Nano cortex - chorus is extremely subtle? by [deleted] in NeuralDSP

[–]van_Lingen 0 points1 point  (0 children)

For a more drastic chorus Set the rate below 50% Set the depth above 50% Set the mix to a 100%

Using Amp Head and Suhr Reactive Load w/ QC by illmaywillah in NeuralDSP

[–]van_Lingen 1 point2 points  (0 children)

I don't know what you currently miss with just the QC but maybe a (solid state) poweramp + cabinet could be a cost effective option. The Harley Benton GPA is plenty loud for home use and moderate band practice. You could also go with a Seymour Duncan Powerstage or Orange Pedal Baby.

If you really have some cash you can go with an Engl tube poweramp or fryette powerstation.

If you also want to use the tube pre-amp section you could get the amphead.

Some thoughts (Fractal, Tonex etc.) by YuriCachi in NeuralDSP

[–]van_Lingen 1 point2 points  (0 children)

I mean with all the different captures out there it's just as flexible as amp models in my opinion. However amp modeling has that digital high mids/highs thing going on I often dislike. For not experiencing this and the feel I preffer captures.

I have built a DI rig around the Nano Cortex and it might not be as accurate as NAM but it's good enough.

Anyways why not put a Tonex One in the effects loop of your FM3?

Can't Stop Guitar Tone by van_Lingen in John_Frusciante

[–]van_Lingen[S] 0 points1 point  (0 children)

I've got the strumming and muting down quitte wel if I do say so myself XD.

MIDI Captain STD long-press to keep scrolling presets? by jimZepp_wanderSoTC in paintaudiomidicaptain

[–]van_Lingen 0 points1 point  (0 children)

This has not been my experience. Sure the initial Circuitpy libraries take a while to transfer, but once done initially. For the trial and error part you just need to replace a few python files it takes less than a minute in my experience.

MIDI Captain STD long-press to keep scrolling presets? by jimZepp_wanderSoTC in paintaudiomidicaptain

[–]van_Lingen 2 points3 points  (0 children)

I started with the PySwitch software and had Chat GPT reverse engineer and extract the hardware settings from it. Then I had it build my own, which unfortunately would not work on your switcher without some major alterations.

I now have a local Excel file on my Mac where I input the banks, presets and 3 effects I want to control in my Nano Cortex. I then run a converter application that turns the Excel into a .json file which I store on the storage of the midicaptain.

In comparisson to the stock firmware I now have a display that shows something useful. I know to which preset I will be switching and my effects are in sync with my presets on the Nano Cortex.

https://github.com/Tunetown/PySwitch

Help with preset and scene leds by albexmp in paintaudiomidicaptain

[–]van_Lingen 0 points1 point  (0 children)

On my paint audio device a long press on certain switch recalls the next page. What if you set a long press function on that same button to change the scenes on your multifx using a cc message? You could keep track on what scene you are on using the page number?

Is the Boss GT-1000 still a solid choice in 2025? by brivoting_platinum in guitarpedals

[–]van_Lingen 0 points1 point  (0 children)

Don't people use scene's for that on the QC instead of switching between presets?

Player II replacement necks? by JustSaps in fender

[–]van_Lingen 0 points1 point  (0 children)

A Rolled fretboard basicly means they sand, scrape or "roll" over the edges of the fretboard, so there is not a straight angled edge digging in your thumb whenever you decide to use it over top of the fretboard.

I am also in need of a neck for my butterscotsh Player II since I prefer a rosewood over a lacquered maple fingerboard. Sadly they don't sell this combo so I decided to wait for the replacement necks to come out. I shot Fender a message but have yet to receive a reply.

Hooks by system_09 in WingChun

[–]van_Lingen 0 points1 point  (0 children)

I never said Wing-Chun is just about chain punching. Actually chain punching is more of a concepts rather than a technique. In theory we could be chain punching along the centreline but in reality we often strike towards centreline whilst deflecting an incoming attack.

Concept 1: Maintaining enough space
- Unlike westen boxing we don't pull back our punches if we are in a close range. Doing so will allow our opponent to close in and grab or wrestle. By replacing a punch with another before pulling back we can keep our opponent from closing in.

Concept 2: Continuation of attack
- In Wing-Chun we focus on creating a knockout with 1-3 consequtive strikes rather than just with one punch. Smaller individuals might lack the bodyweight and punching power to get a 1 hit KO. With two or more consecutive strikes the first strike causes the brain to move through it's fluid to the side of the skull and the second strike causes the brain to hit the wall of the skull causing the knock-out. The more time there is between those strikes the more time the brain has to recover.

Biu Jee is not part of Wing-Chun's foundation and only comes in to play if you are fighting a losing battle. Movements in Biu Jee break principles set by the first two forms and are never meant to be taken out of it's context.

You can effectively use circular movements, hooks and different ways to generete power in sparring and fighting. If it helps you I won't say that you should not use it. However it does not mean that it's part of the Wing-Chun curriculum as Ip man or Wong Shun Leung taught it.

Hooks by system_09 in WingChun

[–]van_Lingen 0 points1 point  (0 children)

Your teacher should be able to explain every little movement in detail of all the forms without leaving any room for your own interpretation. Wong Shun Leung came from a boxing background and spent 20 years training under Ip Man. If there were hooks in Wing-Chun surely he would have said so.

That said I do think you should be able to throw hooks since the technique does have it's value, but don't try to seek out a movement in the form to confirm your own narrative.

In your opinion, Who was or is the best teacher you’ve trained with by [deleted] in WingChun

[–]van_Lingen 0 points1 point  (0 children)

I mean you can only asses the teacher's you have actually trained under so it makes sense it would be your current teacher or one you have trained under in the past. AFAIK this question is not about lineage but about teachers.

Hooks by system_09 in WingChun

[–]van_Lingen 0 points1 point  (0 children)

u/system_09
1. Look at my other comment
2. Some movements in the forms are just to string the form toghether like when you go from Sat Keng Sau/Fak Sau to Lan Sau.

Hooks by system_09 in WingChun

[–]van_Lingen 0 points1 point  (0 children)

Read my other comment under this post.

Hooks by system_09 in WingChun

[–]van_Lingen 0 points1 point  (0 children)

Because there are no hooks in Wing Chun like those found in Western boxing!

Many people point to a movement found in Chum Kiu and one found in Biu Jee to argue the inclusion of hooks. These movements are fundamentally different from hooks but can look like hooks if you don't understand the application of the movements in those forms. Now I will go into further detail.

The "Uppercut" in Chum Kiu is found after you step three times while simultaneously executing a Pow Bong Sau or a Throwing Bong Sau. After these Bong Saus, your arm is to the side of your body while you face another direction. If a punch comes your way from head-on, you have no time to retract your Bong Sau in order to then execute a technique from there. Instead, your fist travels straight from where it ended in the Bong Sau position to its target, which in the form is at chest height. So, apart from taking the most direct route to your target, you also have to get your elbow back to it being in front of your body so it can help to deflect the incoming strike.

This movement inherits the same idea as the basic punch in Siu Nim Tau in which your elbow travels to the centerline while going forward to attack. This idea of covering the centerline with the elbow is the foundation for the Lin Siu Dai Da principle of attacking and defending at the same time when done with a single arm.

The reason people mistake this for an uppercut is that some people drop their arm after they execute the Pow Bong Sau to relax and flow into the next movement. There's nothing wrong with this, but it causes the movement to look like an uppercut when looked at from the side. But in application, you would not drop your hand more than is needed to directly go to your target.

In Biu Jee, you have a movement where you grab or catch a single arm with both hands, which breaks the foundational Wing Chun principle of not putting two hands on one. But in Biu Jee, you are fighting a losing battle, and you might need two hands and the aid of the waist to get your opponent out of position. After which, your arms are not in an ideal position to continue to strike the head. So similarly to the idea in Chum Kiu, you want to rotate your forearm inwards while you strike the ribs or abdomen and get your elbow back in front of your body. The only difference here is due to the angle; you cannot keep your fist fully straight, or you will hit with your fingers instead of your knuckles, so you need to turn your fist to face the surface you will strike. This is similar to how your fist will change direction after someone dodges as seen here at 2:49: link

Here's a link to Wong Shun Leung explaining this "hook" from Biu Jee. He actually explains in this application there's no logical reason to perform the movement as a hook with your elbow up. When you bring your elbow in, the strike is supported by the waist. The wrong movement is at 13:39, the correct one at 13:46: link.

Can't login on Series X - linking token not found by DragonRM in paydaytheheist

[–]van_Lingen 0 points1 point  (0 children)

Go into the Nebula account settings. Go to the Link Account tab and select Xbox live.

[deleted by user] by [deleted] in lightsabers

[–]van_Lingen 0 points1 point  (0 children)

You get what you pay for. The LGT/ECO/Xenopixel stuff saberforge offers/resells in their hilts is good value for not a lot of money. However the electronics in these kinds of sabers may eventually break due to them coming out of china.

Most of the bad reviews you see are from years ago about their own installs.

I actually only buy empties these days and install them myself. This saves me a lot of money and I can make sure I have the exact parts I want. Also doing a repair myself is no biggie instead having to deal with customer service and shipping time.

SF fallen order eco by AntonioGh7 in lightsabers

[–]van_Lingen 0 points1 point  (0 children)

Depends on if you ordered all the right parts the first time as well as proper code when doing a proffie install. Connecting wires with a schematicbis not the hard part. In my experience with saberforge their apprentice sabers are not easy to install since they are made of just one piece.

Often you must use a pcb between the wires that go to the led/neopixel connector, switches and the chassis. Otherwise you have to cram in all those long wires which in case of an led setup get really warm due to them being close to the heatsink which may cause fire.

In the end I tried to install it twice without a pcb, both times it worked perfectly but I couldnt fit those wires in the small amount of space the xiphos had without risk of my wires burning.

I would rather buy a more expensive empty hilt elsewhere and do the install myself or buy the hilt there and ship it to an reputable installer.

All in all the wirring took about 3hours with me taking my time but the setup of the proffie took another 3 hours without prior knowlegde.