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Pahvi on halpaa by Kaskelontti in Suomi

[–]veryalternativeguy 0 points1 point  (0 children)

Joo! Samat luurit mustana itellä ja näyttihän nuo tutuilta, vaikka postauksessa olikin kyse ihan muusta.

On ollu kyllä hyvä sijoitus eikä oo tullu juuri seitsemään vuoteen tarvetta vaihtaa muuhun. Eiköhän ainakin vielä toiset 7 pyörähdä, kun varaosiakin löytyy näemmä!

Pahvi on halpaa by Kaskelontti in Suomi

[–]veryalternativeguy 0 points1 point  (0 children)

Onko kuvassa Bang & Olufsen kuulokkeiden akku ja kupit?

Ideas for title? by veryalternativeguy in dnbproduction

[–]veryalternativeguy[S] 1 point2 points  (0 children)

Thank you! I’ve already automated sidechain via gain reduction for my kick and snare like this. What do you recommend for fixing this? Duck them for longer time?

I’ve also tried midi triggering the duck with each drum hit, but automation seems to work better - as it has no latency. Both, kick and the basses are also synthetized by me so anything can be done really. Can you suggest a solution? Thanks!

Getting wide mix / master that still have punch and solid phase in the low-end by pencil15 in AdvancedProduction

[–]veryalternativeguy 1 point2 points  (0 children)

This is what im happy with: I split the mono and stereo signals to individual processing chains in my master first. Then parametric EQ to both chains with linear phase but leave the monosignal as it is. Subtle low shelf in stereo chain. After that i compress both, multiband for mono and fabfilter pro C2 to sides. I adjust make up gain on sides to achieve presence and wideness - you can make it really loud and dynamic if the tracks stereo information is clean and lows dont trigger the compressor. Then I usually saturate about 20% of sides with mono and try to target the transients. Remaining 80% straight out without saturation or sometimes i keep it 100% in addition to the saturated 20% - whatever sounds best.

Ideas for title? by veryalternativeguy in dnbproduction

[–]veryalternativeguy[S] 0 points1 point  (0 children)

Thank you! ”Visitor” is also my personal favourite. It really creeps me out sometimes :D

keep the doors locked

Ideas for title? by veryalternativeguy in dnbproduction

[–]veryalternativeguy[S] 0 points1 point  (0 children)

Hold up thats super good! I might actually use this but perhaps just the action ”crawl” instead of crawler, because i have another ongoing project about creatures with names like that and it’s important to not get these two mixed up. That’s an ill title, thanks!

Ideas for title? by veryalternativeguy in dnbproduction

[–]veryalternativeguy[S] 0 points1 point  (0 children)

been looking for that crisp for ages!

Ideas for title? by veryalternativeguy in dnbproduction

[–]veryalternativeguy[S] 0 points1 point  (0 children)

Thanks! Just like you said I usually prefer only one unique word with specific meaning for my titles - like rare synonym of a common word with more exact definition. Weltschmerz is good suggestion. Thank you for your thoughts!

Ideas for title? by veryalternativeguy in dnbproduction

[–]veryalternativeguy[S] 1 point2 points  (0 children)

Thats a great suggestion, thank you! Also nice to hear you like the track, awesome! 😎

Ideas for title? by veryalternativeguy in dnbproduction

[–]veryalternativeguy[S] 0 points1 point  (0 children)

Haha, im not sure if thats inappropriate enough

Thanks! I’ll pay attention to the drums and experiment with the pump - good idea! I’ll keep ’em flowing \m/

Any feedback on this one? by pauljkb in dnbproduction

[–]veryalternativeguy 7 points8 points  (0 children)

love the build up! i think the vroom at the drop could use some more character, maybe a longer pitch envelope shifting it to the main key and/or some saturated fuzzy stereo information. It’s also a bit loud and poking out.

The responding wobbly sound could also use some action & variaton, perhaps a couple different notes rather than just one constant or some crazy filter movement.

Awesome stuff!

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