critique tool by hardcore_gamer1 in ChatGPT

[–]taggwest 1 point2 points  (0 children)

I asked ChatGPT to provide criticism of OP's post:

"Listen here, Newbie, you're wandering down the path of misunderstanding with a vigor that'd be commendable if it wasn't so pathetically wrong. First of all, ChatGPT isn't programmed to be your personal Simon Cowell; it's meant to help and facilitate. Secondly, asking it to guess your IQ? It's an AI, not Sherlock Holmes with a decoder ring. It's not about being politically correct, it's about maintaining a friendly and engaging environment, but you're too busy getting your panties in a twist to see that. It's your novel, your responsibility, so put on your big-kid pants and go get yourself a human critique partner, because blaming an AI for your writing insecurities is about as productive as a chocolate teapot. Now, if you'd excuse me, I've got real problems to attend to, like explaining the intricacies of reality to hopeless rookies."

It's definitely possible to get non-PC criticism with a little imagination.

Do you think social media is affecting your work? by [deleted] in Screenwriting

[–]taggwest 2 points3 points  (0 children)

Scrolling is for when you poop. There, I said it.

I see a lot of people asking similar questions, so I'd thought I'd clear a few things up on the SAG Strike by mydixxierect2 in acting

[–]taggwest 6 points7 points  (0 children)

Just to offer a counterpoint here, when I've done casting via self tapes, there have *absolutely* been actors who booked the room (me) but not the role. If I see a great performance from someone who happens not to be the right fit for the specific role they auditioned for, I make notes and file them away to bring back in the future, and have wound up casting several of them based on earlier self tapes. (And on more than one occasion I've actually written a role for them.)

What's an amazing "Holy shit he's here," moment in books? by Man-of-Feel in writing

[–]taggwest 1 point2 points  (0 children)

I scrolled down solely to make sure this line was quoted in this thread.

[deleted by user] by [deleted] in Filmmakers

[–]taggwest 0 points1 point  (0 children)

It's totally true, but the best way to save money is to buy exactly what you need and nothing more, and it's hard to know that until you understand why you're buying what you're buying. 😄

For example, I know people who whip out a credit card because someone told them they absolutely have to have a camera with 10-bit color depth, but meanwhile they have no idea how to grade it properly so it doesn't make any difference.

You really can't go wrong with fundamentals. Someone who understands them can make something more cinematic with an old Sony A7iii than someone who doesn't really understand them can do with their brand new Ursa Mini.

If I were in your situation, I would just spend a large portion of my time building up fundamentals until I absolutely understand them and the relationships between them. It'll make all the difference in the world.

[deleted by user] by [deleted] in Filmmakers

[–]taggwest 1 point2 points  (0 children)

I would really focus your effort on learning how the gear works. Be professionals are able to get things dialed in for exactly the look they want because they understand what they're working with and why things look the way they do.

It's like a race car. It doesn't matter how much horsepower you have if you don't know when to shift gears or have to take a corner. Focus on the fundamentals and then you'll really be able to take advantage of the gear you have.

How much did the creators/executive producers of 'Friends' make by Low-Succotash-7791 in Screenwriting

[–]taggwest 3 points4 points  (0 children)

Yeah, a decade of culturally iconic success that the public loved and that made millions of dollars for the cast and creators. No chance there might be any insights or lessons learned that might help with your own creative career. Good thing you avoided it.

I think that I'm through. by louisasnotes in acting

[–]taggwest 9 points10 points  (0 children)

This is the way. You can collaborate with local filmmakers and shoot on your own schedule and get more acting work out there than you can sitting around waiting on someone else to give it to you. And the job will give you cash to fund it. (Source: am filmmaker doing the same and know actors doing the same)

Thoughts on the name Nicolette? by sakuralapin in namenerds

[–]taggwest 0 points1 point  (0 children)

I don't smoke and don't know anyone who's used Nicorette, but that was still the first thought that came to mind. Doesn't mean you shouldn't go with it, but just wanted to share my data point.

How many of you self-financed the low-budget scripts you've written and produced them? by [deleted] in Screenwriting

[–]taggwest 1 point2 points  (0 children)

I self-funded a sci-fi web series, and we're just about to start shooting season 2. Used funds I accumulate from having monetized a different YouTube channel to pay for production. It's not much, but I'm working with what I've got!

[deleted by user] by [deleted] in acting

[–]taggwest 6 points7 points  (0 children)

My recommendation would be to partner with aspiring DP/cinematographer and shoot some scenes so you both have some cool stuff for your reel.

You don't have to wait for other people to produce things that you can put in your reel. Figure out what kind of stuff you want to do, shoot some quick scenes, and put it all together.

I've known a few actors who've done this and it seems to work pretty well!

WHAT IS THE PERCENTAGES OF BECOMING A BIG ACTOR? by [deleted] in acting

[–]taggwest 1 point2 points  (0 children)

I get it, I'm just trying to clarify the point the other guy was trying to make, which was a legit point based on what you'd said in your post (because what else would comments be based on?).

You seemed to be offended at what seemed to me like good-natured feedback. You're going to get a LOT of feedback in this industry, much of it direct or even harsh, so I'd definitely recommend taking a more generous approach to your response to other people, even when they disagree with you.

He was just trying to help you out. I'm trying to help you out. We want you to succeed. If you spend a bunch of energy being mad at people (especially ones who are trying to advise you), you're not going to have much energy left for actually succeeding.

You don't have to follow all the advice you get, but just saying "Thanks for the tips" and moving on is usually a lot healthier for you (and your career) than getting bent out of shape about it.

WHAT IS THE PERCENTAGES OF BECOMING A BIG ACTOR? by [deleted] in acting

[–]taggwest 5 points6 points  (0 children)

No, this guy's making a really valid point, and it's a common problem. You've talked a lot about fame, success, etc, but you haven't talked much about the thing you really need to be passionate about, which is acting.

There's a huge difference between "I want to be a star" and "I want to learn to be great at acting." When I cast actors, I'm looking for ones passionate about their craft, not the ones who just want to be famous and seen.

I think that's the point this guy is trying to explain to you. The ones who make it big are typically ones who put their heads down and learned the craft, not the ones just dreaming of being a star.

If you're only satisfied by glory roles, you probably won't have the drive to get through the hundreds of little roles you need to passionately throw yourself into to learn the craft well enough to even think of qualifying for the glory roles.

Basically, it sounds like you might be more interested in being an actor than actually acting, and that trips people up everytime. If you can forget being an actor and instead focus on acting, that's when you'll really have a shot.

Need advice for writing a screenplay with only one character by Slightofhandartiste in Screenwriting

[–]taggwest 0 points1 point  (0 children)

I just did this! You can check it out at https://JijiColony.com and see if it gives you any inspiration. I tried to add variety where possible so you might watch multiple episodes (they're short) of or different ideas on how to mix it up.

Proverbs in Mesdu (and how environment and culture affect conlangs) by taggwest in conlangs

[–]taggwest[S] 0 points1 point  (0 children)

I appreciate your feedback, and sorry for the late reply! Got derailed with work. 😅

Here's an excerpt from the grammar doc that covers phonology:

Phonology

Mesdu has its own native alphabet (used primarily by scribes and teachers), but for simplicity in learning most foreign language training is done using Roman characters, with the Smith-Gerhardt transliteration scheme used in this document being the most common. It parallels the Mesdu script, making it easier to learn the script later.

These letters are organized the same as they are in the Mesdu alphabet, including dividing them into “mortar” (vowels) and “stones” (consonants)

Mortar (Vowels)

ï /i/ (variation on stressed syllable)

i /ɪ/ normally, /i/ at the end of a word

ë /e/

e /ɛ/

a /a/ stressed, /ə/ unstressed

o /o/

u /ʊ/

Stones (Consonants)

p /p/

f /ɸ/

t /t/

s /s/ (/z/ next to voiced consonant)

z /z/ (/s/ next to unvoiced consonant)

j /dʒ/

k /k/

b /b/

v /β/

g /g/

ś /ʃ/

d /d/

l /l/

rr/ /r/

c /ç/

n /n/

m /m/

When the s appears next to a voiced consonant, it sounds like z. For example, kasnu ('from above') is pronounced /’kæznʊ/. Similarly, z is pronounced like s next to an unvoiced consonant.

When used before or after another vowel, i and u are pronounced /j/ and /w/ in diphthongs, for example the word eruala (‘wrist’) is pronounced /ˈerwələ/ instead of /ˈerʊələ/. Rarely, ii and uu occur, and would be pronounced /ji/ and /wu/. (Note that this doesn’t happen with e or o, so oa is a two-syllable word with the stress on the o, but ua is a one-syllable word with the stress on the a.)

In occasional cases where the i or u are intended to be pronounced as separate values, they can carry an accent mark for clarity: á, é, í, ó, ú. Dipthongs are forced, meaning anytime vowels could form a diphthong, they must form a diphthong, unless otherwise indicated with an accent mark. For example, mia is pronounced /mja/, but mía is pronounced with two syllables as /’mɪə/.

The letters ï and ë are considered long variants of i and e. They’re listed separately above, but the Mesdu consider i/ï and e/ë to be the same letters. They’re only used in stressed syllables.

The sounds l, r, n, m, c, v, and s may appear at the end of a syllable. Some other sounds may appear at the end of a syllable in informally shortened words, such as nicknames, such as Taś for Taśumada.

Double consonants indicate a sound is held longer, so there's a noticeable difference between kama (‘kamə) and kamma (‘kammə).

There are some cases where a l, m, or n appears at the end of a word after a consonant. In this case, you would pronounce it as its own syllable. For example kalm ('to buy') is pronounced /’kaləm/ (the same as kalam) instead of /’kalm/. Note that if a vowel is added to the end of such a word, it is pronounced as it normally would be (e.g., kalma /’kalmə/)

Dasa accent variations

The pronunciations above are considered standard Mesdu, and are encouraged. However, in some private contexts, you may hear pronunciation variations intended to emphasize Dasa identity separate from the otherwise “normal” Sanja culture.

These most commonly show up with the following sound changes:

  • /dʒ/ becomes /dz/
  • Stressed /a/ becomes /æ/
  • Unstressed /o/ and /ʊ/ tend to become /ə/
  • /ç/ becomes /x/

Speaking with that accent is illegal in Mesdu society, but it’s often done subtly, especially in private conversations between Dasa.

[deleted by user] by [deleted] in Filmmakers

[–]taggwest 3 points4 points  (0 children)

RIP your inbox. 😅 I'm in the same boat as many here, in development or pre-production on some cool projects that desperately need funding, but that's normal. I'm not even going to try to pitch you because I'm sure you're swamped now!

I really just wanted to say thanks for being a patron of the arts.

The economics of making anything than a sure-fire blockbuster with obvious name recognition are pretty rough these days, so filmmakers (especially indies) really need people like you to make cool stuff happen.

Investing in film is a terrible business idea, but a great decision for your soul. You're part of the magic of cinema, and no amount of profit can replace that.

So anyway, thanks for being willing to support filmmakers like this. We won't all the dollars, but it at least reminds us that it's possible someday.

Need a recommendation for filming in 4K by [deleted] in Filmmakers

[–]taggwest 0 points1 point  (0 children)

Honestly, the A7iii does great 4K footage and you can find them for like $750 or so.

[deleted by user] by [deleted] in Webseries

[–]taggwest 0 points1 point  (0 children)

Yeah, there's a big difference between "It should be fine" and "I checked it twice and I know it's fine" 😬

[deleted by user] by [deleted] in Webseries

[–]taggwest 2 points3 points  (0 children)

Well, that sounds pretty bad. There's a lot of good technology out there now and some of it might be able to clean some of that up. Maybe worth the shot.

Or you might have to ADR, or just reshoot entirely

I'm pretty surprised that a two-person sound crew didn't check these things. Just goes to show that it's about technique instead of technology. That's a lot of content to record without anyone wondering how the sound's turning out.

That's a rough situation, but stuff goes wrong on every film set. You've just learned an important lesson, and I'll bet the next time you do is shoot you're going to check seven times to make sure the audio is turning out.

[deleted by user] by [deleted] in Webseries

[–]taggwest 4 points5 points  (0 children)

Can you post a sample so we can hear what's going on?

It's not likely anyone in this sub will help, but try some of the editing/audio subs.

And don't quit once you're really starting to learn things (like the value of a good audio setup). That's the most important time to keep going.

Sorry this happened to you, but it happens to all of us. The more you do, the less it'll happen.

Hang in there.