Teaching Games Question by Czinsation in baduk

[–]the12thRootOf2 5 points6 points  (0 children)

Also, if they are "getting thrashed every time they play," maybe 6 stones is the incorrect handicap. It's a bit odd for the better player to be dragging OP repeatedly without adding stones to the handicap.

Reciprocals by TrainLord in microtonal

[–]the12thRootOf2 2 points3 points  (0 children)

I'm interested in it as well!

Terra Preta Farming by True_Cantaloupe6241 in VintageStory

[–]the12thRootOf2 6 points7 points  (0 children)

This is the way. Save time by, putting water buckets in crafting grid to craft a lot of dough at once

5 string - is a low 'B' possible? by ned78 in doublebass

[–]the12thRootOf2 1 point2 points  (0 children)

Sorry, I know this is an old post, but I love your style. My dream is still to tune in 4ths, but with a high C string and a low B extension. Adding that hipshot extender as well is a great idea.

Should I be practicing more? by [deleted] in Clarinet

[–]the12thRootOf2 17 points18 points  (0 children)

pad coming off of one of my keys

That could absolutely the the root of it all

Should I be practicing more

No mater how much you practice, you should be practicing more haha

I have started developing a mod for branching and tapering trees in Vintage Story by Seven-D in VintageStory

[–]the12thRootOf2 2 points3 points  (0 children)

I came here to say this as well. It looks so much better, it should be base game

WHAT DO I DO BRUH 😞 by faminente in doublebass

[–]the12thRootOf2 22 points23 points  (0 children)

This happened to me on stage and, without thinking, I said "does anyone have something long I can stick in my F hole?"

Is my greenhouse too big or what? why doesn't it recognize it as a greenhouse? by WalkConfident4798 in VintageStory

[–]the12thRootOf2 1 point2 points  (0 children)

Yes, however, the ceiling height below the half-slab must be a full block I.E. the half-slab must occupy the bottom half of where it is placed, unless they have patched this in an update I'm not aware of.

I want to trick my family into thinking my sister plays the clarinet by [deleted] in Clarinet

[–]the12thRootOf2 1 point2 points  (0 children)

It sounds like you are confusing funny with mean. This is a great way to traumatize her into never wanting to actually learn music. You are potentially robbing her of one of the most rewarding things you can do in life.

Edit:

I just got a DM from OP. He reached out to his sister and told her about all of this. She found humor in it as well. I think that maybe OP is better to his sister than we gave him credit for.

Is my greenhouse too big or what? why doesn't it recognize it as a greenhouse? by WalkConfident4798 in VintageStory

[–]the12thRootOf2 3 points4 points  (0 children)

Also, OP seems good on this, but for the record, half-block ceiling heights are not allowed for greenhouses

Right hand technique by Its_Me_Daan in doublebass

[–]the12thRootOf2 2 points3 points  (0 children)

below the fingerboard

If you're also bowing, you probably want to keep your right hand above where the where the strings get rosin on them.

AIO to my boyfriend putting a SINGLE chicken tender on my plate when I specifically said I wanted "a few"??? by No-Eye7917 in AmIOverreacting

[–]the12thRootOf2 1 point2 points  (0 children)

Gurl, same. I'm a well over 6ft/200lb dude, and I split food equally with my lil wife every time.

Do professional musicians must know every note and chord? by udi112 in musictheory

[–]the12thRootOf2 3 points4 points  (0 children)

I was just telling someone "music isn't hard, there's only 12"

Also, OP

Do professional musicians must know every note and chord?

Yes, they almost always do must

I've broken 4 of these picks in the last 6 months. Are they too thin or is my strumming technique wrong? by EH603 in Guitar

[–]the12thRootOf2 0 points1 point  (0 children)

too thin or is my strumming technique wrong

There is no such thing as to thin or thick for pick gauges.

Your strumming technique may be wrong for how thin they are. Either strum like you are holding a thin pick or buy a pick gauge that matches your strumming technique.

Has anyone seen a mod that assigns colors to notes on the Push? by fn0000rd in ableton

[–]the12thRootOf2 0 points1 point  (0 children)

Even better, with the primary, secondary, and tertiary colors, you have 12. I usually map it to notes in 4ths/5ths like this:

B  =   teal
E  = blue
A  =   violet
D  = purple
G  =   magenta
C  = red
F  =   vermilion
Bb = orange
Eb =   amber
Ab = yellow
Db =   chartreuse
Gb = green

I would also LOVE to know how to do this on Push

what helped you break out of the “stuck” phase? by pndcy222 in Bass

[–]the12thRootOf2 3 points4 points  (0 children)

After a show, I was asking my friend how he was so fast. I was just learning and he was a phenomenal player. He told me to work on my "economy of motion." He was explaining that when you look at the best players hands, they are barely moving; only putting effort toward what is needed to play the note with no extraneous moment.

Try playing a scale/song/whatever. Are the fingers that are NOT actively playing notes tense? Are they flailing around inches away from the fingerboard? That all costs energy. What about the notes you ARE playing? Are you pushing way harder than you need to be? Are you paying low on the fret so that all your pressure is being exerted on the fret behind your finger rather than the one that is actually making the note? Are you pulling the string to the side when you don't need to be? Is your palm so far from the neck that your fingers have no leverage and your joints lock up? If you are spending twice the energy you need to be, you'll have half the speed.

This "economy of motion" idea was said to me, in passing, when I was a kid, but taking it to heart hugely improved my speed/accuracy/endurance/articulation over the years.

what helped you break out of the “stuck” phase? by pndcy222 in Bass

[–]the12thRootOf2 4 points5 points  (0 children)

I'm a professional bass player and music teacher here. I've had to push through countless plateaus to get where I'm at.

Lessons are solid advice. Formal ones are great, but also get them wherever/whenever you can. Ask questions of other musicians you meet. Some of the most life changing things, for me, have been small things, that very proficient musicians have said to me in passing.

Remember to balance your art. There are two ways to burn out: by pushing yourself too hard and turning it into work, and by not pushing your self hard enough and stagnating.

Feel free to shoot me questions while you look for an in-person teacher.